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Jello Biafra

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TNA's Jade Was A Victim Of Domestic Abuse
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For a professional wrestler, a headlock is a common maneuver inside the ring. But for TNA Impact’s Jade there was one headlock that felt particularly threatening. “When he finally let go, my then-boyfriend just left me there and I’m wondering what the hell just happened. Was he legitimately trying to hurt me? Because it was a headlock, and we’re both wrestlers, I justified it as maybe it was him trying to playfully end [the argument],” said Jade.

But this wasn’t the first time he put her in a headlock.

Jade had consensually wrestled her ex on numerous occasions. In fact, she prefers to wrestle both men and women. She wants women wrestlers to be seen as equals to their male counterparts. But it’s that pressure to break glass ceilings, and be seen as unbreakable, that contributed to her silence around her own abuse.

“Women athletes, CEOs, those in power, we feel this pressure to be a role model to other women, to be strong, that we don’t want to let them know our struggle. I didn’t want to be known as a ‘victim.’ I was also trying to get on TV, so if I tell my story, would this mess up my career?”

And so she stayed quiet for a long time. But behind closed doors, Jade says the abuse was escalating. “It got more and more regular that if I said something he didn’t like he would get violent. One time I was in bed and we had a disagreement, so he left the room but came back in to head-butt me. Then he started to choke me. In fact, whenever he didn’t like something I said, he would choke me. Soon down the line, I realized that his mindset was because I’m not hitting you, it’s ok. Because I’m not leaving a mark on you, it’s ok.”

But strangulation can be a significant predictor for future, often lethal violence. If a partner has strangled you in the past, your risk of being killed by them is seven times higher.

Despite the violent abuse Jade says that she endured, some may see her as a contradiction. Many critics argue that professional wrestling promotes violence. And so how can Jade, a female wrestler, take a stand against domestic violence when she fights for a living?

For Jade, the answer centers on consent and safety. “We choose to get in the ring. We’re trained to keep ourselves and our opponents safe. But when someone brings it back home, that’s not wrestling anymore. That is not entertainment. That is just straight abuse.”

And experts caution against the “good victim” stereotype. Liz Roberts, deputy CEO of Safe Horizon, the nation’s largest organization dedicated to helping victims of domestic violence, states that the stereotype of a victim who has never initiated violence, is bruised and battered, and doesn’t fight back is dangerous because it “undermines the rights and safety of domestic violence survivors everywhere.”

Besides, Jade is a character.

The woman playing Jade, Stephanie Bell, only wanted empathy when she finally built the courage to disclose the horror she faced behind closed doors. “I just wish that, as wrestlers, when we claim that this is going on, that we’re not second-guessed, that we’re believed. The minute we mention it, it’s sensitive and we want some support.”


But she wasn’t always met with support. “His trainer, even some of our mutual friends thought I was exaggerating and making it up. When I filed the order of protection, his trainer tried to talk me out of it. He said that I was hurting my ex’s career because I have a bigger name.”


Jade’s story is unique because so often the focus around domestic violence and professional wrestling comes when a male wrestler is the abuser. The voice of the survivor is rarely heard. Perhaps the most infamous case is that of Chris Benoit who, in 2007, murdered his wife and young son before taking his own life. It left such a dark cloud over World Wrestling Entertainment (WWE) that they still often refuse to acknowledge Benoit as part of their history.

Today, wrestling companies seem to be taking swifter action when an arrest has been made. “We have a zero tolerance policy for domestic abuse. Upon arrest for such misconduct, our superstars are immediately suspended and should there be a conviction, that superstar... would be terminated,” Stephanie McMahon, chief brand officer of the WWE told The Washington Post. Under this policy, wrestling legend and active WWE announcer Jerry “The King” Lawler was immediately suspended in June after he and his girlfriend were arrested on domestic violence charges. Charges were later dropped.

At TNA, the policy is not as clearly defined, but they have also indefinitely suspended talent who have been arrested on domestic violence charges.

This all comes on the heels of what happened with the NFL and Ray Rice in 2014 when TMZ released disturbing footage of Mr. Rice punching and knocking out his then-fiancée. The NFL faced criticism for its response. Sports leagues now knew they had to update their policies to avoid negative press.

While Jade was happy that companies were now taking a strong stand against domestic violence, she also expressed disappointment that it took such an extreme incident to prompt the change. “If Ray Rice’s wife would have said something about it without the video, how many people would have said we need to change policies? How many people would have believed her? It took her getting knocked out on TV for society to care and actually believe a survivor.”

