Other Lady Gaga ArtPop Official Thread
- Thread starter CASHAPP
- Start date
Box Cutta
Bumbling Sidekick
Pretty much.I like the song but what's up with the video?
Is this another example of her trying too hard to be abstract and artistic but it just comes off as attention whoring?
It's pretty clear that she's so far up her own ass to realize what people dislike about her. And she seems like she sheds anyone within her own circle willing to challenge her and call her out on her bullshyt.
Her "little monsters" have fukking ruined her...she needs to purge the yes-men and get her head straight.
To *regular people*, she represents everything thats wrong with pop music. Fair or not, she's the "not really talented, just pulls stunts" girl. And it's a shame, because Fame and Fame Monster went HARD.
She needs to focus on making fukking BOPS, and wind some of this other shyt down.
Stack Money
All Star
Box Cutta
Bumbling Sidekick
Typical arrogant hater thinkin errbody agrees wit you, no artist is gonna listen to whiny haters over their fans. Kick rocks pedo.
Artist who want to continue to top the charts certainly do.
She's bleeding fans because she only seems to be concerned about her ultra-fanatic "little monsters".
If she ever wants to reach the heights she did with TFM, she's going to have to concede on some of her eccentricitys. Period.
fukk outta here with this "hater" bullshyt. I'm a fan dumbass....but she's *clearly* slipping, and has been doing so since BTW...that's clear to anyone that isn't a gay-bottom.
Stack Money
All Star
You the most homotional crybaby fakkit I ever seen online, stop gettin so fukkin butthurt throwin sissy fits wishin death on cats everytime someone says somethin you don't like it just exposes your female tendencies. Artists like her top the charts by listenin to their shytload of fans not some psycho hatin ass loser which you clearly are, if you was a fan you'd know she HAD those eccentricities by the time TFM came out and increased her eccentric behavior even more durin that era.Not to mention TFM peaked at 5 and TF debuted at 17 and slowly sold over time to peak at 2 over a year later, her true height was BTW goin plat in a week wit just as much eccentric shyt as TFM and Artpop. Its damn near impossible to reach that again cause very few artists in history ever accomplished that wit one of their albums let alone 2, and Artpop debuted at the top of the charts higher than TF/TFM ever got and sold more in the first week than they did.
She usually doesn't chart high and sell much the first week BTW and Artpop are the execptions, Artpop's success is doin in between what TF/TFM did and what BTW did so quit overreactin in the bytchmade way you always do. Wit the amount of bytchassness you got in your blood you prolly a "gay-bottom" yourself, the fact you even know that term shows what a punk nikka you are so again get your punkass outta here.
Box Cutta
Bumbling Sidekick
For all your talk about hissy fits you're out here acting fukking delusional about where she is at in her career. You must be far up her ass not to believe that she has fallen off, both career-wise and creatively. You sound like one of those twitter followers, telling her how she saved your life with her voice.
Not to mention TFM peaked at 5 and TF debuted at 17 and slowly sold over time to peak at 2 over a year later, her true height was BTW goin plat in a week wit just as much eccentric shyt as TFM and Artpop. Its damn near impossible to reach that again cause very few artists in history ever accomplished that wit one of their albums let alone 2, and Artpop debuted at the top of the charts higher than TF/TFM ever got and sold more in the first week than they did.
She usually doesn't chart high and sell much the first week BTW and Artpop are the execptions, Artpop's success is doin in between what TF/TFM did and what BTW did so quit overreactin in the bytchmade way you always do. Wit the amount of bytchassness you got in your blood you prolly a "gay-bottom" yourself the fact you even know that term shows what a punk nikka you are so again get your punkass outta here.
And lol @ even bringing up Born This Way. The drop off between TFM and BTW is so ridiculous large...and the first week sales were completely bogus due to the 99 cent amazon deal. Honestly, her pulling that little stunt was probably the first sign that she was slipping.
She's slipped in all areas : Musically, Video's, Presentation, Popularity, Sales.
Get fukking real dude. I'f I'm hatin', then so is the rest of the fukking globe.She's a POP STAR, so making appeals to "this is what her real fans think" is absolute horse shyt in the first place. Save that shyt for fukking indie rock bands. She shall be judged on her overall success, the same way every other pop star has been.
