Actors of Liberdade want more blacks on stage and behind the scenes
By João Miguel Júnior
Actors David Jr. and Jorge Heloisa during the recordings of ‘Liberdade Liberdade’
All six black actors cast in
Liberdade Liberdade (Freedom, Freedom) have interpreted roles of slaves or servants in other TV productions. None of them portrayed to judges, farmers or teachers. None was protagonist of a Brazilian
novela. On Friday (May 13), the 128th anniversary of the abolition of slavery,
blacks are still an absolute minority on television, although the majority of the Brazilian population. The main Globo
novelashave 29 black actors, but only three interpret characters with higher education. The professionals who suffer racism in the plot and in real life, complain that there’s a lack of representation and stereotypes are leftover in national television drama.
Scene from ‘Liberdade Liberdade’
In the 11 o’clock Globo TV novela, the history of Brazilian black is told more broadly than the standard of productions of the era. In the plot, which takes place in 1808, there is a slave who maintains frequent sexual relations with his white female master, a black woman that was raised as a sister of a white girl and a freed black serving as a colonel of the Portuguese infantry.
In ‘Liberdade Liberdade’, the character Saviano is the sexual slave of his master Dionísia (2).
For the actor Bukassa Kabengele, 43, who plays the military colonel, the plot of the 11 o’clock novela differentiates itself by escaping the clichés about slaves and displaying scenes that have never been to the fore in other productions. But even so, he thinks blacks need more space in prime time.
“If we are talking about a public that today is certainly real, consumes and is part of the audience, I think there should be a relationship of more presence, evidence and number on TV. It gives the impression that [the situation] has changed and it’s changed indeed, but the [black] population is immense, so the proportionality still leaves (much) to be desired,” he says.
Globo TVs ‘Liberdade Liberdade’
According to the last census, 43.1% of the population considers itself
parda(brown/mixed) and 7.6% declares itself
preta (black). Between
pardos and
pretos, there would be 97 million
negros (blacks), which would make them the majority of the population, since the count is from 2010, when Brazil had 190.7 million inhabitants.
A slave for the third time
David Jr., 30, Saviano in
Liberdade Liberdade, is plays the role of a slave for the third time in his career (3). The others were in the series
A Cura (Globo, 2010) and in one theater piece. He has also given life to a security guard in
Geração Brasil (2014) and an outlaw called Meio-Noite (meaning midnight) in
Cordel Encantado (2011). Now, he is a double slave, he provides sexual services required to his boss, Dionísia (Maitê Proenca). Olívia Araújo, the slave Celeste, played the role of a maid in her last three novelas.
Lucy Ramos, who is the slave extortionist Malena, has also been a maidservant in the second version of
Sinhá Moça (2006). The exception was the psychologist victim of racism that she played in
I Love Paraisópolis (2015).
Actress Lucy Ramos in ‘Liberdade Liberdade’
The three are some examples of how most black professionals are still cast as characters of low economic level and that play social dramas. “Lack of representation, yes. There is, but there needs to be more. The more references on TV, the better for people to accept themselves, to assume themselves, understand their identities and understand that there is more than one type of black [physically]. You have to put blacks in all positions. There has to be a doctor, lawyer, not only the cleaning lady, the cook,” argues Lucy Ramos.
Among the four major novelas on the air on Globo currently (
Eta Mundo Bom!,Totalmente Demais,
Velho Chico and
Liberdade, Liberdade), only 29 actors of the main casts are black. Of these, only three interpret characters who work in professions requiring higher education.
Through its press office, Globo states that “doesn’t target its cast by ethnicity, social class, sex or religion. The cast is cast according to the artistic compatibility of the character and adequacy to the story.”
Fight against racism
Actress
Heloisa Jorge, who plays slave Luanda in
Liberdade, Liberdade, is Angolan and has already been protagonist of a novela in her country. She believes that although racism is a part of Brazilian society and has an impact in several areas (political, social, economic and artistic), black people are also positioning themselves against it.
“The struggle of the
movimento negro (black movement) and the prevailing laws of reparation here in Brazil have been mapping a path of no return. Representativeness matters and is far from being a joke,” she says.
David Jr. has received different treatment for being black and thinks that the change in the arts should happen more widely. “In the United States, the professionals, without distinction of ethnicity, produce themselves, direct themselves, I think it’s cool. Not that there’s no lack of space, but I think that also this lacks more,” he opines.
Actor Bukassa Kabengele in a scene as the character Omar in
Liberdade, Liberdade
Power behind the scenes
There is among the actors the view that if more directors, writers, producers and professionals behind the scenes were black, the situation would be different. “There are no black authors who fight for these issues [of ethnicity], we don’t know why they go by or not. But I think if there were more blacks holding positions in which they decide what will be done and what the profiles are that will be placed on the agenda, the chances [of having more black representation on TV] increase,” says Kabengele.
Among the main authors of the Globo novelas, none is black.
Xica da Silva (Headline, 1996), written by Walcyr Carrasco, was the first drama to have a black protagonist,
Taís Araújo, who later played the first black protagonist in a Globo novela (
Da Cor do Pecado, of João Emanuel Carneiro, shown in 2004). Today,
she and Lázaro Ramos are the main characters of the series Mister Brau.
“TV Globo is what has the most tele-dramaturgy products, is far ahead, and so it has opened more doors. But I don’t say that it’s enough to contemplate the Brazilian population. The fact is that the number [of black professionals in TV] is still below what Brazil deserves as history and as reality,” he adds.
Source:
Folha PE, Foros
Note
- An idea that Afro-Brazilians have taken to heart with a growing array of independenttheater and video productions being presented on stages as well as media outlets such You Tube.
- In this depiction, we see a continuation of the exploitation of the black male who can be enjoyed and discarded after his perceived hypersexualized performance has surpassed his usefulness.
- A situation that actress Solange Couto can relate to. After years appearing in supporting roles, Couto realized that she had portrayed a maid 25 times in her career.
https://blackwomenofbrazil.co/2016/...-both-airing-series-based-in-the-slavery-era/