Essential Japanese Wrestling Discussion/News

PlayerNinety_Nine

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Most popular wrestlers in Japan according to Number Magazine (Sports magazine from Japan)

Tana and Naito BY FAR being the most popular means that Gedo will make them hot potato the IC title for the next 5 years :blessed:

And Taichi is in the top 20 :wow: That will change when he wins the G1

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If :misuz:isnt at the G1 fukking people up, I'm gonna assume that he's somewhere in Japan, killing his way through this list like

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Honga Ciganesta

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WWE was at Sumo Hall in Tokyo, Japan on Friday for their first of two straight days of house shows at the venue

- WWE presented Hisashi Shinma with a Legacy Award for being inducted as a Legacy member of their Hall of Fame.

- United States Champion Ricochet defeated Cesaro to retain his title

Ricochet retained with a flying headscissors into a pin.

- Braun Strowman defeated Robert Roode

Strowman won with a powerslam. Roode ended up being put through a table after the match.

- The Kabuki Warriors (Asuka & Kairi Sane) defeated Women's Tag Team Champions The IIconics (Peyton Royce & Billie Kay) in a non-title match

Asuka took out Kay with a hip attack, then Sane hit the InSane Elbow on Royce to win. As a stipulation of their win, Asuka & Sane will get a Women's Tag Team title shot in the future.

- Triple H, AJ Styles, Luke Gallows & Karl Anderson defeated Baron Corbin, Bobby Lashley, Drew McIntyre & Samoa Joe

Triple H got the pin on Corbin after hitting a Pedigree. Triple H tweeted about the show: "An amazing night in #WWETokyo. A city I’ve performed in countless times with an incredible roster of @WWE Superstars. An honor to give Mr. Shinma his #WWEHOF Legacy Award and team with The Club. ...and if this was one of my last times to perform in Tokyo... it was #TooSweet."

- Raw Tag Team Champions The Revival (Scott Dawson & Dash Wilder) defeated Zack Ryder & Curt Hawkins to retain their titles

Gallows & Anderson came out after, building to tomorrow's triple threat Tag Team title match.

- Raw Women's Champion Becky Lynch defeated Alexa Bliss to retain her title

Lynch submitted her with the Dis-Arm-Her.

- Universal Champion Seth Rollins defeated Shinsuke Nakamura to retain his title

Rollins retained after hitting two superkicks and a Curb Stomp. He tweeted after the match: "Pro wrestling is so f’n cool. Thank you @ShinsukeN. Thank you #WWETokyo."

:dead: at HHH pinning Corbin.
 

Legal

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They couldn't even sell out Sumo Hall with it's small configuration (7k) though :mjgrin:

DDT should start promoting themselves as the company that draws more than WWE in Tokyo or something :mjgrin:

New Japan should being calling themselves STILL The King Of Sports :mjgrin:

Men lie

Women lie

Ticket stubs don't :wow:
 

stro

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My God Hunter is such an embarrassing try hard. It's actually kind of pathetic how badly he wants to be authentically cool.

Disagree but only because of his age. Now he seems like a doofy dad and it's kind of endearing. 10 years ago if he was doing this shyt though :camby::camby::camby:
 

Jmare007

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Brehs, the build up to Okabayashi vs Nomura has been :banderas: Yuji has tapped the young gawd out in 4 straight tag matches matches but today Takuya was the one getting the submission W over the champ. I really hope they get a nice attendance and atmosphere in Osaka because that match could be out of this world with proper heat.

Kento retained over Yoshytatsu as expected,


DDT did barely 1k at Korakuen again with Takeshyta maineventing :huhldup:
 

Honga Ciganesta

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On January 4, 1998, Riki Choshu, one of the biggest stars in Japanese wrestling history, retired before a sold out Tokyo Dome which drew a $6 million gate, at the time the second largest gate for a pro wrestling event in history.

Choshu, a former Olympic wrestler who became the first truly mainstream cool Japanese heel, had for years been booker of New Japan Pro Wrestling. His run in the 90s as booker, among the greatest booking runs of all-time, seemed like success would never end. The previous year, the company had promoted four different Dome shows, all successful. Business was on fire.

When he retired, at the age of 46, after wrestling five quick singles matches, he said the only way he would come back was if business got bad. In fact, when he returned for a barbed wire death with Atsushi Onita in 2000, it was the first public sign from New Japan that things had quickly gotten bad. For a number of reasons, the role and popularity of pro wrestling, in particular New Japan Pro Wrestling, had changed.

Pro wrestling was viewed differently due to the popularity of MMA, in specific the Pride Fighting Championships. This also killed the aura created in the late 70s by Antonio Inoki that the pro wrestlers were the toughest real fighters in the world. There were other reasons as well. Inoki, the second biggest star in Japanese wrestling history behind only Rikidozan, and a genuine national hero, retired a few months after Choshu.

New Japan had a great dynamic with Inoki coming back as the legend for big shows, Choshu and Tatsumi Fujinami as the veterans who could still work on top and were well remembered during the early 80s huge television ratings boom, plus you had The Three Musketeers, Keiji Muto, Shinya Hashimoto and Masahiro Chono, who were carrying the company along with Kensuke Sasaki and the bad boy who was a huge television ratings draw, former judo champion Naoya Ogawa.

