"What's the 'most work' Black Americans put in towards the Pan African movement?" -generic-username

Captain Crunch

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I don’t know if it’s been posted, but shouts to George Washington Williams. FBA, who was one of the first people to drum up international outrage against what King Leopold II was doing to the Congolese.

He wrote three open letters about conditions in the lands drained by the Congo River in Africa — then a private fiefdom owned by King Leopold of Belgium. He was one of the first to describe and criticize the exploitation of the Congo's indigenous people by their colonial overlords.

George Washington Williams told black Americans' story
 

IllmaticDelta

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IllmaticDelta

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The Black Arts Movement (or BAM) was an African American-led art movement, active during the 1960s and 1970s.[3] Through activism and art, BAM created new cultural institutions and conveyed a message of black pride.[4]

Famously referred to as the “aesthetic and spiritual sister of Black Power,"[5] BAM applied these same political ideas to art and literature.[6] The movement resisted traditional Western influences and found new ways to present the black experience.


aframs invited puerto ricans into this circle, also


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Felpie Luciano got into the Last Poets because of this association



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he also was a black panther associate which he talks about here (talks about how H Rap brown had to school a Rican on "blackness" )



which would lead to the forming of the Puerto Rican organization: Young Lords

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IllmaticDelta

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....the amount of west indians that were invited/up in Afram circles is too many to post:damn: but a few well known ones


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Louis Farakhan (Nation Of Islam)

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Stokely Carmichael (SNCC and Black Panthers)

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Hazel Scott (jazz)

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Sonny Rollins (jazz)



........it's too many; It would take pages to cover:lolbron:
 

IllmaticDelta

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Continental Africans (post-slavery) haven't been in the USA in large numbers as long as West Indians; but even then, Aframs have welcomed them into their spaces/circles.

Aframs let a Ghanaian run/lead the Fisk Jubilee Singers which performs AfroAmerica's most sacred music: The Negro Spiritual; which harkens back to slavery. For Aframs to allow this shows how much they believe in the Pan-Africanist spirit considering; many Africans have attempted to diss Aframs by calling them "cotton pickers":skip:that cotton picking experience is what birthed the Negro Spiritual


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Dr. Paul T. Kwami is Musical Director of the Fisk Jubilee Singers® and Mike Curb Jubilee Singers Endowed Chair.



Kwami was born in Ghana, West Africa, one of seven children. His father, a musician, taught him piano, violin, theory, and conducting. He studied music at Ghana’s National Academy of Music and taught there until immigrating to the US in 1983 as a student at Fisk University. He promptly joined the Fisk Jubilee Singers.

After graduating Fisk in 1985 he continued to study music at Western Michigan University and graduated in 1987 with the Master of Music degree. In the spring of 1994 he was solicited to serve as part-time director of the Fisk Jubilee Singers. In the fall of the same year, he was promoted to full time faculty member in the music department and became the Musical Director of the ensemble. He is the first African to direct the Fisk Jubilee Singers, and the first to hold the Curb-Beaman Chair position. He is currently the Mike Curb Jubilee Singers Endowed Chair. Kwami received the Doctor of Musical Arts degree in conducting from the American Conservatory of Music.

Kwami, a composer and arranger, feels a deep connection between Negro spirituals and the music of his Motherland. “The music we sing today helps to bridge the gap between Africans and African-Americans,” he says. “I am reminded of my life in Ghana whenever I hear the Fisk Jubilee Singers sing the Negro spirituals.”

The music also touches his spirit. He believes in the faithfulness of God, who was a source of faith, wisdom, hope and love for slaves and for the original Fisk Jubilee Singers.

He is an Associate Professor of Music at Fisk University.


Who We Are - Fisk Jubilee Singers




 
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IllmaticDelta

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Numerous South Africans were invited into Afram Jazz circles; which would later, benefit their international careers

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IllmaticDelta

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Jean Grae (the rapper is a cape colored) parent's were 2 of these South Africans that got put on by Afram Jazz circles/acts



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^^that's Jean Grae as kid in the picture with her mother

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IllmaticDelta

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.....on a more domestic level, Aframs have given the ultimate alley-oop in the Pan-Africanist agenda.






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America was remade thanks to the bodies and blood of African Americans -- whites and others also participated in the civil rights movement, of course, but, primarily, it was African Americans. The civil rights struggle, exemplified by the March on Washington, had revolutionary consequences. Part of its effect was near-term changes like passage of the Civil Rights Act of 1964, the Voting Rights Act of 1965, and the unsung but perhaps most effective anti-racist legislation of the period, the Immigration and Nationality Act Amendments of 1965, which, by allowing for immigration on a non-racial basis, put America on the path to being a majority-minority nation.

A Debt of Gratitude for the Civil Rights Movement | ACS


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Until the 1960s, this famous inscription which is found on the Statue of Liberty in New York Harbor, the site where many immigrants arrived in America in the early 20th century, applied only to whites. But thanks to the country's Civil Rights Movement, among other factors, immigrants of all colors were welcomed into the country.