She makes great music but I agree that her desperate attempts to be abstract are cringeworthy. And I've enjoyed all of her albums. But the first 2 were
And to comment about the discussion of Born This Way, the pandering in that album was pathetic.
Not to mention TFM peaked at 5 and TF debuted at 17 and slowly sold over time to peak at 2 over a year later, her true height was BTW goin plat in a week wit just as much eccentric shyt as TFM and Artpop. Its damn near impossible to reach that again cause very few artists in history ever accomplished that wit one of their albums let alone 2, and Artpop debuted at the top of the charts higher than TF/TFM ever got and sold more in the first week than they did.
She usually doesn't chart high and sell much the first week BTW and Artpop are the execptions, Artpop's success is doin in between what TF/TFM did and what BTW did so quit overreactin in the bytchmade way you always do. Wit the amount of bytchassness you got in your blood you prolly a "gay-bottom" yourself, the fact you even know that term shows what a punk nikka you are so again get your punkass outta here.
go kill yourself for stanning lady gaga in 2014. we on lana del rey now, cola >>> anything gaga has made for the past four years
Stack Money
All Star
You're the textbook obsessed hater runnin wit that media bullshyt about how she fell off that started before she even released a song from Artpop, the delusional one is your dumbass in denial about her success claimin she went plat in a week cause of a deal that only lasted 2 days. You tryna spin it like everyone who bought that album got it from Amazon on those 2 days simply cause of the deal, its already been proven that the Amazon sales didn't effect her overall sales much cause even if you took away those sales she still woulda sold 668,000 that week and thats if you assume no one woulda still bought it from Amazon if they didn't have that deal which obviously some would've.For all your talk about hissy fits you're out here acting fukking delusional about where she is at in her career. You must be far up her ass not to believe that she has fallen off, both career-wise and creatively. You sound like one of those twitter followers, telling her how she saved your life with her voice.
And lol @ even bringing up Born This Way. The drop off between TFM and BTW is so ridiculous large...and the first week sales were completely bogus due to the 99 cent amazon deal. Honestly, her pulling that little stunt was probably the first sign that she was slipping.
She's slipped in all areas : Musically, Video's, Presentation, Popularity, Sales.
Get fukking real dude. I'f I'm hatin', then so is the rest of the fukking globe.She's a POP STAR, so making appeals to "this is what her real fans think" is absolute horse shyt in the first place. Save that shyt for fukking indie rock bands. She shall be judged on her overall success, the same way every other pop star has been.
Whinin about the deal bein "bogus" and callin it "a little stunt" shows
that she made history wit that plat in a week, get over it other artists have had deals like that before but yall didn't bytch about them cause they weren't Gaga. She hasn't slipped in any areas cause most of her albums start off sellin slowly and build over time like I already pointed out, and this album started off sellin alot so its actually on a better pace than usual. You're so stuck in your little denial filled world that you straight up lyin to yourself about it doin so horribly and literally think the globe agrees wit you cause other vendetta havin idiots online say it.What her fans think is all that matters cause she has a ton of fans they're why she went plat, you ethered yourself wit that little chart which shows her overall success is great and the fact her album had like one of the 4 highest first week sales last year further proves that. Stop cryin on here get over it and smarten up.
Another butthurt hater lashin out emotionally wishin death on someone they don't agree wit, guess thats a trait from bytchmade psycho Gaga haters. Don't nobody listen to no lana del rey most muhfukkas never even heard of her. You must be a white girl or some teenage fakkit cause those are the only ones who like her shytty music everyone else hates her, and unlike Gaga her haters far outnumber her fans which is why she ain't had 10% of the success Gaga has had.
Is it still Gaga Season, though?
always been
Libra Lady
All Star
Lady Gaga (and Asia) cover one of Harper's Bazaar September Icon Issues.
Libra Lady
All Star
Continued...
Photographed by Sebastian Faena, Lady Gaga graces the cover of the latest issue of Harper’s Bazaar magazine. Enjoy the cover shoot and interview by Karl Lagerfeld below!
