Forgot all about Pu$$y
Lupe got to get us all those extras one day. Even though they're "Atlantic records" they're probably still
You gon stop hatin on Chopper if its the last thing you do5 listens in we are on the same page except I would replace chopper with Deliver.
That girl that called into the sway interview from my city...she was preaching...ima find her
You gon stop hatin on Chopper if its the last thing you do
I didn't say she was preaching the truthYou think so? That woman made me cringe. She was arguing that if she had the choice to either erase 5 centuries of black oppression but erase hip hop or keep hip hop and oppression she'd choose to keep hip hop.
I love hip hop and all but gtfo bytch.
Idk what I'd choose tbh love hip hop
We did, its called "Super"Are you black? If yes then you are bugging. Think about all we went through which led to hip hop being created as an outlet to express that awful pain. To choose music over our liberation, progression, safety and perseverance is to spit in the face of our history and ancestors. It's obviously a rdiculous question that would never actually come into play, but yeah.
Besides, we're the most creative and stylish people around. We would've eventually created something just as dope, if not eerily similar, anyway.
It fits the mold of summer best for sure so I won't argue it's positioning on the album, but it also would have been a great outro track....maybe a hidden bonus that plays right after Spring.
It has a celebratory "I'm finally free from this label" vibe and I think making it the last song would've been very effective.
The fact this album even came out untarnished by Atlantic is amazing to me. There's not one record on here that reeks of "ewww Atlantic made him do this one" on the album. Blur My Hands is the most radio friendly but it doesn't sound compromised lyrically or thematically at all. Deliver also fit the mold because of it being the shortest and least least layered song on the album. That's why it was the album's single, but it definitely wasn't forced on him either.
This is the only rap album besides Good Kid mAAd and Logic's Under Pressure I've heard this decade that has no tracks I ever think to skip. All 3 are true gems from start to finish.
This is the kinda album where one person says "that was probably my least favorite" and a bunch of people jump in and say "WHAT? THAT SONG WAS DOPE"
That's how you know you're dealing with a classic.