However, Jade feels gratitude towards the company for which she wrestles. “TNA has always been supportive. My ex would work with TNA and once they found out I had the order of protection, they wouldn’t have him near me.”

In the locker room, what impacted Jade most were conversations with other female wrestlers. She viewed her female colleagues as strong, tough, and independent but she was shocked and saddened to learn that many others had also experienced abuse.

Jade found herself wanting to speak out, to give survivors everywhere — including herself and her friends — a voice. But she was afraid. Although she had an order of protection, she didn’t want to draw attention to herself and risk her ex trying to contact her.

And she found that way to speak out without attracting too much attention. She learned about Safe Horizon’s #PutTheNailinIt campaign which encourages all of us to paint our left ring fingernail purple to signify our vow to end domestic violence and the silence surrounding it. “I started getting more and more support from people who knew what the campaign meant or asked why my nail was painted. So, painting my nail became my secret way of telling the world ‘I’m a survivor.’ And, so, the #PutTheNailinIt campaign helped me a lot. For the first time in a long time I felt support from other people. Now, I want other survivors to know ‘I believe you.’ It’s ok to leave. It’s ok to speak out. It’s ok to seek help,” she said.

While the memories of Jade’s abuse are painful, she is no longer allowing the issue of domestic violence to thrive in silence.

This Popular Female Wrestler Is Shattering The Silence Around The Domestic Abuse She Endured
 

XII

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What an ass :mjcry:

The Impact Zone may never be blessed with cheeks like that again :mjcry:
 

The Rainmaker

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The New York Post (I know, I know :beli:) is saying TNA is still on the table of negotiations and WWE and Sinclair (The guys who own ROH) are making bids.

Billy Corgan in talks to become majority owner of TNA wrestling

Smashing Pumpkins’ Billy Corgan wants to be the new front man for a pro wrestling group.

Corgan is in talks to become the majority owner of cash-strapped Impact Ventures, the producer of pay-per-view TNA and Impact Wrestling, which also appears weekly on the Pop cable and satellite network.

His transition from rock star to wrestling impresario may not be as crazy as everybody thinks.

“There’s a rebel spirit in wrestling that has gone out of rock ‘n’ roll,” he told The Post.

Corgan, whose band has sold more than 30 million albums, joined Impact as a senior producer in May 2015. He upped his commitment last August by investing in the company and becoming its president.

On Oct. 2, the night of Impact’s banner pay-per-view event, “Bound for Glory,” he hopes to take that commitment to the max.

“I would love nothing better than to stand up in front of everyone and give a clear picture of where this company is and where it’s going,” he said.

While Corgan wants to make the presentation as Impact’s new majority owner, he admits there’s still “a lot of people at the table.”

WWE and Sinclair Broadcast Group, owner of the Ring of Honor wrestling organization, are rumored to have made recent bids.

A complicated ownership structure also poses challenges in getting every stakeholder on the same page. In addition to majority owner and Chairwoman Dixie Carter, Corgan, Aroluxe Marketing and Canada’s Fight Network all have equity stakes.

Meanwhile, the Nashville, Tenn.-based company is so financially strapped that investor and working-capital provider Aroluxe has reportedly taken over its “TNA” (Total Nonstop Action) trademark.

Corgan says the relevant parties have agreed on a sale price. Although he can’t reveal the figure, an estimate based on publicly traded WWE’s market value of two times revenue would put it at around $40 million.

“You ultimately have to rely on your own calculus about what something is worth,” he said.

Ultimate Fighting Championship’s $4 billion sale to entertainment and sports talent agency WME-IMG factored into his math.

“After signing up MLB, the NBA and soccer, who do you call?” he said.

Corgan believes wrestling is under-appreciated in the digital era, particularly in light of its being a driver of traditional TV from the beginning.

“Our providing story lines in people’s lives is overlooked,” he said. “So is the multicultural aspect of wrestling as a perfect sell to advertisers.”

Corgan plans to use his celebrity to change that.

“I can get anyone I want to listen to my vision,” he said.
 

Jello Biafra

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Billy Corgan ESPN interview:

Billy Corgan is a very busy man.

The outspoken frontman of iconic alternative rock band Smashing Pumpkins remains a thriving musician, business owner and philanthropist. Lately, however, he estimates that 80 percent of his days are spent strategizing about an entirely different passion as the president and creative voice of TNA Impact Wrestling.

Corgan, 49, a lifelong wrestling fan, is no stranger to sports entertainment.

The Chicago native spent plenty of time around ECW in the 1990s and founded his own independent promotion, Resistance Pro Wrestling, in 2011. He was announced as TNA's new senior producer of creative and talent development last summer, and one year later, he's exclusively calling the shots with plans in the works to potentially purchase majority ownership of the company.

