No Limit Records Stories

[Mtt]

start at 48 min mark






former no limit executive

 

[sneakers&sex]

start at 48 min mark


former master p manager



former no limit executive

oh snap this guy was in “im bout it” the drunk cab driver

 

[No Hook]

like what?

My Balls and My Word
Give It 2 Em Raw
Ghetto D
Charge it 2 Da Game
Unpredictable

 

[oO J Smooth Oo]

Mia X Mama Drama was ASS tried listening to it and it was horrible

disagree completely

 

[oO J Smooth Oo]

Giving Am I My Brother's Keeper another spin, C-Los, O'Dell and KLC shined on this, @JustCKing you were right this album did have it's own sound. Deep and richer production that sounds like it could be on a movie, a lot of story telling tracks and a lot of piano.















This must have been when Soulja Slim first got out or he fukked with Kane & Abel heavy bc he was featured a lot on this

@No Hook
@OHSNAP!

This and magics album sky’s the limit are two of the best NL releases. No filler just let the whole cd play from start to finish

 

[Alvin]

album was ok, kinda mid, but might be my favorite album artwork

 

[Alvin]

@OHSNAP!

@No Hook

@JustCKing

Corey
Soulja Slim
Full Blooded

C-Los

 

[Alvin]

I wonder why Carlos stayed after BBTP left, I wonder did he have more info than they did because he did put out skull and ghetto commission through P. KLC and the other members hate him lol they cross out his pic on facebook and myspace.

@No Hook

@OHSNAP!

@JustCKing

 

[OHSNAP!]

album was ok, kinda mid, but might be my favorite album artwork

Tru 2 Da Game, Unpredictable, Trapped In Crime, and Shell Shocked are my favorite covers prolly (off top of my head). This one's cool too

Album had a few highlights (My Entourage, Assassin, We Represent), but too many subpar/mediocre cuts. Probably one of the bottom 5 NL releases in 98 (Full Blooded and No Limit Soldiers compilation were worse than Assassin for sure)

 

[OHSNAP!]

I wonder why Carlos stayed after BBTP left, I wonder did he have more info than they did because he did put out skull and ghetto commission through P. KLC and the other members hate him lol they cross out his pic on facebook and myspace.

@No Hook

@OHSNAP!

@JustCKing

Carlos was also the last one who joined the BBTP team around mid-/late 97. KLC, Mo B n CB were tight/knew each other before NL

 

[Alvin]

Tru 2 Da Game, Unpredictable, Trapped In Crime, and Shell Shocked are my favorite covers prolly (off top of my head). This one's cool too

Album had a few highlights (My Entourage, Assassin, We Represent), but too many subpar/mediocre cuts. Probably one of the bottom 5 NL releases in 98 (Full Blooded and No Limit Soldiers compilation were worse than Assassin for sure)

I liked the We Can't Be Stopped compilation

 

[Alvin]

Carlos was also the last one who joined the BBTP team around mid-/late 97. KLC, Mo B n CB were tight/knew each other before NL

thought o'dell was the last to join, C-Los was working with P since 96 though

 

[JustCKing]

I wonder why Carlos stayed after BBTP left, I wonder did he have more info than they did because he did put out skull and ghetto commission through P. KLC and the other members hate him lol they cross out his pic on facebook and myspace.

@No Hook

@OHSNAP!

@JustCKing

I think Carlos stayed because he wasn't really a founding member of BBTP. He came in priducing under some other production crew. In the credits for "Who Can I Trust" from CI2DG, he is credited a "produced by Carlos Stephens for Whole Records". After that, it was always BBTP until they left and it was C-Los Beats. So it really wasn't any love lost seeing the others leave. I think he also stayed because he saw staying was smarter than leaving. He still had The Commission and a stable of No Limit artists to work with and I think he had a hand in bringing P some of the new producers. Plus P made him the head of the production at No Limit.

I think the others dislike Los because he took credit for "Down 4 My N's". The booklet for No Limit Top Dogg credits KLC. Everybody knows it is produced by KLC, but when it dropped on C-Murder's Trapped In Crime, it is credited as Carlos and XL. C-Murder even replaces KLC's name with XL in his verse.

 

[Alvin]

I think Carlos stayed because he wasn't really a founding member of BBTP. He came in producing under some other production crew. In the credits for "Who Can I Trust" from CI2DG, he is credited a "produced by Carlos Stephens for Whole Records". After that, it was always BBTP until they left and it was C-Los Beats. So it really wasn't any love lost seeing the others leave. I think he also stayed because he saw staying was smarter than leaving. He still had The Commission and a stable of No Limit artists to work with and I think he had a hand in bringing P some of the new producers. Plus P made him the head of the production at No Limit.

I think the others dislike Los because he took credit for "Down 4 My N's". The booklet for No Limit Top Dogg credits KLC. Everybody knows it is produced by KLC, but when it dropped on C-Murder's Trapped In Crime, it is credited as Carlos and XL. C-Murder even replaces KLC's name with XL in his verse.

I mean that's politics lol I doubt Carlos did that, that's a P Miller move right there lol. I know Carlos, TSO (GC) & Skull were on Spiral records before too.

 

[JustCKing]

I mean that's politics lol I doubt Carlos did that, that's a P Miller move right there lol. I know Carlos, TSO (GC) & Skull were on Spiral records before too.

Yeah, its politics, but amongst them being they welcomed Los into the fold, probably made them feel some type of way.