Lyor has one of those 60s-70s wealthy hippie quasi-revolutionary backgrounds.
Born in the US, but spent years on a kibbutz in Israel before moving back to LA.
His parents were liberal idealist Jews. The types that believed it was possible to coexist peacefully with Palestinians, didn't take the religion too seriously, avoided IDF service at all costs, etc. These types were very uncomfortable with capitalism - they were usually closet Marxists, if not outright Communists (even though they were usually wealthy...I know, it makes no sense, but nothing from the 60s makes much sense). Not too many of them left these days, but they existed back then.
Father was a child psychiatrist, mother was an heiress, hippie & huge supporter of the arts.
His older brother taught math & shop class at an all-black public school in South Central in the 70s. He was one of those idealistic liberal Jewish kids from a wealthy family. Very common at the time. That's how Lyor got introduced to black music - his brother would support his students by going to their weekend basketball games, and they'd always have live music from local artists at halftime. Lyor tagged along.
On the one hand, I'm like clearly this dude has a real appreciation and affection for black music. But on the other hand, so many black artists have called him out for being a fukking snake...
I always wonder if what makes him so polarizing is that his background makes it tough for artists to discern his intentions compared to the intentions of other white/Jewish executives. The artists see someone who seems to actually give a shyt and understand what they do - rare for record execs - and they have all sorts of interesting conversations and interactions with him. They develop a genuine relationship, and start to see him as being "on their side." But then, he turns around and snakes them the way any other record exec would - and the artists aren't prepared for it at all because their previously established relationship led them to put their trust in him. Whereas with the standard record exec, artists (if they're well-advised!) have their guard up at all times - they know they're dealing with a snake off rip, and that their value to that exec only goes as far as their ability to move units.
Where did you learn about his family background?