Ol’Otis
The Picasso of the Ghetto
Glad I’m not the only one who feels like thisCorny, like everything else he does
Glad I’m not the only one who feels like thisCorny, like everything else he does
Him, Noname and jpegmafia (and some others I'd imagine) have all at some point bytched about having a mostly white audience. I do feel like conscious rap or rap that has an avant garde way of exposing black pain tends to be particularly consumed by the libdem suburban white crowd. It's kinda weird
and ain't it a damn shame that the genre of hip-hop is now so controlled by 'vibe' and 'beat', that lyrics do not matter at all. Homie talking all this pro-black shyt and it's going over black folk head because Metro ain't give them 808s to vibe to. Meanwhile, the whole genre started as poetry and its current listeners care least about the words.This is still, to me, the best song he's ever done.
I enjoy quite a lot of the recent stuff, but this is by far his best song and I don't think it's even close.
It's the best encapsulation of him as a writer and a person and the production is stellar.
But even listening to it I can understand why he wasn't reaching a larger black audience making music like this. It's moody and kinda emo sonically, so if you don't listen to what he's saying you won't catch how hood and black it is.
It's really Post Modern Long Beach crip raps.
A lot of Vince fans came for OFWGKTA, and stayed cause he made good music.
Middle class and higher folk tend to have more of a tolerance and interest in "weird", experimental music or music with verbose (fake) deep lyrics. Your needs are taken care of and then some so you have time and energy to seek out cutting edge music. I'd bet when John Coltrane got really out there towards the end of his life, he didn't have many working class black folk at his shows. Prince had a similar issue post-Purple Rain until Diamonds and Pearls, which was good but not nealy as weird and influenced by other genres as his 1984-89 music.Him, Noname and jpegmafia (and some others I'd imagine) have all at some point bytched about having a mostly white audience. I do feel like conscious rap or rap that has an avant garde way of exposing black pain tends to be particularly consumed by the libdem suburban white crowd. It's kinda weird
So my question is , why aren't the black fans supporting his shyt? As far as going to shows and shyt.
What’s crazy is he has to perform for whites just to make money but at the same time hates his fan base
He probably feels like a minstrel show
So my question is, why aren't the black fans supporting his shyt? As far as going to shows and shyt.
Vince doesn’t music that Black people rock with (no pun intended). It’s very left field, ironic since he’s really a super crip who was bout that life.
This more who he is, personally.
But it isn’t the type of music he does. He’s kinda stuck in that Odd Future lane that most Black people don’t really mess with cus you can’t play it anyhere.
This song (played in the OP video) was his one chance to blow up in the “hood” with the Juicy J chorus and didn’t.
That and Magic
But yeah, he in a conundrum where his fans are the exact people he despises