Wu-tang: An American Saga | Season 3 | Official Thread

Ziggiy

Ziggiy

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beaniemac said:
god dammit!!!

why must lala show up in EVERY show I'm currently watching it seems. she literally adds nothing, and there are plenty of other up and coming black actresses that could use the opportunities she keeps getting given on a silver platter.
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She’s got the name and apparently a great agent.

Remember she’s been around for literally DECADES. She’s made a lot of connections.
 
TheJet

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-When I tell you I did a backflip when Rae and Ghost started plotting on where they gonna record the album...

-Liquid Swords!!

-funny ODB said the Puff remix ain't Wu Tang....then jumps on a Puff Remix
 
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BuddahMAC

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prophecypro said:
Watching episode 1 now

Had a visceral reaction about one cameo and how they potrayed them :pachaha:
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To be fair to that actor, watch Busta in Higher Learning and then watch that performance and you know the actor's source material. It definitely is not how he'd be at a mid-90s house party, but that is 100% how Busta acted in Higher Learning.

Digital Omen said:
That was one of the most horrible portrayals ever, shyt was :scust:

But then Shurrie appeared :ohlawd:

I forgot, did :takedat: produce the radio friendly version of All I Need?
I specifically remember ignoring that one and only bumping the Razor Sharp remix
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Puff took credit but Trackmasters produced the All I Need w/ the Biggie sample.

Poke: “That song is us. [We produced it] all the way. Everything. Big record, but the credits got twisted out. It’s listed as Puff Daddy as producer and drum programming by Poke, or some shyt like that. But it was us, all the way. It’s fukking ridiculous. A soon as the record comes out, we seen the credits like, ‘What the fukk!?! We just got dikked.’

“It was a big deal. You come in the studio, you’re making hot records, and you know that this shyt is fire. You’re going home thinking, ‘Oh, I’m good. I’m about to have this record come out.’ Then the fukking record winds up winning a fukking Grammy and you’re like, ‘Holy shyt, I did that record!’

“But when lawyers get involved, credits get fixed. It may not get fixed on the actual records though, because if you got a record that sold a million copies, there’s a million copies with wrong credits out there. It’s not like you can tell them to retract all the copies. All they do is fix it moving forward on the second or third shipment, so maybe 300,000 copies have the right credits.


That song is us. [We produced it] all the way. Everything. Big record, but the credits got twisted out. It’s listed as Puff Daddy as producer and drum programming by Poke. But it was us, all the way. It’s f**king ridiculous. - Poke
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www.complex.com

Trackmasters Tell All: The Stories Behind Their Classic Records (Part 1)

Poke and Tone talk about working with Biggie, Nas, Mary J. Blige, and many more.
www.complex.com www.complex.com
 
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