TrueEpic08
Dum Shiny
Agree, Mulholland Drive is the best movie of the 21st century and there hasn't been a better film since. It's Lynch's masterpiece (next to Twin Peaks the series) and like Ebert said, the movie he has been working toward all of his career. Even more impressive when you consider that it was supposed to be a tv pilot and Lynch had to return a year later, shoot more scenes and transform it into a cohesive movie.
It's way, way up there. I just rewatched this about a month or so ago (double feature with The Neon Demon) and was blown away by it all over again. Especially impressive was the sound design (always great with Lynch) and the subtle genius of how the movie's story unfolds (people tend to code it as confusing and boring because it doesn't immediately and obviously reveal everything to the viewer, but everything you need to know about the narrative is in plain sight if you know where to look. If you don't believe that, rewatch the transition into the second sex scene and get back to me). Also funny to me (and I didn't think about it until I read Ebert's Mulholland Drive review) is how Lost Highway plays as the dry run/rough draft of Mulholland Drive.
Now, if you say that In the Mood for Love is better, I won't disagree (Chungking Express and especially Fallen Angels are two of my absolute favorite movies of the '90s), and if it doesn't necessarily touch you, I understand. But to deny Mulholland Drive's objective greatness shows a lack of knowledge about film in general.