Interview:
KARL LAGERFELD: Since my Choupette is the most famous cat on the Internet, and your [French bulldog] Asia is the most famous dog on the Internet, should they meet? Does Asia have a personal maid like Choupette does?
LADY GAGA: They most certainly must meet! Asia is very sweet and calm. She would be very gentle with Choupette. She does not have a personal maid yet, but I adore making her little presents and cooking her homemade puppy food.
KL: Choupette talks without words; she communicates with me through her eyes. How does Asia communicate with you?
LG: Asia and I have a very special bond. She also talks a lot with her big, beautiful eyes. Her ears are especially large for a Frenchie, and I can tell she’s comfy at home with Mommy because her ears are down. Asia also loves belly rubs, from everyone, and she lies on her back all the time to let me know!
KL: Choupette is my muse. Is Asia your musical inspiration?
LG: Asia is my inspiration for many things. She has really shown me the importance of living in the moment. If I don’t, I’ll miss a precious look on her face! She is a very romantic and loving animal, and this sort of poetry is what art is all about, I think. Interaction. She loves to sit with me when I record jazz. She never barks or makes noise; she just looks at me with her big ears.
KL: I think animals are better muses than human beings—they’ll never fall out of fashion. What do you think of animals?
LG: I love animals. They communicate with us entirely with love, something we all should do. Asia and my love will never be out of fashion—it is unconditional.
KL: What are you into? What’s your next fashion “trip”?
LG: I’ve been recently enjoying looking far and wide for the best vintage fashion I can find. Clothing with a story, a past. Heavy fabrics, jewels, veils. My latest trip is feeling a connection to all women throughout history through fashion. I love wearing clothes knowing that I’m carrying the spirit of previous fashionistas, and living out more of their fantasies, and my own. I believe clothes carry the soul of the designer and the person wearing them forever, so I look for clothes with a soul. Perhaps it’s something only I can see. But I know it’s real.
KL: Where do you see your look evolving?
LG: I could tell you, but then I’d have to kill you. Who knows? But when I sing jazz with Tony Bennett, I want to wear dresses made for real ladies, turn off all the lights, and have you hear only my voice cutting through the darkness.
KL: I wonder if you’ll end up extremely classic one day. Do you think classic can be daring too?
LG: Very.
KL: I can picture you doing “Miss Otis Regrets” with Tony Bennett. I love that song. Please tell me about your new album with him [Cheek to Cheek].
LG: Tony has completely changed my life. It’s been a sort of secret that I’ve been singing jazz since I was 13. I was a jazz singer before I was a pop singer. Tony is such a gentleman. He really treats me like a lady. I feel so healed by my relationship with him because some men were very bad to me when I was young and in the studio. Tony showed me what the elegant and old-school cats were like. Our recording sessions were beautiful, memorable. We’ve built a deep friendship. There are 60 years between us, but when we sing together there is no distance. This album is pure jazz, songs from the Great American Songbook, played by both Tony and my respective jazz musicians and friends.
KL: I love Billie Holiday’s “It’s Easy to Remember (and So Hard to Forget).” In life, I always say, most people are easy to forget and hard to remember. Do you like Billie Holiday? What are your musical inspirations for this type of music?
LG: I used to listen to Billie Holiday every Sunday with my mother, but I fell in love with Ella Fitzgerald. She is to me the quintessential jazz vocalist. Her life story, the pain and wisdom, the whiskey in her throaty voice. I felt connected to her because it’s these types of women, the lush ladies of swing, who’ve made me feel like no matter what happens, I can always turn a tragedy into a great performance. That’s the romance of theater.
KL: How long is your world tour? Is it around the world in 80 days?
LG: Seven months.
KL: Do you have a different look planned for every city? I dare say, fashion could be your victim.
LG: I don’t have my looks planned, but it’s a nice compliment to suggest so. Thank you. I bring lots of vintage pieces with me—jewels, hats, bags—and I’m also very fortunate to get sent beautiful couture and runway looks all over the world. I just wear what makes me feel good for the day. Right now I’m enjoying feeling like a lady. Wearing dresses, in love, walking Asia in gardens, singing jazz with Tony Bennett …
KL: I heard you’re going to Dubai for the first time. I hope you like it. I loved it when I showed the Chanel Dubai collection there.