Corgan recently spoke with ESPN.com in the early morning hours from Los Angeles, where he's recording a solo album with legendary producer Rick Rubin. He was preparing for another long day of juggling his two favorite interests, with plenty of creative work still to be done ahead of TNA's Bound For Glory pay-per-view on Oct. 2.

As Corgan sees it, he has been called to "different passions for different reasons at different times" and isn't concerned about public opinion when it comes to linking his brand with another as polarizing as pro wrestling.

"People have a very myopic view of what a rock star is," Corgan said. "My version of rock star has always been I'm going to do what I want to do however I want to do it. Whether it's having my own tea house, the charitable work that I've done, to pursuing a life or a career in professional wrestling -- I think this is the American dream.

"To me, I can't think of a better way to live anybody's life. You should do what you want to do. Life is such an incredible opportunity."

Corgan has found common ground from a producing standpoint between music and wrestling, from similar dialogue to a focus on amplifying the performer to present them in their best light. But he's quick to dispel the reputation of being a dictator that he acquired in the music business.

"I've always been a listener and a communicator, I think I just have a very strong opinion of how to make that thing best," he said. "I think you need vision when you are dealing in the creative arts."

As a wrestling promoter, Corgan is old school, preferring the booking style and storytelling that first hooked him as a fan during the territory days of the 1970s. He doesn't like to rush through angles or speed up the pace of a match. There's a reason, he says, why you can watch a Humphrey Bogart movie today and the finish still works.

"I think people want to be engaged, and when they are engaged, they want something to never end," he said. "When you think of the classic feuds, you really don't want them to end."

Corgan believes you can grab people's attention in wrestling just as easy as you can in music, but it's keeping it that remains the ultimate challenge. It's something he believes won't happen with TNA unless it can continue to build its own young stars to package around its more recognized talent.

TNA has experienced plenty of highs and lows since its 2002 debut. At its best, the company provided industry leader WWE with competition as a legitimate No. 2 promotion, often using former WWE stars to do so. Recent years haven't been as profitable, with the company fighting to stay relevant.

"Many times in the past, TNA has made the mistake of bringing in WWE people to sort of create a buzz that didn't sustain," Corgan said. "But success is building a culture that is distinctly your own, with your own identifiable signature. If everything you do doesn't feed into that, you are making a big mistake that history shows does not work."

Corgan is proud of his roster's talent and depth, but he admits it needs to find stability, calling TNA very much a "work in progress." He's also invested in changing its culture from a company he believes has been too willing to live in the shadow of its competition. To move out that shadow, he will need to improve TNA's overall health, which means attracting sponsors, talent and restarting live events, along with weighing the promotion's television future (TNA currently airs weekly on the cable channel Pop TV) against recent trends of fan consumption on the Internet.

There are no quick fixes, Corgan admits. But helping TNA shape its long-term vision is a challenge he accepts with confidence, citing his history running a successful music business for nearly 30 years.

"Obviously, I was part of one of the biggest music revolutions in the history of contemporary music," Corgan said. "We found pop success where people said you would never find pop success. How we crossed over that kind of music had everything to do with a combination of substance and style. So I believe that."

Corgan's pride and joy since joining TNA has been "The Final Deletion," an innovative and absurd segment starring former WWE stars Matt and Jeff Hardy. It was filmed guerrilla-style on location at Matt Hardy's North Carolina home, with an incredibly unique avant-garde feel, blending pro wrestling with elements of horror and low-budget movie action.

Not only was Corgan hands-on in the filming as a de facto producer, alongside Jeremy Borash and James Long, he worked with ownership behind the scenes to greenlight the idea.

"I have been pushing from the beginning that we needed to do what I call out-of-the-box and out-of-the-arena type segments," Corgan said. "I really saw this as the future of wrestling on television."

The response was overwhelming, with TNA becoming the talk of the wrestling world upon the July 5 airing, producing its highest rating to date since debuting on Pop TV last November.

Corgan saw the reaction and instantly knew they were on to something. The next day, he fired off emails stating that TNA not only needed to make more, but it needed to go bigger.

"This is lightning in a bottle," Corgan said. "I've seen this before."

Talk quickly turned to how this might change the dynamic of TNA's business strategy, and whether this was a concept that just worked for the Hardys "because of their gift" or whether it could be expanded. While TNA's September sequel, "Delete Or Decay," drew weaker ratings and less positive reviews than its predecessor, it became a setup for the Oct. 2 PPV match between the Hardys and Decay.

