Atlanta: The Final Season | Official Thread | FX & Hulu

PlayerNinety_Nine

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Watching this week's episode in tears :laff:

"I must have drawn gloves dapping about 5000 times. :upsetfavre: "

Breh asked why they were trying to put a White boy in his movie when the animators asked him about Mickey :russ:

Now I'm curious about how the Goofy hats fit into the Amsterdam ep. from last season :ohhh:

Appreciate this window we have right now, brehs -- when this, Abbott Elementary and Sherman's Showcase are on TV back to back days.
 
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BlackMajik

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Shoutout to Peg from Goof Troop. Pete had him a baddie:wow::russ:





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mson

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Such a great episode...goddamn I'm going to miss this show...

Given some of these one-offs this show has pulled off & if that mindspace is where his head's at, I hope Glover does some kind of anthology show in a similar vein at some point in the near future, b/c these shyts are amazing...

The Bigfoot scene was going to be them buying Huey Newton's rattan throne to pass down generational lessons?!? Adina Howard up in the office? The Goofy gear crime scene photos?

This show is one of the GOATs and underrated as hell at the same time, and for those asking how they got the footage, FX and Disney are the same company now so it's just a matters of getting permission to use it.



This picture is epic even outside the episode. Should be a copy on the wall of every brother in the corporate world.
 

Tryna Makit

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Yo....I realized watching this I wasn't really a Disney kid growing up because I really had to Google if some of this shyt was true or not :mjlol:
And that makes me a goofy.... because I was questioning my own blackness for not knowing anything about this story.

And the reason I didn't know is because they made it up!:pachaha:
Never did I ever acknowledge Goofy as black...nor did I identify with him
And I didn't see Goofy movie as a black movie but I could see how some non hood black people would
 
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WIA20XX

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Real Facts - Character Analysis of the Goof; Sight and Sound, 1974, Spring - DIX project


In my opinion the Goof, hitherto, has been a weak cartoon character because both his physical and mental make-up were indefinite and intangible. His figure was a distortion, not a caricature, and if he was supposed to have a mind or personality, he certainly was never given sufficient opportunity to display it. Just as any actor must thoroughly analyse the character he is interpreting, to know the special way that character would walk, wiggle his fingers, frown or break into a laugh, just so must the animator know the character he is putting through the paces. In the case of the Goof, the only characteristic which formerly identified itself with him was his voice. No effort was made to endow him with appropriate business to do, a set of mannerisms or a mental attitude.

It is difficult to classify the characteristics of the Goof into columns of the physical and mental, because they interweave, reflect and enhance one another. Therefore, it will probably be best to mention everything all at once.

Think of the Goof as a composite of an everlasting optimist, a gullible Good Samaritan, a half-wit, a shiftless, good-natured coloured boy and a hick. He is loose-jointed and gangly, but not rubbery. He can move fast if he has to, but would rather avoid any over-exertion, so he takes what seems the easiest way. He is a philosopher of the barber shop variety. No matter what happens, he accepts it finally as being for the best or at least amusing. He is willing to help anyone and offers his assistance even where he is not needed and just creates confusion. He very seldom, if ever, reaches his objective or completes what he has started. His brain being rather vapoury, it is difficult for him to concentrate on any one subject. Any little distraction can throw him off his train of thought and it is extremely difficult for the Goof to keep to his purpose.
 
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