LG: I’m very excited to go there, see my fans, give them the show of a lifetime. And, of course, I must explore the local designers and go shopping!
KL: I would call you the world’s ever-changing fashion icon. How does it feel to be chosen as Carine Roitfeld and Bazaar’s icon? You change all the time, but to me you stay the same Gaga. How do you manage that?
LG: It’s an honor for you to say that, Karl. You are very classic. Classic for me is something that changes all the time, like a drifting anchor. Even though I’m changing all the time, I’m always thinking of iconography—which is repetition of images—so I’m always different. I’m in a way wearing the same outfit over and over, but I’m just a different expression of the same woman. When I leave the house, I bear the souls of fashionistas who came before me; I continue to live glamorously to celebrate them. I’m just being me.
Credit: GagaDaily
Photographed by Sebastian Faena, Lady Gaga graces the cover of the latest issue of Harper’s Bazaar magazine. Enjoy the cover shoot and interview by Karl Lagerfeld below!
Interview:
KARL LAGERFELD: Since my Choupette is the most famous cat on the Internet, and your [French bulldog] Asia is the most famous dog on the Internet, should they meet? Does Asia have a personal maid like Choupette does?
LADY GAGA: They most certainly must meet! Asia is very sweet and calm. She would be very gentle with Choupette. She does not have a personal maid yet, but I adore making her little presents and cooking her homemade puppy food.
KL: Choupette talks without words; she communicates with me through her eyes. How does Asia communicate with you?
LG: Asia and I have a very special bond. She also talks a lot with her big, beautiful eyes. Her ears are especially large for a Frenchie, and I can tell she’s comfy at home with Mommy because her ears are down. Asia also loves belly rubs, from everyone, and she lies on her back all the time to let me know!
KL: Choupette is my muse. Is Asia your musical inspiration?
LG: Asia is my inspiration for many things. She has really shown me the importance of living in the moment. If I don’t, I’ll miss a precious look on her face! She is a very romantic and loving animal, and this sort of poetry is what art is all about, I think. Interaction. She loves to sit with me when I record jazz. She never barks or makes noise; she just looks at me with her big ears.
KL: I think animals are better muses than human beings—they’ll never fall out of fashion. What do you think of animals?
LG: I love animals. They communicate with us entirely with love, something we all should do. Asia and my love will never be out of fashion—it is unconditional.
KL: What are you into? What’s your next fashion “trip”?
LG: I’ve been recently enjoying looking far and wide for the best vintage fashion I can find. Clothing with a story, a past. Heavy fabrics, jewels, veils. My latest trip is feeling a connection to all women throughout history through fashion. I love wearing clothes knowing that I’m carrying the spirit of previous fashionistas, and living out more of their fantasies, and my own. I believe clothes carry the soul of the designer and the person wearing them forever, so I look for clothes with a soul. Perhaps it’s something only I can see. But I know it’s real.
KL: Where do you see your look evolving?
LG: I could tell you, but then I’d have to kill you. Who knows? But when I sing jazz with Tony Bennett, I want to wear dresses made for real ladies, turn off all the lights, and have you hear only my voice cutting through the darkness.
KL: I wonder if you’ll end up extremely classic one day. Do you think classic can be daring too?
LG: Very.
KL: I can picture you doing “Miss Otis Regrets” with Tony Bennett. I love that song. Please tell me about your new album with him [Cheek to Cheek].
LG: Tony has completely changed my life. It’s been a sort of secret that I’ve been singing jazz since I was 13. I was a jazz singer before I was a pop singer. Tony is such a gentleman. He really treats me like a lady. I feel so healed by my relationship with him because some men were very bad to me when I was young and in the studio. Tony showed me what the elegant and old-school cats were like. Our recording sessions were beautiful, memorable. We’ve built a deep friendship. There are 60 years between us, but when we sing together there is no distance. This album is pure jazz, songs from the Great American Songbook, played by both Tony and my respective jazz musicians and friends.
