This had some good moments, but it could've used a lot of help. Honestly, Hill had a tough assignment cut out for him cause he wanted to make a coming of age film centered around teenage skaters in the 90s.... There's no way his film could ever escape being compared to KIDS.
For a teeny coming of age film, it was good. It had a cute lil ending, some good laughs, and damn near every character is lovable. However, the latter is where the film falls apart in my mind.... Why the fukk am I sympathizing with everyone? Why is the security guard so lovable? Why are the homeless folks depicted as happy go lucky vagrants? Why is the light skin brehs drug and alcohol use so harmless? And yes, I remember what happens at the end, but guess what, ITS INCONSEQUENTIAL, AND ENDS ON A HAPPY NOTE!!
The shyt was a cookie cutter depiction of teenage rebellion, and a complete sterilization of skateboarding and hip hop. It felt like Hill wanted to make the two cultures accessible to a wide audience, so he omitted necessary nuances relevant to each respective culture, and as a result robbed em of their damn depth.
I've heard Hill's interviews and it truly sounds like this film was made with the right intentions, and it's truly not a bad film, but it just lacked real substance. Maybe KIDS can't be topped.
Also, I HATE when films lean so heavily on their soundtrack. The Wackness did this, and Mid 90s is guilty of it. Shyt is the equivalent of having a frat boy force you to listen to his real hip hop playlist. Like damn yts how many times u finna make me listen to the same hiero, tribe and pharcyde songs.