being an emcee is about closing out on the breaks. Sohh moving to far away from the 4/4 break is a bit counter productive. Yet it is all still 4/4 even if you chsnge the scale. Double time is already made with this ideal. Where i am not a fan of the pigeon hole of all rap being double time. As i never seen no double time emcee off the head be overly nice all the time. Sohh i am not for moving around in that manner of time. Especially when most rapper have not mastered the break to begin with.
Not immune. To seeing this in nature tho.
the first people i ever saw worK in this ideal was bon n nip.
Way before i heard anyone try it past simple double time.
Eminem did this on kill you.
I feel pac kinda rhymed in this manner as his general thug life deathrow skillset too.
Sohh it is there in the marketplace.
Like generally there in the market place.
from pac fans work who bite pac.
Art Barr
do you think there could ever be a progressive movement in rap? for instance, a lot of 'progressive' rock bands formed in the late 60s, in reaction to the monotony of the 4/4 beat. i know hiphop requires more "feeling" than rock to catch the beat, but do you think something like that could ever happen?
again i admit im smoking an L right now lol but the thought of it and the potential music that could come out of it would be incredible.
i would love to hear a rap song in 7/4. especially wildly lyrical! it could be done with compound measures, counting 4+3+4+3 and so on. i just wonder if anyone even cares enough anymore to experiment and try something new.
i play music out here where i live and i gotta say... i get some losers, lol. some people can play amazing but they have no passion, and vice versa. its tough as a rock musician because most people just want to play cover songs at bars. they dont wanna write anything.
idk man im stuck
sorry for the rant but im frustrated as hell lol