What's in your blu-ray collection?

OmegaK2099

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It me.

On this note, grabbing the 3 new ones from Flicker Alley soon. 2 Argentinian noirs and the recovered REPEAT PERFORMANCE which is quite good.
I see they been releasing James Cagney on blu ray any idea if they'll finally release Blood on The Sun on Blu Ray?
 

FlyRy

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Kino is killing the game and our wallets rn.

In February - Some Like it hot 4K/UHD

In March- 4K/UHD versions The Apartment, Touch of Evil, Eastern Promises

April - 4K/UHD In the Heat of the Night
 

Nero Christ

Sniper out now on all digital platforms brev
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Release date: March 22

Can you refuse?

Quote:
THE GODFATHER TRILOGY (5-Disc Set SRP $90.99)

Disc One: The Godfather (4K UHD)

Disc Two: The Godfather: Part II (4K UHD)

Disc Three: Mario Puzo’s The Godfather, Coda: The Death of Michael Corleone (4K UHD)

Disc Four: The Godfather, Part III Theatrical Cut and The Godfather, Part III 1991 Cut (via seamless branching) (4K UHD)

HDR: Dolby Vision & HDR10
Audio: 2007 Walter Murch-approved mix in 5.1 Dolby TrueHD and 5.1 Dolby Digital, plus newly-restored Mono (for films 1 and 2)
Legacy Extras: Screen-specific audio commentaries by Francis Ford Coppola (from the 2001 DVD release)
New Extras: Introduction to The Godfather by Francis Ford Coppola, Full Circle: Preserving The Godfather, Capturing the Corleones: Through the Lens of Photographer Steve Schapiro, The Godfather: Home Movies, Restoration Comparisons, Digital Copies of at least the films I, II, and Coda

Disc Five: Legacy Special Features (BD)

Additional Legacy Blu-ray and DVD Extras: The Masterpiece That Almost Wasn’t, Godfather World, Emulsional Rescue: Revealing The Godfather, ...when the shooting stopped, The Godfather on the Red Carpet, 4 Short Films on The Godfather (The Godfather vs. The Godfather: Part II, Cannoli, Riffing on the Riffing, and Clemenza), The Family Tree, Crime Organization Chart, Connie and Carlo’s Wedding Album, 2008 Credits, 12 Behind-the-Scenes featurettes (A Look Inside, On Location, Francis Ford Coppola’s Notebook, Music of The Godfather: Nino Rota, Music of The Godfather: Carmine Coppola, Coppola & Puzo on Screenwriting, Gordon Willis on Cinematography, Storyboards – The Godfather: Part II, Storyboards – The Godfather: Part III, The Godfather Behind the Scenes 1971), Additional Scenes, Galleries, Trailers, Acclaim & Response, Additional Material, The Filmmakers

The Godfather Trilogy (4K Ultra HD)
Quote:
THE GODFATHER TRILOGY: LIMITED COLLECTOR’S EDITION (5-Disc Set – SRP $182.99)

Disc One: The Godfather (4K UHD)

Disc Two: The Godfather: Part II (4K UHD)

Disc Three: Mario Puzo’s The Godfather, Coda: The Death of Michael Corleone (4K UHD)

Disc Four: The Godfather, Part III Theatrical Cut and The Godfather, Part III 1991 Cut (via seamless branching) (4K UHD)

HDR: Dolby Vision & HDR10
Audio: 2007 Walter Murch-approved mix in 5.1 Dolby TrueHD and 5.1 Dolby Digital, plus newly-restored Mono (for films 1 and 2)
Legacy Extras: Screen-specific audio commentaries by Francis Ford Coppola (from the 2001 DVD release)
New Extras: Introduction to The Godfather by Francis Ford Coppola, Full Circle: Preserving The Godfather, Capturing the Corleones: Through the Lens of Photographer Steve Schapiro, The Godfather: Home Movies, Restoration Comparisons, Digital Copies of at least the films I, II, and Coda

