It’s an interview from GQ magazine with him and Tyler The Creator.
Direct quotes from the interview:
P: “What’s going on man?”
T: “Livin.’ Waitin’ on you, man. Not like for this call, like waiting for the new shyt that was supposed to come out ages ago. You playin’.”
P: “No, I’m not, I’m not, I’m out here in Paris, I just ended up doin’ twelve N.E.R.D records.”
T: “Can’t wait man!”
P: “Listen, you’ll have something to ride to. I mean, look, like I told you, they’re big choruses, but you know, out of nowhere, I’ll just come out of nowhere with the three-bar, crazy-nuts chords that go three-bar to four-bar to eight-bar. It’s good bro, it’s good. This is like that feeling that I felt when we made In Search Of...[2001]. I won’t sit here and tell you that they were hits. I knew it was different, and I knew there won’t be nothing out there like this. But I’m talking about the feeling. I wanted to do everything. I wanted feelings. I wanted the motherfukkin’ great composition. I wanted great chords. I want to use chords I never used before, and not just the dreamy ones. The ones that I’ve never done, that I fukkin’ hated. But using them in ways to get to other chords where the changes are such a release. And then, lyrically, the harmonies here…all the songs just have rainbow harmonies.”
Link to interview
www.gq.com
Direct quotes from the interview:
P: “What’s going on man?”
T: “Livin.’ Waitin’ on you, man. Not like for this call, like waiting for the new shyt that was supposed to come out ages ago. You playin’.”
P: “No, I’m not, I’m not, I’m out here in Paris, I just ended up doin’ twelve N.E.R.D records.”
T: “Can’t wait man!”
P: “Listen, you’ll have something to ride to. I mean, look, like I told you, they’re big choruses, but you know, out of nowhere, I’ll just come out of nowhere with the three-bar, crazy-nuts chords that go three-bar to four-bar to eight-bar. It’s good bro, it’s good. This is like that feeling that I felt when we made In Search Of...[2001]. I won’t sit here and tell you that they were hits. I knew it was different, and I knew there won’t be nothing out there like this. But I’m talking about the feeling. I wanted to do everything. I wanted feelings. I wanted the motherfukkin’ great composition. I wanted great chords. I want to use chords I never used before, and not just the dreamy ones. The ones that I’ve never done, that I fukkin’ hated. But using them in ways to get to other chords where the changes are such a release. And then, lyrically, the harmonies here…all the songs just have rainbow harmonies.”
Link to interview
Tyler, the Creator and Pharrell Break Down Their Favorite Chains of All Time
The longtime friends have a long conversation about their legendary jewelry collections.
