NOSaintsFan02
Superstar
We still doing spoilers? Movie been out for a hot minute now.
I think it’s fake. She’s an ig personality.juss saw it, liked it. wish it was fleshed out better. long movie and still felt like it never actually started
good god that white girl got ass!!! regular sexy type
My only reservation is will she be smart enough to “go wherever” or will she just stay in NYC, the city she knows with the connects she know?
But you’re right, the only goons who know what she looks like are laying low. The goons he called just know she’s a pretty white lady. Plus the ones that know who she is don’t necessarily feel like it’s their money they need to recover. It became about respect after being locked in that space for hours.
2010-2013 were the best years for last decade's hip-hop. After that, it seemed meh right after.Also this movie made me feel old af. I can’t believe I’d be watching a movie set in 2012 and have me feeling an overwhelming sense of nostalgia. Linsanity discussions, those old iPhones, The Weeknd buzzing off those 3 mixtapes, replaying Some Type of Way constantly, I’ve never seen a film capture an era that was less than 10 years ago but the Safdie’s did it
But even when you focus on the central conflict (Howard/Arno and co./Garnett and everyone else in the primary orbit of the opal), there are some thematic issues that the Safdie Brothers really don't work out to their full potential, the biggest one being the relationship between Howard's Judaism and his avarice. The movie begins with a grievously injured Ethiopian mine worker being taken to his bosses, while other miners find the opal, then fast forwards to Howard receiving said opal (bought for $100,000) and trying to screw everyone into giving him $500,000-$1,000,000 for it. There's racial, religious, economic, AND political charge to this: the white Jew is profiting off of the suffering of Black Jews, in a more prosperous nation while the latter receive nothing for their labor and pain. What this means is that Garnett asking Howard how much he paid for the opal after their transaction, and later asking Howard how right it is that he profits while the workers get nothing should be an incredibly charged moment in the film, the point where many of its themes come to a head and propels us into the final act. And it's probably the best scene in the film because of Sandler and Daniel Lopatin's score, but it's still lacking because the Safdies basically buried those themes under the weight of Howard's love life for 70% of the film (also, it was the one moment where you could say that casting Garnett was a bad decision. The original player they had in mind for the film, Amar'e Stoudemire, would have made those themes come together so much more strongly, as it becomes an issue of not just race and wealth, but also shared Jewish identity. It's no longer a question of "how could Howard do this to them?," but "how could Howard do this to OUR people, his own people?" Even Joel Embiid would have been better thematically, being Cameroonian and having more of a connection to African wealth than Garnett).
I watched this yesterday while sick and banged up from a car accident.
shyt was taxing to get through, so tense
I'm well on my way up.damn yo, feel better breh