"So maybe like super hero movies, we get the Hardys as the center of the universe and start to use them to sort of branch off in other directions," Corgan said. "We are making it up as we go along and that is sort of the fun part. It's really exciting because we are hopefully writing a sort of new golden dawn in terms of how wrestling can be presented on television, and I think that's fantastic."

Corgan admitted the idea of turning the Hardys' saga into a full-length movie is "in the works," but said he was unable to share more. But it's clear even WWE took notice, releasing a vignette of a backyard brawl on Raw between The Wyatt Family and The New Day just one week after "The Final Deletion" that looked alarmingly similar.

"You know, imitation is the greatest form of flattery," Corgan said. "Look, everybody copies everybody, whether they want to admit it or not. I don't think that's a critical issue. I think innovation is the critical issue. The business in general is still living off the fumes of what was the creative revolution of 'The Attitude Era' of WWE, and by some extension ECW. No one has innovated as much since."

While Corgan has made a series of what he calls "incidental" on-screen appearances for TNA, he would prefer to stay off television altogether, and has begged his creative partners to agree. So don't expect to see any exploitative use of his celebrity name, including musical performances as bait to draw viewers.

"We call that hotshot booking," Corgan said. "If I've got to do something really dumb to get people to watch our product, it's not going to last. I would prefer that I'm not a character on television. I would rather use that oxygen for our talent."

Part of Corgan's reluctance is his belief that the role he would be most natural at playing, a heel owner, is largely played out on television, adding that no one is ever going to do it better than Vince McMahon.

"I have spent 20 years being a heel in music; I have a lot of experience poking people's buttons," Corgan said. "I'm really f---ing good at it, obviously, if you look at some of the headlines coming out about me, including me looking sour at Disneyland. It's right out of wrestling.

"But I don't think there's really that much interest from wrestling fans in me being that character. It only works if they are going to get their sort of comeuppance at the end, and I don't really want to be in the ring second guessing whether me getting blasted with a chair is going to affect my ability to go out on tour with a very active music career."

An artist at heart, Corgan wants TNA to be different and unique, which is why he embraces out-of-the-box ideas like "The Final Deletion" and the infamous six-sided ring (which he says will stay). But he's realistic on what it will take to actually compete with a "big box" promotion like WWE.

"I think when you are dealing with something that is on the edge, at some point it needs to come in from out of the cold," Corgan said. "You cannot maintain your rebel status forever. I have a vision of how this can be done differently and new and fresh, but if you build something that cannot mainstream, you can't succeed at the highest levels."

To that regard, Corgan says TNA will be aggressive in the marketplace to attract a wider audience with signings like former WWE stars Cody Rhodes and Damien Sandow who mesh well with TNA's locker room and overall vision. But not all free agent signings are exactly alike.

So when the name of fellow Chicagoan and recent UFC debutant CM Punk came up, whom he respects and knows personally, Corgan not only shared an obvious interest in the idea of welcoming Punk to TNA as an in-ring performer, but for the value he could provide creatively as a booker or agent.


"I hope that someone who is so gifted comes back to professional wrestling if he wants to be there," Corgan said of Punk. "So of course I would just love to see him in a ring. If it's our ring, even better. Even if he just wanted to be involved, I would love to have that conversation with him."

Much of Corgan's plans are dependent upon whether he ends up purchasing the company, which he calls a "very complicated situation" with many moving parts. He has secured the resources to do so, he says, and hopes to have a resolution in the next three weeks as a signal to talent regarding the company's true direction.

"Even if they don't like the direction or even if they have mixed feelings about the direction, I think it's important to the talent to say this is where we're going," Corgan said.


His first move as owner would be to change TNA's name in order for the company to truly move on and begin a new era.

"The ultimate success in business is really carving out a singular identity so that when people think of that identity, even if they don't like it, they see that as your own," Corgan said. "I think that is infinitely more valuable than, 'Yeah, I like them too.'

"I never wanted to be in a band where people said, 'Yeah, I like them too.' You are either going to love us or hate us, but being in between is just not interesting to me."
 

prophecypro

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Meltz saying Corgan literally has days to make the purchase on TNA as they dont have money for the next tapings and Bound for Glory....

....and WWE is back in the picture

He does say its still not likely but its possible they may just purchase the library and if corgan gets it its a complete facelift with a new name and everything. Might just sell the library and reboot it
 

The Rainmaker

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This is like the third year he says Bound for Glory could be their last hurrah. Watch them kick out at 2.999999999, as usual.

But what if they don't :lupe:
 
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