You have to watch The Drunken Master style to understand the effect it had in the ring. It was so unorthodox and unique, it paralyzed fighters, hypnotized by its bizarre sequence. At some point in the middle rounds of a fight, when Augustus was confident that he could not be beat, he would begin to dance in the ring, much to the consternation of the referee, his opponent and the announcers at ringside—everyone, that is, except the fans.
It would begin with a shoulder shimmy by Augustus. He would then start to sway onto his right foot, swinging his left glove low across his body. Then he would sway onto his left foot and swing his right glove low and across. He would repeat it a few times just to ensure that his opponent realized it was not an accidental dance step to regain his balance.
As an opponent would begin to try to engage, Augustus might kick his feet toward the fighter like an improvised Ali shuffle, but only with his upper body improbably bent backwards, like a cartoon character. If a fighter refused to engage, and they often would, Augustus would sometimes put both gloves behind his back and sway back and forth in front of his opponent with his face thrust forward, daring his opponent to try to hit him, almost as if he were casually ice skating in the park.
“It was the media that started with all The Drunken Master bullshyt,” Augustus says as we sit for dinner at TJ Ribs, a local barbecue favorite in Baton Rouge. “That wasn’t me. I never called myself that. I just wanted to entertain people. If you were watching me fight, I wanted to give you your money’s worth.”
“Do you know where a lot of these moves came from?” Morvant asks. “They came from the video game Tekken.”
“Really?” Augustus asks, seeming a bit confused.
“Absolutely, buddy.” Morvant says. “Emanuel would play it night and day when he wasn’t in the gym. He would borrow some of these capoeira moves. Emanuel, do you remember Steve Fox?”
“Steve Fox!” Augustus says. It’s the most animated he’s been all night. “Did you play Tekken?” he asks me. “There was this character named Steve Fox. He had this punching combination. Do you want to see it?”
Augustus looks around the crowded restaurant. He suddenly becomes self aware of his surroundings.
“Maybe it’s not a good idea to do it here,” he says. He takes one more look around. With no one behind him, he says, “Here, let me show you.”
Bracing himself by placing his right hand on the table, he pushes himself up from the chair slowly. He gets into a fighting stance. Then, the punches are lightning fast. “
Bam! Bam! Bam! Bam! Bam!” Augustus shouts. The twelve-punch combination is etched in his mind and muscle memory.
“Did you see it?” he asks. “Do you want me to show you again?”
Dinner arrives as the waitress delivers a rack of ribs and baked potatoes for each of us.
“What’s this?” Augustus asks.
“They’re barbecue ribs,” Morvant says. “You’ll like them! Give it a try.”
Augustus shakes his head from side to side. “It’s too much food! I’m good with the potato and my Sprite. Can I get more Sprite?”
“Of course,” Morvant says. “Would you rather have a hamburger?”
“No,” Augustus says. “I’m fine. This doesn’t make sense. How do you eat these things?”
We begin to talk about what happened after Augustus was shot. How he spent several weeks in a coma. Morvant explains that when Augustus came out of the coma, the nurses made a board with photos for him so he would know where he was. His short-term memory, which was showing small signs of difficulty before the shooting, had worsened.
“They didn’t do that!” Augustus shouts. “I don’t remember that!”
“They did,” Morvant says. “Do you remember doing physical therapy in New Orleans?”
Morvant explains how after he left the hospital in Baton Rouge, Augustus was transferred to a facility in New Orleans where therapists worked to help him begin walking and talking again.
“For the first six weeks, he couldn’t eat anything,” Morvant says. “He still has the feeding tube in his chest. For those six weeks, it was nothing but Ensure in a bag. The therapists had to teach him how to swallow again.”
“No they didn’t!” Augustus says, a bit more agitated. “I was never in New Orleans!”
“Yes, you were buddy,” Morvant says. “It’s OK if you don’t remember. You’re not supposed to remember. You were getting better.”
“It don’t make sense!” Augustus says.
Teary eyed, he gets up and staggers slowly away from the table.
“Should we take him home?” I ask. “Maybe this is all too much.”
“Let’s give him a minute,” Morvant says gently. In a few minutes, Morvant goes outside and speaks to Augustus alone. Soon, they come back to the table together.
“I’m sorry about that,” Augustus says. “Sometimes, I get frustrated.”
“It’s OK, buddy,” Morvant gently says, bringing his face closer to Augustus.
“Can you see me now?” he says, teasing Augustus.
Augustus laughs and throws an upper cut, stopping his fist below Morvant’s chin.
“I tell you what,” Augustus says. “When it comes to fighting? That’s all I need to see. Cause when we’re close together like this? That’s where the fighting happens. I can’t see that well out of this left eye. Like right now, I’m seeing two of you.”
“And your hearing too,” Morvant says,
“Yeah, let me ask you,” Augustus says. “How can I make the ringing stop in this ear,” he asks me, pointing to his right ear. “It’s like I hear the gunshot all the time. But it goes on forever. It’s like
baaaaaaaaaaaaaaang!”
We finish our dinner and pay the check. Soon, we head to our respective cars. Augustus doesn’t want his rack of ribs, but he does want a Sprite to go. He holds the door open for everyone. I’m the last person to leave.
“Age before beauty,” he says, which brings a smile to my face.
As we are walking in the darkness of night on the uneven sidewalk outside of the restaurant, Augustus’ gait slows to a toddler’s waddle.
“I’ve fought all around the world,” he says. “But this here? With my vision and my balance? This here is an adventure.”
