Went to see "The Hate U Give"...she got a White boy!

Laidbackman

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I wish I first saw the thread made on this site in January, which revealed she had a White boyfriend looking like Wally Clever in this movie, because they sure didn't show it in any of the trailers at the theater, those sorry pieces of Hollywood trash. If I'd known that, then no way would I have went to see this movie. They pulled the same stunt with "Dear White People", not showing she had a White boy in any of the trailers. I nearly walked out on that movie. I mean what's the purpose of making a movie about issues so sensitive to Black people, but always having some White boy kissing on some Black girl. Talkin bout a disgusting form of subliminal advertising...this is the worst. They could have at least been honest about it in the movie trailer, like they would have been in the past, giving us a chance to opt out. This shows the little respect Hollywood have for Black people, men in particular. I never seen a day when they were allowed to trick us into coming to their movies. When I saw this with "Dear White People", til this day, I feel like the only one who talked about it.

What's so bad about it was, minus the White boy mess, the movie was good, similar to how "Best Man Holiday" could have been good without that White man kissing all up on that Black girl. But this movie here today was no comedy, and way better than some "Dear White People". But I wouldn't see it again, and although the movie was good, I don't think I would have missed anything if I hadn't seen it. After the movie was over, and if you were woke, you would have known the movie was trying to subconsciously push White boy/ Black girl relationships, even though most of the scenes were focused on police brutality. When they kept sticking that White boy in scenes here and there throughout the movie, paired with the teenage Black girl who was the star, then ain't no way you could have missed that underlying message. I see they're starting to push that message at them at a much younger age these days, even before their teen years. I noticed this in "The House with a Clock in the Wall". I'm talking about White males with Black females, and less and less Black males with White females. This seems to be becoming a bigger and bigger trend in Hollywood.
 
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ORDER_66

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I wish I first saw the thread made on this site in January, which revealed she had a White Boyfriend looking like Wally Clever in this movie, because they sure didn't show it in any of the trailers at the theater, those sorry pieces of Hollywood trash. If I'd know that, then no way would I have went to see this movie. They pulled the same stunt with "Dear White People", a movie I nearly walked out on. I mean what's the purpose of making a movie about issues so sensitive to Black people, but always having some White Boy kissing on some Black girl. That is one disgusting form of subliminal advertising. They could have at least been honest about it in the movie trailer, like they would have been in the past.

What so bad about it was, minus the White Boy mess, the movie was good, similar to how "Best Man Holiday" could have been good without that White man kissing all up on that Black girl. But this movie here today was no comedy, and way better than some "Dear White People". But I wouldn't see it again, and although the movie was good, I don't think I would have been missing anything if I hadn't seen it. After the movie was over, and if you were woke, you would have sworn the movie was trying to subconsciously push White boy/ Black girl relationships, even though most of the scenes were focused on police brutality. When they kept sticking that White boy in scenes here and there throughout the movie, paired with the teenage Black girl who was the star, then ain't no way you could have missed the message linking White boys with Black girls. I see they're starting to push that message at them at a younger and younger age too. I noticed that in "The House with a Clock in the Wall". I'm talking about White males with Black females, and less and less Black males with White females.

The agenda is real...:francis:
 

FrederickDouglas

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This has been established.

They Still Can't Show a Black Man Dating a White Woman (Unless That's What the Whole Movie Is About)

Think for a minute about the last time you saw a black guy with a white woman in a mainstream movie. OK, now take away every single movie where they're using that relationship to preach to us about racism. So that knocks out Guess Who's Coming to Dinner, Jungle Fever, Save the Last Dance, Far From Heaven and any incarnation of Othello.

In other words, try to think of movies where the relationship is just treated as a normal, everyday thing (keep in mind, in real life one in seven new American marriages are between members of different races). Mia and Marsellus Wallace in Pulp Fiction? Actually, that couple never appears on screen together. We'll give you two: Rachel Getting Married and Love Actually.

Now, think about the last time you saw a white guy get it on with a black lady (and again, where race wasn't a major theme of the movie). The list is surprisingly long: The Bodyguard, Die Another Day, The Score, Boiler Room, Mission Impossible II, Austin Powers in Goldmember, Avatar (kinda), The Princess and the Frog, Star Trek the movie, Star Trek the TV show and just about every movie Halle Berry's ever been in.

