It never did. Matter of fact, RnB was probably stronger in the 2000s/10s than in the 1980s/90s.
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Hell no, R&B was at least still real music in the 80s/90s.
A lot of R&B in the 2000s/2010s was some criminal gangsta shyt.
But a lot of RnB post 2000 was also "real" music, as well as criminal gangsta shyt (which, btw, doesn't necessarily mean the music is bad)
I think folks in this thread are specifically talking about Contemporary R&B (Because that's what most of us grew up on) and NOT traditional Rhythm and blues/Soul/Funk.
Oldheads still out here showing y'all what real singing is
The use of the term "contemporary r&b" is confusing.
"Contemporary" to whom? Usher and R. Kelly are not "contemporary" artists to someone born in 2002, who is now 16.
To that generation, they are what we used to refer to as "oldies" acts.
Nor would Usher and R. Kelly be considered "contemporary" to someone born in 1955. The contemporary music they grew up with would be Motown, Earth Wind & Fire, the Jackson Five, James Brown, Prince, Slave, P-Funk, Aretha.
Maybe the question is when did "non-rapper" black music for the 90s babies fall off?
@satam55 I make the point that the decline of r&b actually begins in the late 80s to early 90s, as rap emerged as the preferred, better-selling form of popular black music
The 1960s and the 1970s are the prime decades for soul/r&b: Motown, Stax, Philadelphia International, SOLAR, Soul Train.
Nelson George wrote the book, "The Death of Rhythm and Blues" in 1988.
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By the 1990s/2000s, most of the successful r&b that remained was basically a fusion of r&b and rap: TLC, Brandy, R Kelly, Usher, BBD, Destiny's Child, etc.
The classic soulful sounds that we heard from the Four Tops, Fats Domino, The Supremes, Aretha, James Brown, Maze, Bill Withers, Anita Baker Barry White, Roberta Flack and Luther were largely gone by 1990.