Disc Five: Legacy Special Features (BD)

Additional Legacy Blu-ray and DVD Extras: The Masterpiece That Almost Wasn’t, Godfather World, Emulsional Rescue: Revealing The Godfather, ...when the shooting stopped, The Godfather on the Red Carpet, 4 Short Films on The Godfather (The Godfather vs. The Godfather: Part II, Cannoli, Riffing on the Riffing, and Clemenza), The Family Tree, Crime Organization Chart, Connie and Carlo’s Wedding Album, 2008 Credits, 12 Behind-the-Scenes featurettes (A Look Inside, On Location, Francis Ford Coppola’s Notebook, Music of The Godfather: Nino Rota, Music of The Godfather: Carmine Coppola, Coppola & Puzo on Screenwriting, Gordon Willis on Cinematography, Storyboards – The Godfather: Part II, Storyboards – The Godfather: Part III, The Godfather Behind the Scenes 1971), Additional Scenes, Galleries, Trailers, Acclaim & Response, Additional Material, The Filmmakers

Additional Limited Collector’s Edition Swag: Hardcover coffee table book, 3 portrait art prints


@MartyMcFly :ufdup:

consider the money already gone from my wallet :wow:

and someone getting gifted my old blu ray trilogy:mjgrin:
 

FlyRy

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I also need this. in before @MartyMcFly writes a paragraph explaining why he's happy with his 2007 release

307415_large.jpg
steelbook :
307441_large.jpg


Coming in March 29th, 2022.

https://www.arrowvideo.com/blu-ray/r.../13510134.html

Quote:
4K ULTRA HD BLU-RAY LIMITED EDITION CONTENTS
  • 4K restoration of the film from the original camera negative by MGM, transferred in 2013 and approved by director Paul Verhoeven
  • Newly commissioned artwork by Paul Shipper
  • Director’s Cut and Theatrical Cut of the film on two 4K (2160p) UHD Blu-ray discs with Dolby Vision (HDR10 compatible)
  • Original lossless stereo and four-channel mixes plus DTS-HD MA 5.1 and Dolby Atmos surround sound options on both cuts
  • Optional English subtitles for the deaf and hard of hearing on both cuts
  • Six collector’s postcards (Limited Edition exclusive)
  • Double-sided fold-out poster (Limited Edition exclusive)
  • Reversible sleeve featuring original and newly-commissioned artwork (Limited Edition exclusive)
  • 80-page Limited Edition collector’s booklet featuring new writing on the film by Omar Ahmed, Christopher Griffiths and Henry Blyth, a 1987 Fangoria interview with Rob Bottin, and archive publicity materials (some contents exclusive to Limited Edition)
DISC ONE – DIRECTOR’S CUT
  • Commentary by director Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier (originally recorded for the Theatrical Cut and re-edited in 2014 for the Director’s Cut)
  • Commentary by film historian Paul M. Sammon
  • Commentary by fans Christopher Griffiths, Gary Smart and Eastwood Allen
  • The Future of Law Enforcement: Creating RoboCop, an interview with co-writer Michael Miner
  • RoboTalk, a conversation between co-writer Ed Neumeier and filmmakers David Birke (writer of Elle) and Nicholas McCarthy (director of Orion Pictures’ The Prodigy)
  • Truth of Character, an interview with star Nancy Allen on her role as Lewis
  • Casting Old Detroit, an interview with casting director Julie Selzer on how the film’s ensemble cast was assembled
  • Connecting the Shots, an interview with second unit director and frequent Verhoeven collaborator Mark Goldblatt
  • Analog, a featurette focusing on the special photographic effects, including new interviews with Peter Kuran and Kevin Kutchaver
  • More Man Than Machine: Composing RoboCop, a tribute to composer Basil Poledouris featuring film music experts Jeff Bond, Lukas Kendall, Daniel Schweiger and Robert Townson
  • RoboProps, a tour of super-fan Julien Dumont’s collection of original props and memorabilia
  • 2012 Q&A with the Filmmakers, a panel discussion featuring Verhoeven, Davison, Neumeier, Miner, Allen, star Peter Weller and animator Phil Tippett
  • RoboCop: Creating A Legend, Villains of Old Detroit, Special Effects: Then & Now, three archive featurettes from 2007 featuring interviews with cast and crew
  • Paul Verhoeven Easter Egg
  • Four deleted scenes
  • The Boardroom: Storyboard with Commentary by Phil Tippett
  • Director’s Cut Production Footage, raw dailies from the filming of the unrated gore scenes, presented in 4K (SDR)
  • Two theatrical trailers and three TV spots
  • Extensive image galleries

