Yall still gonna peep it tho
They WILL find a way to put fakkitry or wenchery or BOTH in Black Panther 2degeneracy, fakkitry, and wenchery is all you gonna get from black hollywood going forward yall enjoy
Yall still gonna peep it tho
Oh this is older Rue? FiguresI swear they have her playing a bed wench
(EVERY) fukkin movie shes in.
crackas showed her what time it
was when she played Rue in hunger games.
#disgusting.
If all them smilies ain't feelings, I don't know what is. You sure got me told with your Fantasia smiley.I know damn well it's full of black people and there is no access to white people like that. Doesn't change a thing to my argument though
I'm talking facts and you're talking "if" "if" "if". Fact is that rhetoric of West Africa "c00ning" is false
You're out here putting issues that directly concern AA on the back of Africans like yall don't have any autonomy or say in the matter. Nobody forced your hand
The women hating on Michael B Jordan talking about black men don't support us, black men ain't shyt, that's why we should expand our dating pools... They were not manipulated or coerced by African women
And who's catching feelings? I'm just attacking the arguments I find weak and the rhetoric I find tired No sweat on my back
It’s almost like they want us to sympathize with Nazis more so than MuslimsHow many times are they going to make content with black women falling for racist white supremacist? How come they don’t put out 20 movies a year of Jews with muslims? fukk Hollyweird
Because it was the biggest, most significant war in human history.
And let's not get it twisted, there are many (non-swirling) African/black stories that came from WW2 that hasn't seen the light of day.
As far as the Amandla chick; she takes the roles she fits in
She
Save that shyt for history class and documentaries. Movies are supposed to be entertainment but nazi images in movies every year is low key making these white supremacist strive for infamy.
So is Jesse Williams and we all saw the fallout among black women when he started swirling. And if the director was a black male with this track record y'all would have a ban on all his movies.Technically, Amanda is biracial, so what exactly should black women be protesting?
Additionally, if we base this on LSA threads, Amandla is viewed as a joke for this movie, among other things. In regards to the director, she clearly has internal issues with her blackness. Not only does the director ignore the existence and black romantic relationships, she doesn't even focus on her own image - every single movie has a biracial lead.
She's becoming the icon of "interracial" relationships
I went see The Darkest Minds and she was all over that white boy But he had way cooler powers than the black nerd I have to admit
But the ad I saw just before the movie though left me is the agenda really real?
They had this man surrounded with ONLY black women I wonder why...
Sex transcends race once these weirdo c00ns get that shyt through their dumb ass skulls the better.The movie is pretty much what some c00ns think will make racist stop being racist. They think that having sex with a racist person makes them not racist anymore. So anyone who is pawging, or dating non-black are being hypocrites for calling anyone a bedwench. However, I feel this movie is trash. But Im not a pawg chaser so I have a right to feel that way.
She's starring in this coming out in a couple of months
Murdered Black male activist porn
Nah they started fetishizing that shyt almost immediatelyLike in what way? And I'm actually asking cause I know that Hollywood is weird and promotes/propagates a lot of twisted ass shyt, but Nazi men and Jewesses (of any stripe) has yet to be something I've seen them actively promote, but I'm always down for a good wench story regardess.
The few Hollywood backed movies that even touched on the subject of a jewess getting with an SS officer/Nazi have (to my knowledge) always been framed in a predator vs prey sort of light, with the Jewish female being the clear victim instead of romanticizing things.
In her latest interview with Variety for its Young Hollywood edition, Stenberg defended the film and Asante's intentions, saying that Asante's mission is to show how the government and society affected people's viewpoints for the worst during Hitler's control.
"I think something that is the most fascinated by and thinks is the most profound is the intersection of identity and how it’s changed by our environments and our governments and by our peers and our families, and that was her intention with Where Hands Touch," Stenberg told Variety. "She spent time writing over the past 12 years and it's her baby and her passion project...She always does what she does with a deep and open heart towards how she can portray identity and how through portraying identity throughout history, she can draw comparisons and hopefully teach lessons about what's happening now."