This review is spot on
Lena Waithe’s "Them" Exploits Black Trauma for the White Gaze
The one-note tastelessness of the drama plays into the idea that Black people are defined by their pain.
Langa
April 13 2021
Lena Waithe's highly anticipated drama series Thempremiered on Amazon Prime last week — and was immediately met with criticisms that its depictions of racism vicariously exploited Black trauma.
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Lena Waithe’s "Them" Exploits Black Trauma for the White Gaze
Instead of using racial tension to highlight the realities of being Black and facing the discrimination that was and remains rampant,
Them asserts that Black life is just a series of violent traumas and suffering. The one-note tastelessness of the drama plays into the idea that Black people are defined by their pain.
In an attempt to represent and dramatize a specific experience, Lena Waithe and Little Marvin give voice to a white supremacist ideal, but they call it representation because it is played out by a Black cast and created by Black people. Yet, the gaze is defined by whiteness.
In an interview for
Vogue, Waithe addressed backlash she's received for her previous projects. "If we act as though we don't have flaws, that's like saying we aren't human… All of us who are pro-Black, pro-brown, pro-queer also need to be pro our scars, pro our complexities," she said.
"Trauma is a thing that happens to us and is something we can't blame ourselves for. While this idea of not wanting to display trauma in our entertainment is understandable, it's just not sustainable," she continued. "All movies can't be nice or happy. Some of our most important pieces of art deal with our deepest pain. I want to write about what keeps me up at night."
However,
Them keeps us up at night for the wrong reasons. It's a barrage of brutality that offers no hope, no path for healing, and, in Waithe's own words, no "complexity."
The characters are tropes, and the show is ridden with cliches from the moment the family steps onto the neighborhood and the white Stepford wife-type character says, "This is how it begins. How it changes. With one family."
The lack of nuance and the horrific sequences just remind us how we are seen — even by the people who look like us: as vehicles for violence.