DISC TWO – THEATRICAL CUT
  • Commentary by director Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier (originally recorded for Theatrical version of the film)
  • Two Isolated Score tracks (Composer’s Original Score and Final Theatrical Mix)
  • Edited-for-television version of the film, featuring alternate dubs, takes and edits of several scenes (95 mins, SD only)
  • Split screen comparisons between the Director’s Cut and Theatrical Cut, and the Theatrical Cut and edited-for-TV version
  • RoboCop: Edited for Television, a compilation of alternate scenes from two edited-for-television versions, including outtakes newly transferred in HD from recently unearthed 35mm elements
 

MartyMcFly

What's up doc, can we rock?
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I also need this. in before @MartyMcFly writes a paragraph explaining why he's happy with his 2007 release

307415_large.jpg
steelbook :
307441_large.jpg


Coming in March 29th, 2022.

https://www.arrowvideo.com/blu-ray/r.../13510134.html

Quote:
4K ULTRA HD BLU-RAY LIMITED EDITION CONTENTS
  • 4K restoration of the film from the original camera negative by MGM, transferred in 2013 and approved by director Paul Verhoeven
  • Newly commissioned artwork by Paul Shipper
  • Director’s Cut and Theatrical Cut of the film on two 4K (2160p) UHD Blu-ray discs with Dolby Vision (HDR10 compatible)
  • Original lossless stereo and four-channel mixes plus DTS-HD MA 5.1 and Dolby Atmos surround sound options on both cuts
  • Optional English subtitles for the deaf and hard of hearing on both cuts
  • Six collector’s postcards (Limited Edition exclusive)
  • Double-sided fold-out poster (Limited Edition exclusive)
  • Reversible sleeve featuring original and newly-commissioned artwork (Limited Edition exclusive)
  • 80-page Limited Edition collector’s booklet featuring new writing on the film by Omar Ahmed, Christopher Griffiths and Henry Blyth, a 1987 Fangoria interview with Rob Bottin, and archive publicity materials (some contents exclusive to Limited Edition)
DISC ONE – DIRECTOR’S CUT
  • Commentary by director Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier (originally recorded for the Theatrical Cut and re-edited in 2014 for the Director’s Cut)
  • Commentary by film historian Paul M. Sammon
  • Commentary by fans Christopher Griffiths, Gary Smart and Eastwood Allen
  • The Future of Law Enforcement: Creating RoboCop, an interview with co-writer Michael Miner
  • RoboTalk, a conversation between co-writer Ed Neumeier and filmmakers David Birke (writer of Elle) and Nicholas McCarthy (director of Orion Pictures’ The Prodigy)
  • Truth of Character, an interview with star Nancy Allen on her role as Lewis
  • Casting Old Detroit, an interview with casting director Julie Selzer on how the film’s ensemble cast was assembled
  • Connecting the Shots, an interview with second unit director and frequent Verhoeven collaborator Mark Goldblatt
  • Analog, a featurette focusing on the special photographic effects, including new interviews with Peter Kuran and Kevin Kutchaver
  • More Man Than Machine: Composing RoboCop, a tribute to composer Basil Poledouris featuring film music experts Jeff Bond, Lukas Kendall, Daniel Schweiger and Robert Townson
  • RoboProps, a tour of super-fan Julien Dumont’s collection of original props and memorabilia
  • 2012 Q&A with the Filmmakers, a panel discussion featuring Verhoeven, Davison, Neumeier, Miner, Allen, star Peter Weller and animator Phil Tippett
  • RoboCop: Creating A Legend, Villains of Old Detroit, Special Effects: Then & Now, three archive featurettes from 2007 featuring interviews with cast and crew
  • Paul Verhoeven Easter Egg
  • Four deleted scenes
  • The Boardroom: Storyboard with Commentary by Phil Tippett
  • Director’s Cut Production Footage, raw dailies from the filming of the unrated gore scenes, presented in 4K (SDR)
  • Two theatrical trailers and three TV spots
  • Extensive image galleries

