his invincible album was almost entirely r&bBut I can see why black people didnt like his later shyt. He moved away from the r&b stuff and went strictly pop. Even tho i dont agree with them
I'm listening to this right now and it'sThe mix and mastering was clean as fukk on that album.
Agree. After dangerous what was it, history- eh. Blood on the dance floor- blah. Invincible was his comeback to me because it sounded like an early 2000s off the wall.No, I will play you like this. Errbody and they mama knows that Dangerous is the Nastradamus of Mike Jack albums.
It had some jams, but ain't in the league of the albums before it.
You tryina tell me the album with "Jam" on it is on the level as Thriller? The fucc out my face.
No, I will play you like this. Errbody and they mama knows that Dangerous is the Nastradamus of Mike Jack albums.
It had some jams, but ain't in the league of the albums before it.
You tryina tell me the album with "Jam" on it is on the level as Thriller? The fucc out my face.
you shut him down.First off, you can't name me ONE single from Nastradamus. Not one. So to call Dangerous the caliber of that is foolish. I can name multiple singles from this album that were undeniable hits, not to mention the albums cuts on here were great.
And to the bolded, YES.....it just comes down to preference. Like I said this album was different. Different sound, all synths as opposed to live instruments, more energy, nothing like this had ever been done. It's New Jack Swing on a level it'd never been before, and never went after. I'm not even a huge fan of traditional new jack swing, but Mike found the sweet spot. And it's aged perfectly.
This approach to this album matched Mikes natural energy perfectly. Production-wise, if you have the ears, this album is insane.
If you wanna say Mike has a Nastradmus album, it's Invincible or HIStory.
Not this.
yeah, I mentioned that too!The mix and mastering was clean as fukk on that album.