Loved it. Amazing direction, acting and writing. I thought all three leads were incredible, Bateman's narcissistic, social climbing charmer was brilliant. Joel Edgerton as Gordo was un nerving, creepy, menacing and childishly innocent in the same scene...He did a great job as a director creating relentless tension, this movie was just straight uncomfortable to watch, the way he played on all the tropes of yuppies under menace thrillers from late 80's and early 90's was great.
The setting, the glass house representing all of the capitalistic suburban ambitions of Simon, and the upper middle class in America. Loved Hall's slow decline and her take on the menaced, increasingly fragile and unstable housewife from movies like 'Dial M For Murder', 'Midnight Lace', 'Gaslight'.
The movie earns all it's scares with great direction, and a knowing nod to the movies that have come before, 'Fatal Attraction', Pacific Heights', 'Unlawful Entry', etc
The upscale, yuppie friends & dinners and the movies critique and analysis cruel 'frat boy' element of the corporate world was excellently done, and the values we attach to it, the contrast of Gordo's world, a bleak, dreary trivia night in a dive bar was just brutal. The ending was twisted and raw, stomach churning. The script pulls no punches and by the end you are repulsed at the movie, but at yourself for maybe not knowing exactly how to feel. One of my top of this year, a modern Hitchcock almost.
as for the question, I'd have to say I am leaning towards no, but it almost doesn't matter. it's a very nihilistic and dark ending, were everyone is a victim and no one gets a happy ending...the fukking awful things we do to each other in the name of business, revenge, or just inherent human evil.
i almost walked out that hoe 
