Your top 10 horror films of the decade.

Nicole0416_718_929_646212

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[Horror Movies 101] The History of Horror Cinema: 2011-2019 - Nightmare on Film Street

-Let’s face it, Hollywood has always been remaking movies. Always have, always will. The 2010s have been no different with A Nightmare on Elm Street (2010), The Crazies (2010), I Spit on Your Grave (2010) and Don’t Be Afraid of the Dark (2010), Carrie (2013), Suspiria (2018), Fright Night (2011), Poltergeist (2015), The Evil Dead (2013) and Maniac (2012) all getting the remake/reboot/retell treatment.

Sequels, a mainstay in horror cinema for decades by this point, also drove audiences to theaters in, well, droves. The Child’s Play franchise saw three new installments with Curse of Chucky (2013), Cult of Chucky (2017) and a remake of the original with Child’s Play (2019). There is also a Child’s Play television show in development from franchise creator Don Mancini simply titled Chucky to be released on the SyFy network sometime in 2020.


Other sequels of the last ten years include Hellraiser: Judgement (2018), the tenth entry in the Hellraiser series and Halloween (2018), the direct sequel to the 1978 John Carpenter original of the same name. The latest Michael Myers movie marks the eleventh film in the franchise with two more sequels scheduled for release with Halloween Kills in 2020 and Halloween Ends in 2021.

Cyber horror movies came to be when filmmakers began using tech as the basis of their scary stories. What better way to exploit the very things almost everyone uses daily than to turn them against us in horrific new ways? Followers (2017) uses the found footage sub-genre for its literal creepy take of social media and their ‘followers’ while Ratter (2015) and Share. Like. Follow (2017) tackle online stalking to frighteningly new levels. The Den (2013), Cam (2017) and Girl House (2014) give a dangerous peek at the world of spy cams and voyeurism, Ingrid Goes West (2017) gives audiences a terrifying view of social media stardom while Don’t Hang Up (2016), Unfriended (2014) and it’s sequel, Unfriended: Dark Web (2018) prove that cyberbullying can have some very serious repercussions.
 

Nicole0416_718_929_646212

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Thanks to streaming platforms like Netflix, Hulu, Shudder and Amazon Prime along with premium cable networks such as AMC, SyFy, and FX the stigma of low-quality television programming has become null and void. The Walking Dead (2010 – present), American Horror Story (2011 – present), and Bates Motel (2013 – 2017) are all proof that despite the different medium, the quality of these shows could rival any motion picture.

Hulu made some modest offerings with Castle Rock (2018 – present), Into the Dark (2018 – present), and NOS4A2 (2019 – present) while HBO gave us the likes of True Blood (2008 – 2014) and Tales From the Crypt (1989 – 1995). Fledgling horror streaming site Shudder has even entered the arena with A Discovery of Witches (2018 – present), Deadwax (2018 – present) and much beloved Creepshow (2019 – present) while more established sites like Showtime dished out delectable deviancies like Penny Dreadful (2014 – 2016) and Submission (2016).
 

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Chaos and Slashers 2011-2019:
To say that this decade has been eclectic in its genre and sub-genre releases would be an understatement. We had salacious slashers with You’re Next (2011) and Cabin in the Woods (2012), there were extreme exploitation films like Green Inferno (2015), psychological horror films like The Babadook (2014) and It Follows (2014), paranormal palpitations from The Conjuring (2013) and its entire movie universe. Insidious (2010) and its three sequels kept things spooky for the majority of the decade while historical horror was showcased in Robert Eggers’ pent up Puritan panic, The Witch (2015). Jordan Peele’s allegorical horror thriller Get Out (2017) drew critical acclaim for its horrific look at racism while Stephen King’s much-beloved novel, It was rebooted with It: Chapter One (2017) and It: Chapter Two (2019).

Indies:
Lesser-known indie films rose to prominence in the face of major Hollywood studio releases and made their indelible mark on audiences and critics alike. Frozen (2010) (no, not the one you’re thinking of) made us question going skiing ever again, Black Swan (2010) taught us to never trust a desperate ballerina, Devil (2010) put the fear of himself into anyone afraid to ride elevators, The Innkeepers (2011) shows that some ghosts don’t want to be hunted, Oculus (2013) made us cover our mirrors, Mama (2013) proved emphatically that family is deadly everything, and Don’t Breathe (2016) taught the hard lesson of not taking a disability for granted.
 
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Just caught the Korean film “The Wailing”. Enjoyed the movie especially for a horror film that was 2.5 hrs long.
What are the thoughts on the ending? Who was good and bad? .. from what I read, it seems like the director may have left it to be open interpretation and not know the truth
 

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Top 10 is too hard.

Found Footage
Grave Encounters
VHS
VHS 2
Gonjiam Haunted Asylum
The Conspiracy (2012)
The Borderlands
The Bay
As Above So Below
Creep
Creep 2
Hell House Inc
RWD
Afflicted

Gore/Kills
Dream Home
Laid to Rest
Laid to Rest 2: Chromeskull
Lesson of Evil
Terrifier
Kill List
Kidnapped (2010)
Maniac (2012)
Evil Dead (2013)
Green Room

"Prestige"

The Wailing
A Girl Who Walks Alone At Night
I Am Not a Serial Killer
The House That Jack Built
I Saw The Devil
Get Out
Raw
Stoker
Annihilation
The Skin I Live In
Spring
Mother!
Hereditary

Misc
Dark Skies
Terrified (2018)
Apostle
Baskin
Rigor Mortis
What We Do In The Shadows
Tucker & Dale Vs Evil
Troll Hunter
You're Next
Excision
Septic Man
The Devil's Candy
Hush
1922
Veronica
Cam
Better Watch Out
 

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Just caught the Korean film “The Wailing”. Enjoyed the movie especially for a horror film that was 2.5 hrs long.
What are the thoughts on the ending? Who was good and bad? .. from what I read, it seems like the director may have left it to be open interpretation and not know the truth
So, I tried to look and see if the director had given any idea to who was what. Far as I can tell
The Japanese gut wasn't always possessed, when they chased him down the mountain he was human. The shaman was defientlty a bad guy, and the lady in white was good mostly. The thing I didn't understand was that the Mc's daughter was infected before they killed the Japanese guy so I wasn't sure why the woman in white said he was guilty, that was never explained. Idk it seems they lost the narrative somewhere.
 

OmegaK2099

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Too difficult but
Top 6
Sicario
Logan
Revenant
Wolf Wall Street
Skyfall
Django
 
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