I feel my eyes welling up. To see this man who was The Drunken Master, one of the best balanced boxers ever to live, a man who could control every limb of his body with precision like a kung fu master, struggling to navigate a sloped sidewalk, not because of the hundred of rounds he fought in the ring for money, and the thousands more he fought in the heat of the gym for fun, but because of one shot, a shot he never saw coming, from an opponent he didn’t get to choose, it was too much of a burden for one man to bear.
How can I make the ringing stop in this ear,” he asks me, pointing to his right ear. “It’s like I hear the gunshot all the time. But it goes on forever. It’s like
baaaaaaaaaaaaaaang!”
The next morning, we all get together and head out to breakfast—Augustus, his fiancée Dot, LJ Morvant, James Georgetown, and Georgetown’s wife, Shon, who is known around these parts as “Mama” for the way she nurtures and looks after everyone.
After sitting down at the restaurant, we begin to talk about some of Augustus’ more memorable fights. Unfortunately, many of the endings are not happy ones. Augustus begins to speak louder and become more animated. When his mind is inside the ring, he is happy. His long-term memory about his fights is still very good.
“I used to bust GT’s ass in the gym!” Augustus says,
“Shut up,” Georgetown replies.
The laughter gets louder. Dot and Mama remind the men that we’re in a public place, and we have to keep our voices down.
“Why!” Augustus says. “Girls talk loud all the time!”
Mama teasingly puts her belt on the table and says that if Emanuel doesn’t behave, she’s going to whoop him.
Suddenly, Augustus puts his hand over his eyes, and he begins to slowly sob. Dot takes him outside for a breather. Mama goes with them.
“What just happened?” I ask.
“The belt,” Georgetown says,
“It must have triggered some bad memory,” Morvant says. “We never really talked about it much, but he had a tough time growing up. Sometimes, you never know what memory he can call up or when.”
“I don’t know if he wants to share this,” Georgetown says, “but we would talk in those hotel rooms late at night on the road. Some of the things he would tell me about them homes that he was in? No one should have to go through that.”
Shon "Mama" Georgetown and Dot Anthony console Augustus when he gets upset.
The talk at the table moves back to the indignities Augustus suffered as a fighter.
“Some of the things they did to him just weren’t right,” Georgetown says. “He had one fight in Texas where he was ahead on the cards, he spun out of a clinch, and the referee disqualified him. No warning, no point deduction, nothing! They were protecting their guy! What was his name?”
“Tomas Barrientes!” Morvant says. “Of course, the worst one was Courtney Burton.”
I remember the Burton fight well. It was another Friday Night Fight on ESPN in 2004. Burton was a contender from Michigan. Augustus took the fight on a few days notice in Burton’s home state, and he was dominant.
When Augustus landed a clean body shot that knocked Burton down in the fourth round, referee Dan Kelley called it a low blow and gave Burton time to recover. In the sixth round, Kelley warned Augustus that he would take a point away after a second body punch landed clearly above the belt. In the eighth round, Burton hit Augustus twice to the back of the head, one of the worst fouls a boxer can commit. After it happened, rather than warning Burton, Kelley warned Augustus to keep his head up.
The final injustice occurred in the ninth round. Augustus spun his way out of a clinch, just like a Tekken character, and Kelley deducted a point from Augustus. When ESPN announcer Joe Tessitore asked Kelley why a point was taken away, Kelley screamed at Tessitore for challenging his ruling and said the point was deducted because Augustus turned his back on his opponent, something that doesn’t appear anywhere in the rules of boxing.
When it was over, Burton had won a majority decision, with one judge awarding the fight 99-90 in Burton’s favor. The fight incensed so many long time boxing writers that they flooded the state athletic commission with calls asking to investigate, but nothing ever came of it. It never does.
“You can look at Emanuel’s record. The list of guys he beat, but he still didn’t get the decision: Bill Coddington. Pete Taliaferro, Ivan Robinson. Stephen Smith was a guy Emanuel knocked down with another body shot that they called a low blow, and they disqualified Emanuel because Smith said he couldn’t continue. Of course, Smith was 15-0 at the time.” The list goes on and on.
“We’ve talked about the bad decisions,” Morvant says, “but there were a few guys that Emanuel sent into retirement. Alex Trujillo was a top contender on his way to title shot. Emanuel embarrassed him on ESPN. He only had one fight after that before he retired. David Toledo was a guy who was 25-1. Emanuel knocked him out. Most guys get bums to fight at the beginning of their careers. They pad their records with easy knockouts. He was thrown in there in six, eight, 10-round fights against guys who were world-class fighters. He fought Jesus Chavez in one of his first fights. Chavez would become a world champion! Emanuel just never had anyone looking out for him as a matchmaker. He didn’t have anyone helping him make decisions in his best interest. And he would fight anybody. It didn’t matter to him. He wanted to fight champions.”
But what was it that made Augustus get the short end of the decisions he should have won? Was it all politics or did his Drunken Master showboating style work against him with the judges?
“He knew it did,” Georgetown says. “But he did it anyway. It wasn’t like we didn’t tell him what he needed to do. Wasn’t like he didn’t know what he needed to do. He had to do it his way. Always.”
“That’s who Emanuel was,” Morvant says. “You couldn’t ask Ali to fight like Tyson or Tyson to fight like Ali. Emanuel had to be himself in the ring. The showboating, that’s who he was! He always did things his way. But don’t get me wrong. There were several times throughout his career that Emanuel shot himself in the foot.”