Notorious BIG was Kliq’d up with BIG Daddy Cool?!?

Heelish

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Kevin Nash: Ya know... I smoked blunts with Biggie before. :smugfavre:

Sean Oliver: Wait, Biggie? As in Biggie Smalls? You knew each other?

Kevin Nash: Yeah, man, of course. We actually first met back, uh, when I was bouncing at Chene Park in Detroit. This was before it became the Aretha Franklin Theatre. Rest in peace to the Queen of Soul. *sips wine* So anyway, yeah, the next time we met we were backstage at Jon Stewart’s show. This was back when Jon was on MTV - total class fukkin’ act, by the way. Loved him on The Daily Show. And, uh, we were backstage after the taping and smoking it up with BIG and his crew. That’s when I told Chris there’s only two things that are real in showbiz: the money and the miles. And I swear to you, man, a few months later, he fukkin’ comes out with ‘fukk bytches, Get Money.’ :ehh:

Sean Oliver: What?! Get outta here!

Kevin Nash: Yeah, man. In fact, I had a broad with me that night that, uhh, had this big ol’ tattoo that said “Big Daddy’s Girl” on her left breast and Chris asked me to use it in one of his rhymes. I gave him my blessing as long as he changed his crew’s name from Junior Clique to something else, since we were, ya know, running with the Kliq name already. :sas2:
 
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NYChase718

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Kevin Nash: Ya know... I smoked blunts with Biggie before. :smugfavre:

Sean Oliver: Wait, Biggie? As in Biggie Smalls? You knew each other?

Kevin Nash: Yeah, man, of course. We actually first met back, uh, when I was bouncing at Chene Park in Detroit. This before it became the Aretha Franklin Theatre. Rest in peace to the Queen of Soul. *sips wine* So anyway, yeah, the next time we met we were backstage at Jon Stewart’s show. This was back when Jon was on MTV - total class act, by the way. And, uh, we were backstage after the taping and smoking it up with BIG and his crew. That’s when I told Chris there’s only two things that are real in showbiz: the money and the miles. And I swear to you, man, a few months later, he came out with ‘fukk bytches, Get Money.’ :ehh:

Sean Oliver: What?! Get outta here!

Kevin Nash: Yeah, man. In fact, I had a broad with me that night that, uhh, had a big ol’ tattoo that said “Big Daddy’s Girl” on her left breast and Chris asked me to use it in one of his rhymes. I gave him my blessing as long as he changes his crew’s name from Junior Clique to something else, since we were, ya know, running with the Kliq name already. :sas2:



:laff:
 

Kevin_Nash

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:ohhh:

@Kevin_Nash is this legit or Nashtales? :whoa:



100% true story. Actually, I tried to get Biggie to accompany me to the ring for my match with Mabel at Summerslam in 1995. Biggie wasn't so sure about it but Puffy kinda pushed him to go along with it since the Junior M.A.F.I.A. album was going to drop 2 days after the PPV. I pitched to Vince the idea of a rap battle between Junior MAFIA and Men on a Mission before the main event, but it was shot down. He asked me whether Biggie was "the white girl that raps in the hood". I had no clue what the fukk he was talking about, until Patterson started reciting the lyrics. I hear these lyrics and am thinking to myself for the love of god, please don't tell me he's just heard Rapture by Blondie which is 14 or 15 years old at this point. I ask him if that's the song he's thinking of and he yelled out "GODDAMNIT I WANT BLONDIE TO RAP! THAT'S GOOD shyt PAL!" I told Vince I'd think about it, and then immediately drove from Stamford to the city and let them know. Think they had a sense of relief about the issue, but we smoked some more and talked wrestling and his next solo album he was going to start working on (Life After Death).

"I gave BIG the 'your reign on top was short like Leprechaun' when I used the line on vanilla midget Malenko during his first Cruiserweight title win."
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Kick in the Door was originally supposed to be a homage to pro wrestling; he was a big HBK mark and wanted to honor him on his album in a low-key way. Scott and I co-wrote a version of the song in late 95, which was filled with Kliq stories and moves in the ring. Unfortunately the whole song got reworked after Nas' album came out in 1996. That specific line is the lone remnant of the version we wrote.
 
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