The civil rights struggle in the US gained attention worldwide and became "a stencil" for human rights revolution world wide, argues Thaufer al Deen. He says that when the movement gained momentum in the mid-20th century, there were two groups which were still lacking basic human rights: African-Americans and black South Africans.

"The Civil Rights Movement became the stencil by which the freedoms and the human rights of South Africans was achieved," he explains. "The stencil of Civil Rights Movement is to boycott economically. Through it, the tactic of economic sanctioning to force governments to recognize human rights began. Economic sanctions were used to enable others to achieve human rights."

"This concept of heightened awareness in the world to the Civil Rights Movement brought attention to what was happening to immigrants in US. People came from different parts of the world and settled here representing different cultures, beliefs and identities," he says.

"It caused an informal lobbying on the morality of federal legislators that this is an area that has to be looked at. Americans of different backgrounds, as well as those who were sympathetic or reacting politically because of the lobbying of their constituent groups fought so that the quota system was enlarged and different people were allowed come in."

Today, America's Muslims are enjoying the fruits of the civil rights struggle and its impact on the country's immigration laws. Were it not for the sacrifices of African-Americans and their supporters, it is highly unlikely that discrimination based on color and ethnicity would have changed in America. Many of the Muslims who came to study, work and later establish their families in this country could simply not have done so had US immigration laws retained their discriminatory nature.

How the civil rights movement affected US immigration | SoundVision.com

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IllmaticDelta

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playing dumb will not save you from the facts:ufdup:


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^^let me know where this was happening anywhere in africa or the caribbean:pachaha:


related to the article above and something that will later post



from a legalistic angle

The Man Who Killed "Jim Crow"

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Charles Hamilton Houston

Charles Hamilton Houston (September 3, 1895 – April 22, 1950) was a prominent African-American lawyer, Dean of Howard University Law School, and NAACP Litigation Director who played a significant role in dismantling the Jim Crow laws, which earned him the title "The Man Who Killed Jim Crow".[2] He is also well known for having trained future Supreme Court Justice Thurgood Marshall.[3]

Charles Hamilton Houston, a renowned civil rights attorney, was widely recognized as the architect of the civil rights strategy that led to the U.S. Supreme Court’s 1954 decision, Brown v. Board of Education. He was also a mentor to Thurgood Marshall who successfully litigated the pivotal Brown case.

Houston was born on September 3, 1895 in Washington, DC to parents William Houston, an attorney, and Mary Houston, a hairdresser and seamstress. He attended M Street High School (later Dunbar High School) in Washington, DC. Following graduation, he enrolled at Amherst College in Massachusetts where he was the only black student in his class. Houston was elected to Phi Beta Kappa, the national honor society there. Upon graduating in 1915, he was selected to deliver that year’s valedictory address.

After graduating from Amherst, Houston returned to Washington. He joined the U.S. Army in 1917 and was trained in the all-black officers training camp in Fort Des Moines, Iowa in 1917. Houston was later deployed to France. While there, Houston and his fellow black soldiers experienced racial discrimination which deepened his resolve to study law.

Following his military discharge in 1919, Houston entered Harvard Law School. He excelled in his studies and became the first black editor of the Harvard Law Review. As a law student, Houston was mentored by future Supreme Court Judge Felix Frankfurter. In 1922 as Houston graduated with high honors, Frankfurter nominated him for the prestigious Frederick Sheldon Fellowship, which allowed him to study law at the University of Madrid.

Upon his return from Spain in 1924 Houston practiced law with his father, William, at Houston & Houston, and began teaching in Howard University Law’s evening program. Eventually he became Dean of the Howard University Law School.

Houston’s legal accomplishments eventually captured the attention of Walter White, the chief executive of the National Association for the Advancement of Colored People (NAACP). In 1935 Houston was hired as Special Counsel to the Association. Eventually he brought into the NAACP one of his Howard University law students, Thurgood Marshall. The pair traveled through the South in the early 1930s and noted the inequalities of black school facilities. In response they developed the legal strategy which challenged school segregation, first calling for the equalization of facilities for black students and then eventually calling for full integration.

Houston and Marshall first applied their strategy in 1935 when they took the Pearson v. Murray case, one of the first challenges to racial exclusion in public universities. Donald Gaines Murray, an Amherst graduate, was denied admission to the University of Maryland School of Law on the basis of his race. Houston and Marshall successfully argued that the state had violated Murray’s rights by failing to provide an adequate law school for his studies while denying him admission to the sole state law school on the grounds of race.

Houston continued to work with Marshall for the next fifteen years, laying the groundwork for the eventual Brown decision. Charles Hamilton Houston died on April 22, 1950 in Washington, DC at the age of 54, four years before the Supreme Court handed down the fateful decision that he had spent a lifetime planning and pursuing.












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