Peter Popoff
AKA Petty Pimpiń..🤑
This shyt was trash. fukk M Night Shimiladingdong
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I want to see this because I thought Split was Great and Unbreakable was good...but I keep missing showtimes that work for me and based off the mixed reviews I guess I can wait.
Elijah’s plan since unbreakable was to find his opposite and prove he was not a mistake. He believed in superheroes but he was never out to expose them to the world otherwise he would have outed David in unbreakable. He helped David become who he needed to become. It was never his mission to show the world about superheroes and villains. Again he only found out about the beast at the facility so it makes no sense to say this was his plan all along because it was pure coincidence that they ended up at the same facility. Like I said before his plan was for them to have a fight at the Osaka tower. It couldn’t have been apart of the plan to die at the facility because he only found out about the Osaka tower the day before. And the most important part of all, he never intended for the Beast to find out the truth at the facility. It was because Joseph who was outside of Elijah’s plan showed up and ruined everything. Also this whole thing about Elijah not being a mistake is redundant because he knew that from unbreakable. He proved it already.
Elijah’s plan was literally cooked up the night before and we’re trying to pass this off as it was his master plan all along. A plan that wouldn’t have happened until three days ago when David and the Beast were captured?
They added stuff at the last minute to try and make it all make sense but when you break it down it just doesn’t.
Reading through this thread Shyamalan must rest easy knowing that so many people will cape for the utter nonsense he tries to sell us in this movie. Which is not to say that I didn't enjoy it, because I thought it was enjoyable, but this is another movie that proves Shyamalan is his own worst enemy as all his good ideas are ruined by the fact he's a trash storyteller.
Let's just start with the opening.
David is fighting crime with his son being the Alfred. His son presents him with a theory that the "triangle" that the Horde's victims are in, is only his hunting ground and not where he stays holed up. He suspects (without any evidence or proof or even the most basic of clues) he might be holed up in a factory area nearby. David decides to patrol that area and on his first (!) patrol of the area immediately finds the Horde and his next staple of victims. Which is not only embarassingly lazy and convenient writing, but also ignores that the son's theory was that this was his hideout and not his hunting ground (the aforementioned triangle), so the presence of victims
And that situation basically sums up the entire movie. Things happen to move the plot forward without any realistic rhythm to them. For instance, I don't mind the idea of the doc trying to convince the patients that they do not have super abilities, and I don't even mind the idea of them starting to doubt themselves, but why are David and The Horde doubting themselves after one (!) talking session when they've been out doing superhero/villain shyt for years? And what part of the doc's intentions requires all three of them to be in the same hospital? Matter of fact, other than a reason to put the three together in a room together, why would she do a group session when confrontation between these three is exactly what she's trying to avoid? And as already said, if she's trying to convince them their superpowers are in their head, then why are their rooms built with security measures against their "imagined" powers? And why do they ignore this during the first group talking session where they are immediately swayed into believing it's all in their heads?
The entire narrative could've worked if Shyamalan didn't insist so much on the plot immediately moving to wherever he wants it, because a simple montage of routine talking sessions where you see the time line of how long it takes to question themselves would have gotten the plot at the same point without making all the characters look like clueless morons in a single moment. And the fact that Shyamalan doesn't even grasp the most basic of storytelling methods to get the plot to where he wants is baffling.
Which brings us to Glass' scheme, which makes partial sense (the tower was a distraction so the secret organisation would do anything to stop David and the Horde from getting there, and the footage of that battle is what he would send into the world) but is undermined because so much happens by coincidental happenstance. Like a huge part of the climax relies on David's son, Casey and Glass' mom to be at the institution at that exact same time, and they just so happen to all arrive there, at the exact same time, at the exact moment of the trio's escape. It's so contrived and again there's no apologizing for such lazy storytelling, especially because Shyamalan has the fukking balls to try and make it appear like some kind of "faithful" encounter to wave all the coincidences away.
In the end the movie is enjoyable enough because of the general things that Shyamalan gets right (and of course McAvoy continuing his tour-de-force role), but as I've said for the past decade or so, at some point the man really has to accept that he needs a proofreader or a co-writer.