Propaganda
Superstar
@TheMaster knows what's up. good advice.
and since dudes brought up the rza "making bangers on shytty equipment", what you guys are forgetting is that a big part of the aesthetic that wu-tang had was shaped by that sound. it was a dirty, unpolished, raw as shyt vibe that not only fit perfectly with their style but it amplified it and made it even dirtier. so unless you're going for that feel in that genre or at least something similar, you're probably swinging for the wrong fences. for instance, you if you're making a modern edm/pop track with the same sonic signature as an early wu record, that shyt would sound like like a convoluted mess.
but you don't need expensive gear to make quality mixes, i think pretty much every daw has adequate native 'effect' plugins to take care of all your needs. so if you know what you're doing you have the tools to create a solid mix. and we're on the internet...so it's sure as shyt not hard to find a lot of excellent, useful 3rd party vsts to download i think a lot of people would be surprised how many well-known mix engineers are almost entirely, if not fully, working in-the-box these days. some might use some analog summing running through their desk/console/whatever but still.
and since dudes brought up the rza "making bangers on shytty equipment", what you guys are forgetting is that a big part of the aesthetic that wu-tang had was shaped by that sound. it was a dirty, unpolished, raw as shyt vibe that not only fit perfectly with their style but it amplified it and made it even dirtier. so unless you're going for that feel in that genre or at least something similar, you're probably swinging for the wrong fences. for instance, you if you're making a modern edm/pop track with the same sonic signature as an early wu record, that shyt would sound like like a convoluted mess.
but you don't need expensive gear to make quality mixes, i think pretty much every daw has adequate native 'effect' plugins to take care of all your needs. so if you know what you're doing you have the tools to create a solid mix. and we're on the internet...so it's sure as shyt not hard to find a lot of excellent, useful 3rd party vsts to download i think a lot of people would be surprised how many well-known mix engineers are almost entirely, if not fully, working in-the-box these days. some might use some analog summing running through their desk/console/whatever but still.