Sigma 16MM f1.4 on my crop sensor body.nikka this shyt garbage
nah im playing, dope pic. what lens and aperture?
the shots are dope, the red around the frame is distracting tho
With it being cybermonday today, I just copped a canon selphy cp1500 portable photo printer for $119. Also got a knockoff battery set, some paper/ink, and a carrying case to go along with it.
There's much smaller portable printers out there, but I like the fact that this one uses a dye sublimation process and spits out 4x6 prints, vs its alternatives.
Is the ink and paper expensive for it?Update: I really like this printer! Took it to my in-laws house for christmas last night and everyone was getting a kick out of being able to print stuff from their phones. Printed all night off a single half charged battery too which was icing on the cake. No the photos aren't lab quality as I wish they came out a bit more saturated, but they are more than serviceable as keepsake items. Good enough for event usage as well imo.
Is the ink and paper expensive for it?
So I've been wanting to get into cinematography a little but everything is so expensive
I currently just have an a6400 with kit lenses, but eventually down the line want to cop the Fujifilm X-H2S with a decent rig. In the meantime thinking about copping a Sigma 18-50 2.8 to get me started.
So I've been wanting to get into cinematography a little but everything is so expensive
I currently just have an a6400 with kit lenses, but eventually down the line want to cop the Fujifilm X-H2S with a decent rig. In the meantime thinking about copping a Sigma 18-50 2.8 to get me started.
My first camera was a canon rebel, my second was a GH5, my third was a Sony A7R3, and now I have 2 RED Komodo's and a Black Magic 6K.Man getting into quality cinema is so cost effective now. The shyt you can get for sub $2k these days
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Thanks for this. I've been watching a ton of videos on YT and I've been seeing that lighting is the common denominator. I'll definitely check that brand out. Do you have any recommended pages or videos yourself?My first camera was a canon rebel, my second was a GH5, my third was a Sony A7R3, and now I have 2 RED Komodo's and a Black Magic 6K.
Of all the camera and lens purchases, what made the biggest difference in my footage was lighting.
"Cinematic" has become a meme in some ways. A lot of people online jump on the bandwagon chasing this spec and that spec and many equate 60+ frames per second as "Cinematic". After spending years now filming full time, I can't stress enough how everyone needs to up their lighting game more than anything else. It's criminally overlooked and is 1,000% going to make a night and day difference in your footage. I can't tell you how many times I've seen people buy new cameras and lenses and almost immediately regret it because it doesn't make the difference they thought it would.
Before anyone buys a new camera or lenses I would encourage them to check out Nanlite for very high quality lights at very affordable prices.
All a camera is, is a tool that captures light.
Cinematic = Pre-production planning, scripts, boom mics / lav mics, lighting, story boarding, wardrobe, shot lists, etc.