from Professor Ampim...
"In parts I and II of The Vanishing Evidence series, I examined the progressive decay and
deliberate acts of destruction to temple and tomb carvings. An additional aspect of this
problem is the systematic altering of images in museums throughout Egypt and the Western
World. The vast majority of statues, paintings, and relief images have been subtlety, and in
many cases drastically, altered by conspirators to give them a non-African appearance. The
changing of the racial identity of the vast majority of the ancient Egyptian images in museums
is a major international issue which has been unaddressed. Through my primary research at
nearly all of the major museums throughout Europe, America, Canada, and Egypt, I have been
able to observe that there is an effective and systematic effort to destroy or eliminate the
statues and paintings, which demonstrate that the founders and builders of ancient Egypt
were Black people.
FACIAL & RACIAL RECONSTRUCTION
Museum artifacts are often manipulated and altered by a number of groups having access to
these materials before they are viewed by the public. The broad group of conspirators
involved with this cunning behind-the-scenes work includes: archeologists, Egyptologists,
and government workers, who dig up, record, and decide the fate of the artifacts; restoration
and conservation workers, who restore and piece the broken artifacts back together; and
museum workers and officials who are the last group to handle the artifacts before they go
on public display. The archaeologists/excavators and Egyptologists who dig up the artifacts
have exclusive access to them until they are transported and turned over to a museum or
other institution.
Museum artifacts are therefore handled, repaired, worked on, and “restored” behind the
scenes before they are put on public display. Thus, the time from the initial excavation of an
artifact until it is displayed for public viewing can be several years. In this time period,
incredible changes are usually made to the statues, paintings, and reliefs. In fact, a careful
examination of the ancient Egyptian artifacts bearing racial images in any museum or
collection will demonstrate that the vast majority of items have been re-worked to change
or obscure the racial identity. These museum images have been tampered with and often
thoroughly de-Africanized, as they have been transformed from African to a European or
some type of mixed group."
http://manuampim.com/Part_III.htm
...another nose job, this time on "Ranofer"; looks like the crap that Egyptian street vendors peddle to Westeners...
