No Limit Records Stories

Bugsmoran

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:mjlol:
 

Alvin

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Mystikal and C/MP were not on good terms at that point. Maybe it had to do with the Monica thing, who knows. Maybe the Miller boys were jealous because of his popularity and bigger critical acclaim. He didn't want to leave No Limit tho, neither did Fiend

Mystikal only had two new verses on the 504 Boyz album (his Wobble Wobble verse was some chopped old bullshyt). He did one track each on Silkk's and C-Murder's albums tho
what was the monica issue?
 

Alvin

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Mystikal and C/MP were not on good terms at that point. Maybe it had to do with the Monica thing, who knows. Maybe the Miller boys were jealous because of his popularity and bigger critical acclaim. He didn't want to leave No Limit tho, neither did Fiend

Mystikal only had two new verses on the 504 Boyz album (his Wobble Wobble verse was some chopped old bullshyt). He did one track each on Silkk's and C-Murder's albums tho
who was the "jill" that mia X made a tribute to on each album?
 

OHSNAP!

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I was just thinking this while reading the thread. Was listening to her Rear End the other day. I fukked with all that No Limit shyt hard. TRU is a super group, Mac (!) I mean I could name hella artists and producers.

They opened the doors for black ownership.

No P: no Cash money. Simple as that imo.

Everybody who lived that era remembers the Source advertisements, the album release dates, the insane amount of music they put out, the straight-to-VHS movies... they worked hard af.

P is that nikka, a true hustler and entrepreneur and he wasn’t wack at rapping - he had a lot of energy and he knew how to convey that gangster hustler emotion. There’s no doubt: P’s a Legend and his team is Legendary.

Good to see The Coli fukk with No Limit, I still go back and bump their albums from time to time. First label to get and stay excited about after Death Row’s demise.
I agree, if P stopped biting so damn much (esp.the Cash Money copycat bullshyt from 1999 on) and would have focused more
on quality control in 1999/2000 instead of playing NBA, No Limit Sports, WCW, splitting with BBTP and important artists etc, No Limit could have had a way longer run
 

OHSNAP!

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breh i remember wanting Da Next Level SOOOO bad just for the cover and because i saw Serv On on Rap City and i finally heard that album :scust:

some albums grow with time or i get older and can understand it better and Da Next Level is not one of those albums. that shyt is garbage and pretty much unlistenable. how you go from his first album to that?


Silkk dropped a classic with Charge it 2 Da Game and followed it up with that horrible Made Man album too :snoop:

i cant believe how long i liked NL after they fell off...last shyt i might have actually bought was Da Crime Family album by TRU...when my tru homies call me, i'll be there :manny:
I agree, early 1999 NL came out with subpar-to-horrible albums (Made Man, Bossalinie, Da Next Level, Foolish, Boot Camp lol) and destroyed all the momentum. Sales declined big, and Cash Money took over with way better albums in 99. However, I always felt that Da Crime Family, Ghetto Harmony and Street Life (even Rear End) were way overlooked, those were pretty good. No Limit Top Dogg and World War 3 were amazing
 

NO-BadAzz

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Heard in an interview Mia stated P had 500 million dollars in liquid cash, he just didn't have time to run the company (hands on) like he had done before blowing up, he put too many other ppl in charge to run the company when he was off doing things. Mia said that P wanted to pursue his dreams, he had the funds to do so, so why would they be upset at that, all they could do is respect it.

Also, Serv-on gave a great interview on how much they were paid, P gave them 500k upfront, a house, and they got to pick their favorite car, then after the album was turned in, P gave them another 500k on the back-end.

That Serv-on interview shed light on the whole pay scale, P would pay the vets' (Snoop, C, Silk, Mystikal) like 4,500 a verse, thus you see them all over each other album, each verse you did as a vet was a easy 4,500, shid you do 4 verses, you done made dayum near 15k in one day, and that is just for one person album.

P really paid them dudes, Serv-on stated how Snoop learned so much game about getting paid from features, smh, Snoop had no clue how much money he was missing out.

P really looked out for these dudes.

I wanna say even Sons of Funk stated P gave them each like 300k or 600k (each) and it was 4 of them for their 1st album and they got paid another 900k-1.2 for that "I got the Hook Up" sound, (I may be off) but them dudes stated in an old interview that All-Hip Hop did on them that P took care of them well.
 

JustCKing

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I agree, early 1999 NL came out with subpar-to-horrible albums (Made Man, Bossalinie, Da Next Level, Foolish, Boot Camp lol) and destroyed all the momentum. Sales declined big, and Cash Money took over with way better albums in 99. However, I always felt that Da Crime Family, Ghetto Harmony and Street Life (even Rear End) were way overlooked, those were pretty good. No Limit Top Dogg and World War 3 were amazing

More attention should've been given to Street Life, Da Crime Family, Ghetto Harmony, and Rear End. Rear End had major potential. Imagine "I Can Tell" as a single. That song was popular from the 504 Boyz album and it was never a single. It could've did damage as an official single.
 

AlbertPullhoez

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I was just thinking this while reading the thread. Was listening to her Rear End the other day. I fukked with all that No Limit shyt hard. TRU is a super group, Mac (!) I mean I could name hella artists and producers.

They opened the doors for black ownership.

No P: no Cash money. Simple as that imo.

Everybody who lived that era remembers the Source advertisements, the album release dates, the insane amount of music they put out, the straight-to-VHS movies... they worked hard af.

P is that nikka, a true hustler and entrepreneur and he wasn’t wack at rapping - he had a lot of energy and he knew how to convey that gangster hustler emotion. There’s no doubt: P’s a Legend and his team is Legendary.

Good to see The Coli fukk with No Limit, I still go back and bump their albums from time to time. First label to get and stay excited about after Death Row’s demise.
:camby: at bolded. Agree with the rest
 
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