After having time to digest it a bit more - it was definitely one of the worst films I've seen in recent memory.Despite this review planting a seed (and my general aversion to Refn's films) before viewing, it was spot on -
I nearly ended up walking out halfway through because I started to get a stiff face from cringing at the smart-dumbness of it all. I don't think I'll ever force myself to watch another film of his. He's basically LvT without the genuine cac highfalutin, intellect, introspection, humor, style, originality, ability to paint the human condition and talent.The most glaring proof of The Neon Demon’s failure is how stultifying it is. Although Only God Forgives’ risible attempt at elevating its sordid narrative through Freudian concepts already demonstrated Winding Refn’s severe intellectual limitations as an artist, Drive did amply prove his potential directorial prowess. The perfectly executed set-pieces that rendered that film such an exhilarating ride are sorely missing here. Instead, The Neon Demon consists of scenes involving minimal camera movement and impassive characters drifting through immaculate compositions that lose all their appeal within the first ten minutes. Thereafter, the viewer is left to stare at a ponderous and incoherently stitched-together succession of vapid images for what feels like an eternity until the carnage starts.
/10
I loved it, but I can see why someone would dislike/hate this flick.
That lighting
That soundtrack
Elle in probably the only time I will think she was stunning
Jena bae
Yea @re'up you're right it does drag after the pool scene. I would have cut the gag scene.
*in NYC last week at a meatpacking district hotel, I had an encounter with a producer of this film, who exactly embodies the culture of what the movie is 'parodying' in a bit of an ironic twist.
Just for the fukkery I am gonna need DC/WB to give NWR the greenlight and a budget for this movie ASAP.
I'd beg to differ.as long as he doesnt write it, i think. for all the complaints of his recent films, no one denies he's a wonderful director.
he beating night m sham?I didn't see there was a thread on this already. Posted my thoughts in 'the last thing you watched' thread -
After having time to digest it a bit more - it was definitely one of the worst films I've seen in recent memory.
Honestly, as dire as some of M. Night's work is -- at least there's actual flesh and some sense of purpose to his shyt -- something that Refn's films are completely void of. I watched The Visit not too long ago (again), and I was surprised at how well he pulled this shyt off -he beating night m sham?
It certainly exceeded my expectations - whether it was good or not - I don't know.
It definitely had the skeleton of being a good film, I could get past its comical affair simply for the fact I don't think it was as heavy-handed as his previous attempts. The self-referential/film/character/critic/audience snipes, the activity and mental state of the 'grandparents' and the process of catharsis didn't wander off the beaten track - only serving the purpose to outline the point of the film.
And that's how I'm judging him. He's a smart-dumb, without-a-pulse "experimental" director.Yall judging Refn as if he isn't an experimental filmmaker. .
alejandro jodorowsky Is the mans mentor, have yall ever seen a jodorwsky movie?
Despite this review planting a seed (and my general aversion to Refn's films) before viewing, it was spot on -
I nearly ended up walking out halfway through because I started to get a stiff face from cringing at the smart-dumbness of it all. I don't think I'll ever force myself to watch another film of his. He's basically LvT without the genuine cac highfalutin, intellect, introspection, humor, style, originality, ability to paint the human condition and talent.The most glaring proof of The Neon Demon’s failure is how stultifying it is. Although Only God Forgives’ risible attempt at elevating its sordid narrative through Freudian concepts already demonstrated Winding Refn’s severe intellectual limitations as an artist, Drive did amply prove his potential directorial prowess. The perfectly executed set-pieces that rendered that film such an exhilarating ride are sorely missing here. Instead, The Neon Demon consists of scenes involving minimal camera movement and impassive characters drifting through immaculate compositions that lose all their appeal within the first ten minutes. Thereafter, the viewer is left to stare at a ponderous and incoherently stitched-together succession of vapid images for what feels like an eternity until the carnage starts.
/10