Agreed. There's tons of stuff out there lately. That's the problem for me - it's soooo many choices and variety to choose from.
I dont know if you could call it a horror movie, but the twist was definitely creepy.
Add me @cac_viewer
I don’t but I’m thinking about it
James wan is that guy this decade. As much as I love get out, James Wan’s influence on horror this decade is incredible. So many copied his style but they can’t do itThis Was the Decade Horror Got “Elevated”
Whatever one might want to say about the past 10 years in horror, there’s really only one place to start: Blumhouse Productions. In 2009 the studio released its first breakout hit, Paranormal Activity, from director Oren Peli. Made on a budget of $15,000, the night-vision-heavy found footage thriller captivated audiences to the tune of more than $193 million worldwide. Two years later, Blumhouse produced James Wan’s Insidious, a $1.5 million project, on which Peli also served as a producer. Both films display masterful command of traditional horror tools like pacing and suspense. And Insidious, in particular, displays impressive restraint, refusing to let loose until the very end—a maneuver that makes its ending, in which Patrick Wilson’s father character, Josh, must venture into a demonic realm called the Further to save his son’s soul, all the more effective.
@MartyMcFly Blumhouse and Wan at the top of the charts
Holy moly they made insidious with 1.5mil.... Wan was a cash cowThis Was the Decade Horror Got “Elevated”
Whatever one might want to say about the past 10 years in horror, there’s really only one place to start: Blumhouse Productions. In 2009 the studio released its first breakout hit, Paranormal Activity, from director Oren Peli. Made on a budget of $15,000, the night-vision-heavy found footage thriller captivated audiences to the tune of more than $193 million worldwide. Two years later, Blumhouse produced James Wan’s Insidious, a $1.5 million project, on which Peli also served as a producer. Both films display masterful command of traditional horror tools like pacing and suspense. And Insidious, in particular, displays impressive restraint, refusing to let loose until the very end—a maneuver that makes its ending, in which Patrick Wilson’s father character, Josh, must venture into a demonic realm called the Further to save his son’s soul, all the more effective.
@MartyMcFly Blumhouse and Wan at the top of the charts
I keep forgetting - there's so much to keep up with.
