Black Ball
Superstar
Have you read the graphic novel?
Martha
Not at all. So it's not as good as the book is the issue?
Have you read the graphic novel?
Martha
Not at all. So it's not as good as the book is the issue?
ClassicWillow
No way that flick was getting a sequel, one of the worst movies I've seen in many years.I liked the Terminator Genisys. I Was looking forward to the sequel, but I guess the criticism got that shyt scrapped.
Classic
Most of the 90s black comedy movies
weird how it's easier to find Jackie Gleason sketches than full episodes of Def Comedy Jam in 2018Black comedies from the '90s tend to get the shaft from cac critics a lot actually
This is about movies that got low ratings upon release. Boomerang got shytted on by critics when it released. There was one review on the LA Times I believe that said the movie wasn’t realistic because there were only Black people working at the company
I thought this was an interesting takeOnly 31 years old, Murphy, if "Boomerang" is any indication, is having himself an identity crisis. Once one of the funniest of men, with $1 billion in worldwide grosses to prove it, he now, like Robin Williams before him, seems to feel that comedy isn't quite good enough. Instead he wants to be thought of as a romantic leading man, a suave successor to Cary Grant and friends. Not only is that a role that Murphy has no particular flair for, it also leads to a squandering of the considerable talent he does have.
Buried somewhere in the lackluster script by Barry W. Blaustein and David Sheffield (the duo officially credited with "Coming to America") is the very viable idea of a Casanova who gets his comeuppance. The problem is that Murphy, determined to portray a nice guy no matter what, doesn't have the nerve to play Marcus as the cad he has to be if his chastisement is to mean anything.
Cac showed what he really meant because Shatner is canadianThe most intriguing aspect of "Boomerang" turns out to be not its story but its racial composition, for this film takes pains to create a reverse world from which white people are invisible except when comic relief is called for. Aside from an insipid waitress, a bumbling racist store clerk and four beefy young slaves (the credits coyly lists them as escorts) who are enthusiastically whipped by Strange as they pull her chariot through New York's World Financial Center (don't ask), the only pale American face prominently visible belongs to Capt. James Kirk of the Starship Enterprise, eulogized by Marcus as "the coolest white man on the planet." On one level, this kind of cinematic affirmative action can be seen as very long overdue, but, unlike the dramatically motivated all-black cast of "A Rage in Harlem," it feels in its own way as silly and arbitrary as mainstream movies without any people of color on the screen.
Not sure I would put Trading Places over Beverly Hills Cop. Honestly all that shyt is classic. LolWho doesn't like Boomerang?! Eddie Murphy fukkin' classic!
Trading Places
Coming to America
Boomerang are his best work.
Harlem Nights is cool, but for that cast it needed to be way funnier. I admit I was disappointed.
I remember this board was hating on it or maybe it was just several posters but it's such a fun watch, underrated flick on this forum.It really is breh, it is so outside the box.
The Punisher with John Travolta as the protagonists.