and they'll still complain...
I love a hip-hop movie, but they're almost pointless to make since the hardcore fans are gonna be too busy trying to make sure the story was accurate instead of being entertained by a movie.
Dawg,...
this movie could be as good as any critically acclaimed period piece.
if it was done exactly right.
especially, since it has a time line that is rooted in red lining to white flight.
plus, how hiphop traveled and was still relevant to red lining/white flight.
llus, thr destruction of the public school system because of segregation from red lining/white flight.
out of a region, where it did not originate.
plus, it deals with an incredible music back story.
that has four equally important layers and outcomes.
plus, even yella's story can be told after nwa.
to even show correlation of the breakdown of the virtue of black women in the home.
from project mentality and other ills purposexually put their to harm us in the ghetto.
as, a byproduct of red lining/segregation/white flight
the nwa story just on the surface.
has enough time line content and story.
to be just as good as any music period piece.
or be at least a good visual journey.
that is a low quality failed in execution cult followed piece like the doors with Val kilmer.
that is how well this movie could be put together on the humbug.
or, if it was done exactly right.
what is gonna happen in the end is.
we are gonna be given a cut paste by numbers submission.
found in the anal, not the annals of hiphop cinema history instead.
this feels like it was sold to the highest bidder.
where we will get hammer and flex as Mike jax on vh1.
instead of at the very least,....
a five heartbeats level of quality style picture.
Art Barr