KL: I love Billie Holiday’s “It’s Easy to Remember (and So Hard to Forget).” In life, I always say, most people are easy to forget and hard to remember. Do you like Billie Holiday? What are your musical inspirations for this type of music?
LG: I used to listen to Billie Holiday every Sunday with my mother, but I fell in love with Ella Fitzgerald. She is to me the quintessential jazz vocalist. Her life story, the pain and wisdom, the whiskey in her throaty voice. I felt connected to her because it’s these types of women, the lush ladies of swing, who’ve made me feel like no matter what happens, I can always turn a tragedy into a great performance. That’s the romance of theater.
KL: How long is your world tour? Is it around the world in 80 days?
LG: Seven months.
KL: Do you have a different look planned for every city? I dare say, fashion could be your victim.
LG: I don’t have my looks planned, but it’s a nice compliment to suggest so. Thank you. I bring lots of vintage pieces with me—jewels, hats, bags—and I’m also very fortunate to get sent beautiful couture and runway looks all over the world. I just wear what makes me feel good for the day. Right now I’m enjoying feeling like a lady. Wearing dresses, in love, walking Asia in gardens, singing jazz with Tony Bennett …
KL: I heard you’re going to Dubai for the first time. I hope you like it. I loved it when I showed the Chanel Dubai collection there.
LG: I’m very excited to go there, see my fans, give them the show of a lifetime. And, of course, I must explore the local designers and go shopping!
KL: I would call you the world’s ever-changing fashion icon. How does it feel to be chosen as Carine Roitfeld and Bazaar’s icon? You change all the time, but to me you stay the same Gaga. How do you manage that?
LG: It’s an honor for you to say that, Karl. You are very classic. Classic for me is something that changes all the time, like a drifting anchor. Even though I’m changing all the time, I’m always thinking of iconography—which is repetition of images—so I’m always different. I’m in a way wearing the same outfit over and over, but I’m just a different expression of the same woman. When I leave the house, I bear the souls of fashionistas who came before me; I continue to live glamorously to celebrate them. I’m just being me.
Credit: GagaDaily
Libra Lady
All Star
Tony Bennett & Lady Gaga's 'Cheek To Cheek' Debuts at No. 1
The standards album, released Sept. 23 on Streamline/Interscope/RPM/Columbia Records, sold 131,000 copies in the week ending Sept. 28, according to Nielsen SoundScan. It also hits No. 1 on both the Jazz Albums and Traditional Jazz Albums charts.
88-year old Bennett is the oldest living act to earn a No. 1 album, beating a record he set himself back in 2011. That year, a then 85-year old Bennett scored his first No. 1 album with Duets II (which included a collaboration with Gaga on "The Lady Is a Tramp").
Gaga previously led the list with ARTPOP, less than a year ago, and Born This Way, in 2011.
http://www.billboard.com/biz/articles/6266770/tony-bennett-lady-gagas-cheek-to-cheek-debuts-at-no-1
http://www.billboard.com/biz/articles/6266770/tony-bennett-lady-gagas-cheek-to-cheek-debuts-at-no-1
Tony Bennett & Lady Gaga's 'Cheek To Cheek' Debuts at No. 1
Tony Bennett and Lady Gaga's jazzy new duets album, Cheek To Cheek, debuts at No. 1 on the Billboard 200. It's the second No. 1 for Bennett and the third for Gaga.
The standards album, released Sept. 23 on Streamline/Interscope/RPM/Columbia Records, sold 131,000 copies in the week ending Sept. 28, according to Nielsen SoundScan. It also hits No. 1 on both the Jazz Albums and Traditional Jazz Albums charts.
88-year old Bennett is the oldest living act to earn a No. 1 album, beating a record he set himself back in 2011. That year, a then 85-year old Bennett scored his first No. 1 album with Duets II (which included a collaboration with Gaga on "The Lady Is a Tramp").
Gaga previously led the list with ARTPOP, less than a year ago, and Born This Way, in 2011.
http://www.billboard.com/biz/articles/6266770/tony-bennett-lady-gagas-cheek-to-cheek-debuts-at-no-1
Fukkin nice bro.
Did neem know this was cummin' out now.
.