So What's the Deal?

It's not just our imagination. The "Audiences Don't Want to See Black Men Taking Our White Women" thing is so ingrained that Will Smith claims that Cameron Diaz lost the lead role opposite him in the movie Hitch because producers were worried about "the nation's problem of seeing a black man and a white woman getting intimate." So, Cuban-American Eva Mendes was cast instead. Hollywood has apparently decided that Mendes is a nice compromise to the black man/white woman problem -- she gets those roles again and again and again.

This one goes allll the way back to 1915's Birth of a Nation. Today, it's a punchline about how racist everyone used to be, but it was the first movie shown in the White House screening room to then President Woodrow Wilson. Up until the 1960s, it was widely regarded as the greatest American movie. And the second half of the movie is essentially a slasher flick in which "renegade slaves" (white guys in black face) play the role of Jason Voorhees, and pretty white girls play the role of ... well, the pretty white girls in slasher movies. It even has the standard "TURN AROUND HE'S RIGHT BEHIND YOU!" slasher movie shot as she's stalked by the monster ...


And the part where she throws herself off of a cliff to avoid being raped by a black man ...

D.W. Griffith's movie was a hit because he knew how to strike a chord of terror with white audiences. In today's era of political correctness, it seems pretty telling that Hollywood works so hard to avoid even accidentally touching that same chord.

Think we're making it up? Then how do you explain The Pelican Brief? In the book, the guy and the girl do it, because he's a suave guy saving a damsel in distress and because that's what happens in every single work of fiction ever. In the movie, starring Denzel Washington and Julia Roberts at their most doable, they hugged. They were alone for the night in a cabin, and they hugged!

5 Old-Timey Prejudices That Still Show Up in Every Movie | Cracked.com
 

Kilgore Trout

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I wish I first saw the thread made on this site in January, which revealed she had a White Boyfriend looking like Wally Clever in this movie, because they sure didn't show it in any of the trailers at the theater, those sorry pieces of Hollywood trash. If I'd know that, then no way would I have went to see this movie. They pulled the same stunt with "Dear White People", a movie I nearly walked out on. I mean what's the purpose of making a movie about issues so sensitive to Black people, but always having some White Boy kissing on some Black girl. That is one disgusting form of subliminal advertising. They could have at least been honest about it in the movie trailer, like they would have been in the past.

What so bad about it was, minus the White Boy mess, the movie was good, similar to how "Best Man Holiday" could have been good without that White man kissing all up on that Black girl. But this movie here today was no comedy, and way better than some "Dear White People". But I wouldn't see it again, and although the movie was good, I don't think I would have been missing anything if I hadn't seen it. After the movie was over, and if you were woke, you would have sworn the movie was trying to subconsciously push White boy/ Black girl relationships, even though most of the scenes were focused on police brutality. When they kept sticking that White boy in scenes here and there throughout the movie, paired with the teenage Black girl who was the star, then ain't no way you could have missed the message linking White boys with Black girls. I see they're starting to push that message at them at a younger and younger age too. I noticed that in "The House with a Clock in the Wall". I'm talking about White males with Black females, and less and less Black males with White females. This seems to be become a big trend in Hollywood.


Didn’t read :hubie:
 

Zero

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I wish I first saw the thread made on this site in January, which revealed she had a White boyfriend looking like Wally Clever in this movie, because they sure didn't show it in any of the trailers at the theater, those sorry pieces of Hollywood trash. If I'd known that, then no way would I have went to see this movie.
The hamfisted portrayal of the murder of a black man by the police wasn't enough of a sign?
full
 

BXKingPin82

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I always wanted to get a proper breakdown of that shyt.
Repped
The shyts so fukkin obvious too. Lol
Like, i aint even have to be told shorty had a whiteboy in the movie.
I just expect that shyt at this point.
Black girl
Black issues
WHITEBOY!!!
:deadmanny:

That one movie on NETFLIX where my baby GuGu was gettin all sexy time with some pasty muthafukka.
shyt hurt my heart.
:mjcry:
 
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