Official T E N E T Thread

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How great can he be when he ONLY makes one type of movie....Italian mob movies

What are you talking about? He's made all types of movies in every genre and has garnered audience, critical and industry acclaim in multiple genres.

Outside of the above mentioned.. Taxi Driver, Raging Bull, The Aviator, The King of Comedy, Cape Fear,The Last Temptation of Christ, The Color Money, After Hours, Gangs of New York, The Age of Innocence..

none of those are Italian Mob movies. Most of them very successful in one way or another.
 
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His greatest movies are mob movies

that's subjective. Raging Bull was nominated for 8 Academy Awards. Taxi Driver was nominated for 4 Academy Awards. The Aviator was nominated for 11 Academy Awards.

Taxi Driver is in the U.S. Library of Congress for it's social and cultural significance. Magazine and critics' polls have ranked it among the greatest films ever made.

These are all things that a fan of film would know..
 

GOATpernick

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Are they existing at two periods of time at the same time? :mindblown:

8I3ue4u.jpg
 
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ultraflexed

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@hex is this a bannable offense? At least from THE FILM ROOM?

Think about it

99% of the movies he gets praised for are mob movies are they not:manny:


We've seen nolan do war movies "dunkirk"

Super hero movies " the dark knight"

Scifi movies with mind bending concepts like
"Inception"

Scifi outter space movies like "interstellar"


All very different but all great



Even Martin's movies like king of comedy are all done in the same vein as his other movies. If you've seen one you've seen them all.
Like wolf of wall street is a non mob version of casino.

Nolan has far more range
 

MartyMcFly

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Think about it

99% of the movies he gets praised for are mob movies are they not:manny:


We've seen nolan do war movies "dunkirk"

Super hero movies " the dark knight"

Scifi movies with mind bending concepts like
"Inception"

Scifi outter space movies like "interstellar"


All very different but all great



Even Martin's movies like king of comedy are all done in the same vein as his other movies movies. If you've seen one you've seen them all.

Nolan has far more range

Aviator, Taxi Driver, and Raging Bull get more praise than most of his catalog not named Goodfellas. So nah the 99 percent thing doesn't add up. In fact, Goodfellas is the one mob movie in his catalog that gets a lot of praise outside of the other ones. That doesn't add up.

I wouldn't say Nolan has more range; Nolan is interested in different genres. Scorsese is really interested in inner conflict so most of his stories are grounded on earth and deal with that inner conflict and contradictions we have as humans. Nolan's movies, even the ones I love, are less about "people" and more about ideas or institutions around those ideas. Or they involve a big hook with very dense plots where the characters just act as chess pieces to move the plot along.
 
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Scottie Drippin

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That scene is what is getting me, I can barely tell in what direction shyt is going.
That's in all likely not on purpose tbh. Nolan's movies traditionally do a terrible job of consistency between cuts/direction of movement in chase scenes. He crosses up directions and order all the time. shyt moves from left to right casually amd at ramdp,. He just goes with what cut looks best. The Batman chase scenes are notorious for this. It'd be an incredible accomplishment if he not only suddenly fixed this weakness in his game and then applied it as a plot point suddenly :pachaha:
 
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