DISC TWO – THEATRICAL CUT
  • Commentary by director Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier (originally recorded for Theatrical version of the film)
  • Two Isolated Score tracks (Composer’s Original Score and Final Theatrical Mix)
  • Edited-for-television version of the film, featuring alternate dubs, takes and edits of several scenes (95 mins, SD only)
  • Split screen comparisons between the Director’s Cut and Theatrical Cut, and the Theatrical Cut and edited-for-TV version
  • RoboCop: Edited for Television, a compilation of alternate scenes from two edited-for-television versions, including outtakes newly transferred in HD from recently unearthed 35mm elements

Don't have it. Got Arrow's last version for my best friend for his birthday a couple years ago. Don't own Robocop. Seen it so many times in so many iterations, I'm good, I can repeat it all verbatim. Benefits of having a photographic memory.

Lol idk why you can't just let me live, shyt. You get on me about movies I don't want to spend money on then get mad at me for not going along with the crowd on every single thing and having my own individual thoughts. To quote your boy, can I live?:russ::hubie:

You know what I got recently? Something I know you don't care about. The Shaw Scope Collection Volume 1. Classic Shaw Bros Kung fu flicks, remastered and cleaned up by Arrow. And that's something I'd rather spend my money on, shyt that's hitting blu ray for the first time, that I don't already own in any capacity, that I'll get a lot of use from because the movies are hard to find in even average quality. And I love shaw bros kung fu flicks:manny:
 

FlyRy

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Don't have it. Got Arrow's last version for my best friend for his birthday a couple years ago. Don't own Robocop. Seen it so many times in so many iterations, I'm good, I can repeat it all verbatim. Benefits of having a photographic memory.

Lol idk why you can't just let me live, shyt. You get on me about movies I don't want to spend money on then get mad at me for not going along with the crowd on every single thing and having my own individual thoughts. To quote your boy, can I live?:russ::hubie:

You know what I got recently? Something I know you don't care about. The Shaw Scope Collection Volume 1. Classic Shaw Bros Kung fu flicks, remastered and cleaned up by Arrow. And that's something I'd rather spend my money on, shyt that's hitting blu ray for the first time, that I don't already own in any capacity, that I'll get a lot of use from because the movies are hard to find in even average quality. And I love shaw bros kung fu flicks:manny:
Not like this though

"We haven't been able to upgrade this to UHD until very recently, and rest assured it will be well worth the wait, not least as we've actually been able to do a new 4K scan of the unrated gore footage from the Director's Cut. Be gone, chunky MPEG-2 artifacts!"


I just like trolling you breh:pachaha:
 

MartyMcFly

What's up doc, can we rock?
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Not like this though

"We haven't been able to upgrade this to UHD until very recently, and rest assured it will be well worth the wait, not least as we've actually been able to do a new 4K scan of the unrated gore footage from the Director's Cut. Be gone, chunky MPEG-2 artifacts!"


I just like trolling you breh:pachaha:
:francis: Bum
 
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