Art Barr
INVADING SOHH CHAMPION
Octopuss take to an urgent standing base and finds position to chain from a collar an elbow tie to a rear tight technicalwrist lock. With his head firmly and square behind lethal's right shoulder blade and below and under lethal left should blade. Seemlessly too.
Lethal wiggles and struggles to break a gresham rear wrist lock. Then in the fray tries to escape. The octopuss puts on the abdominal stretch leg brakes. Looking to chain lethal for the octopuss gresham modified stretch. lETHAl, with his weight being forced into a hunched over predicament. is further ensnared in the modified octopuss hold by gresham.
Gresham relinquishes and takes a modified hammerlock into a front chancery.
Lethal looks to counter and gresham chains to a butterfly and then a front standing side headlock mat takedown. To an actual seated sideheadlock for a count of two. Lethal kicks out to a standing base woth gresham still holding a sideheadlock. Lethal goes to irish whip counter. Only to get steamboat/macho/flair style modified into a sideheadlock, before an irish whip. Proving gresham is more than likely two psychological mat skilled steps ahead of even the best comp. Damn all the size difference bullshyt. Duke can take simple shyt like the steamboat flair macho sting match side headlock counters and pay homage but add it before it would become a trope.
Little stuff like that makes gresham versus lethal the series a crown gem.
Where they get the tropes of a classic but make them better or amalgamate them.
to appease.
the socalled idea of what the psychology of the mark idea of a five star match is.
Without being trope-ism, or trollish.
Yet providing a tastefull skilled homage.
within the flow of the exhibition based work.
While also embarking on lengthening the storytelling of their series inring via high quality workrate at a premium.
Art Barr
Lethal wiggles and struggles to break a gresham rear wrist lock. Then in the fray tries to escape. The octopuss puts on the abdominal stretch leg brakes. Looking to chain lethal for the octopuss gresham modified stretch. lETHAl, with his weight being forced into a hunched over predicament. is further ensnared in the modified octopuss hold by gresham.
Gresham relinquishes and takes a modified hammerlock into a front chancery.
Lethal looks to counter and gresham chains to a butterfly and then a front standing side headlock mat takedown. To an actual seated sideheadlock for a count of two. Lethal kicks out to a standing base woth gresham still holding a sideheadlock. Lethal goes to irish whip counter. Only to get steamboat/macho/flair style modified into a sideheadlock, before an irish whip. Proving gresham is more than likely two psychological mat skilled steps ahead of even the best comp. Damn all the size difference bullshyt. Duke can take simple shyt like the steamboat flair macho sting match side headlock counters and pay homage but add it before it would become a trope.
Little stuff like that makes gresham versus lethal the series a crown gem.
Where they get the tropes of a classic but make them better or amalgamate them.
to appease.
the socalled idea of what the psychology of the mark idea of a five star match is.
Without being trope-ism, or trollish.
Yet providing a tastefull skilled homage.
within the flow of the exhibition based work.
While also embarking on lengthening the storytelling of their series inring via high quality workrate at a premium.
Art Barr
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