prophecypro
Hollywood North
Not for no 5 fukking albums in 3 years. That’s OD. I would off myself by the 3rd album
He’s diverse enough of a producer and wouldn’t seeing be an issue depending on Jay’s mind
Not for no 5 fukking albums in 3 years. That’s OD. I would off myself by the 3rd album
No he is not lolHe’s diverse enough of a producer and wouldn’t seeing be an issue depending on Jay’s mind
No he is not lol
Having real authentic chemistry with a producer who you know understands the sound you want to do >>>>>>>>>> all that other shyt.
That being said, I only really fw KD3 like that out of all the Hit Boy projects and that's mainly due to Nas's performance on it. I like Hit Boy's production but he rarely gets experimental, his production stays in a firmly commercial, glossy type of lane. Even his "gritty" beats have a commercial sheen to them you'd expect from someone who regularly gets big placements. Nasir is about as "experimental" of commercial type production that Nas ever rapped over, and that type of experimental clearly didn't favor Nas.
However, that goes back to what I said earlier... Nas wants that hi-fidelity commercial sound right now. His lyrical content right now is not grimy, experimental nor emotionally charged enough to merit the type of sound that Alchemist nine times out of ten is gonna do. Yeah, you can point to the "light" production he just did for Larry June and say Al could tailor his sound to fit Nas's current direction, but... would you really want that? At Nas's current point in his life, I highly doubt you're going to extract "Take It In Blood" from him in 2023 for even one track, never mind a whole album. That's the Nas I'd love to hear over Alc production... that ship been sailed, Nas ain't a young man anymore.
I would say the records people were complaining about here on Magic 2 are experimental and even they are contemporary
As for Nas content, yeah he’s not in that super experimental lyric bag of even the 00s I don’t know if he needs to be . He showed flashes but as you said people are gonna expect one thing that ain’t even there no more even if he gets with Al
This is about the most imaginative I've heard Nas rap in many years. However, as evidenced by his output on his last 5 albums, it's not really representative of where he is. Artistically he comes off like somebody who's fully made peace with the trauma energy that fueled a lot of his early output. The energy on Magic 2 is a dude rapping because it gives him joy, not somebody rapping in the middle of processing some fukked up shyt.
I see it as honest to where he's at, Hit Boy's production fits the theme of reflecting on his great Hip Hop memories and leveling up very well. At the end of the day, coming from Nas, there's an audience for that who will appreciate going down memory lane. Why compete with young dudes at their own game when you can cater to an audience who already got love for you and fundamentally relates to your current speed. He already went through his "statement" phase too (Untitled, HHID, etc.) so he's not necessarily that interested in going in a more conceptual direction either.
This is about the most imaginative I've heard Nas rap in many years. However, as evidenced by his output on his last 5 albums, it's not really representative of where he is. Artistically he comes off like somebody who's fully made peace with the trauma energy that fueled a lot of his early output. The energy on Magic 2 is a dude rapping because it gives him joy, not somebody rapping in the middle of processing some fukked up shyt.
I see it as honest to where he's at, Hit Boy's production fits the theme of reflecting on his great Hip Hop memories and leveling up very well. At the end of the day, coming from Nas, there's an audience for that who will appreciate going down memory lane. Why compete with young dudes at their own game when you can cater to an audience who already got love for you and fundamentally relates to your current speed. He already went through his "statement" phase too (Untitled, HHID, etc.) so he's not necessarily that interested in going in a more conceptual direction either.
Somebody needs to kidnap Nas and lock him in a studio with DJ Premier, Q-Tip, & Large Professor.
Agree with most of this. Quiet as kept I keep seeing nikkas talking about different "vibes" of these albums and I don't see it. Content wise every recent Nas joint is like 75% talking about the old days in QB and naming various gangsters from that era, and 25% flossin. And repeat.
I'm not mad at that, because I once heard KRS say a dope emcee can make reciting the alphabet sound dope. And that's a fact.
What people see as a lack of hunger from these projects is just Nas being in a good place. He's rich as fukk and happy as shyt. We not ever getting IWW Nas back. nikkas need to deal with it.![]()
Somebody needs to kidnap Nas and lock him in a studio with DJ Premier, Q-Tip, & Large Professor.
You would kill yourself over a rap album's production?Not for no 5 fukking albums in 3 years. That’s OD. I would off myself by the 3rd album
However, that goes back to what I said earlier... Nas wants that hi-fidelity commercial sound right now. His lyrical content right now is not grimy, experimental nor emotionally charged enough to merit the type of sound that Alchemist nine times out of ten is gonna do. Yeah, you can point to the "light" production he just did for Larry June and say Al could tailor his sound to fit Nas's current direction, but... would you really want that? At Nas's current point in his life, I highly doubt you're going to extract "Take It In Blood" from him in 2023 for even one track, never mind a whole album. That's the Nas I'd love to hear over Alc production... that ship been sailed, Nas ain't a young man anymore.
I would say the records people were complaining about here on Magic 2 are experimental and even they are contemporary
As for Nas content, yeah he’s not in that super experimental lyric bag of even the 00s I don’t know if he needs to be . He showed flashes but as you said people are gonna expect one thing that ain’t even there no more even if he gets with Al
Nah, saying the beats are experimental is false. There's nothing groundbreaking or left field. The issue with the production is that it sounds rushed. There's some horns, pianos, and strings that feel like stock sounds. It's something you lay down as a guide for a real musician to come in and play an actual instrument. Using "saxophone_2b" out of Fruity Loops is going to result in a flat, soulless sound.
I'm convinced they had a bunch of songs that weren't making the cut for KD4, slapped them together, and released them as Magic 2. This was too low effort for me to believe it was planned as an actual album.
Cranking out music to them has become easy. It's time to look for a challenge, get some new voices in the room, and get a different sound.