Choshu was ousted from New Japan as booker in 2002, and formed his own company, which failed twice. His original return to New Japan in late 2004, helped business at first, but anyone could see bringing back a 53-year-old legend was a short-term band-aid. With things getting bad, Choshu was made booker once again, but his second run was not like his first. After a few years he was ousted again. Choshu was a free agent, working for a number of companies, but worked regularly for New Japan again until 2010 and last worked for the company in a 2013 match. It was also notable that aside from referee Massao Hattori, nobody from New Japan worked the retirement show.

For the last several years, well into his 60s, as almost a parody of the early 80s superstar, Choshu brought his white boots and black trunks to legends shows with various different independent groups for regular matches. He mostly worked with Fujinami’s Dradition group, but did matches over the past year with a number of promotions, including an angle with DDT and a last match with All Japan.

He retired again, this time believed to be for good, on 6/26, to far less fanfare than a sold out Tokyo Dome.

Still, it was big for the nostalgia set. Tickets at Korakuen Hall sold out months in advance and the show aired live in movie theaters around the country. The merchandise frenzy at the show, to get theoretically the last of the Choshu merchandise, was described like nothing seen at Korakuen Hall in recent memory

Choshu worked a match called “The Final Rhapsody” on the 43rd anniversary of the most famous Japanese match on a worldwide basis, the Inoki vs. Ali match. It was a legends match of sorts, as Choshu, now 66, teamed with Shiro Koshinaka, who is 60, and Choshu’s protégé, Tomohiro Ishii, who is 43, to face Fujinami, now 65, Muto, now 56, and Togi Makabe, now 46.

Choshu went out on his back, as Makabe pinned him after a King Kong kneedrop in 12:29, with New Japan’s Tiger Hattori counting the pin. The symbolism is that Choshu, then known as Mitsuo Yoshida, wrestled on the same Japanese national team as Massao Hattori. They competed in international meets, including big U.S. tournaments, in the early 70s before both got into pro wrestling. Hattori, due to his size, started as a manager and later became a referee, as he was too small for the standards of what a pro wrestler had to be in the early 70s. When Choshu signed in 1973, after the 1972 Olympics, it was a heavily publicized move and he was expected to be an eventual major superstar.

Choshu was born Kwak Gwang-ung, as the son of a South Korean father and Japanese mother. He was the son of a garbage man, and encountered a lot of racial discrimination as a child due to being half Korean.

He first started as a baseball player and judoka, but in high school, joined the wrestling team at Sakurakaoka High School in Tokuyama. As a senior, he took second place in the 160 pound weight class at a national tournament in 1969, which led to him getting a wrestling scholarship at Senshu University.

In 1971, he was the Japanese collegiate national champion at 198 pounds and then won the Olympic trials in freestyle wrestling. He came to the U.S. in 1971 to compete in the U.S. Greco-Roman wrestling championships in Eugene, OR, at a time when U.S. officials would allow international stars to compete, and lost to Willie Williams in the finals at 198 pounds. However, the discrimination of his childhood continued as the Japanese officials would not allow him to represent the country due to his Korean heritage, even though he was born in Japan and never lived in Korea.

When that news broke, South Korea invited him to join their team. Mitsuo Yoshida became Kwak Gwang-ung once again. At 20, wrestling at 198 pounds, he was the second youngest wrestler in the freestyle competition (a Cuban was one day younger) but didn’t place. He returned to college and won the national championship in both freestyle and Greco-Roman wrestling as a senior in 1973.

Rather than wait for the 1976 Olympics, when he’d be 24 and in his prime for the sport, he signed with New Japan, which recruited him out of college.
 

Honga Ciganesta

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In the late 1980s, when the International Olympic Committee changed its ruling on pro wrestlers eligibility for the Olympics, Choshu toyed with the idea of going back, feeling the depth in the super heavyweight division in Japan wasn’t that great. But he would have been in his late 30s, and he was really far too big of a star to try shoot competition given how Japanese pro wrestling fans thought of his signing was a major media deal, bringing in a former Olympian and multiple time collegiate champion. At the time it was hidden that he actually represented South Korea in the Olympics, and almost everyone thought he had represented Japan, which in Japanese culture being on the Olympic team is a huge deal. His being half-Korean was hidden, with the feeling that would hurt him getting over as a babyface. Throughout the heyday of his career, few knew he was in the Olympics for South Korea or he was half-Korean. It was never pushed in the media, but reporters were aware of it, and if it was brought up, it was long after he had already established himself as a legend to where it no longer mattered.

There was a famous story of him being sent to Florida to train under Karl Gotch. Yoshida had problems with Gotch’s training methods for wrestling, and fresh out of winning the national tournaments, it led to them going at it. Yoshida was 21, and Gotch was 49. Yoshida took him down multiple times before Gotch hooked him with a submission and made him cry in front of everyone, to humiliate him.

He made his pro wrestling debut, beating El Greco, on August 8, 1974, and then was sent to Germany to compete in the tournaments, and worked as a prelim wrestler in 1975 for Championship Wrestling from Florida. He started as a tag team partner of area legend Hiro Matsuda, and then the two split up and he lost to Matsuda in a series of matches. He often wrestled Bob Backlund, Danny Hodge or Mike Graham, always losing, or Mack Quarry (George McCreary), who he’d split matches with, as Eddie Graham liked the idea of undercard matches based on amateur wrestling with legit guys.

He returned to Japan in 1977, where he took the name Riki Choshu, and held the NWA/NWF North American tag team titles (equivalent to today’s IWGP tag team titles, being New Japan’s tag team title and also a championship recognized and defended in California) with Seiji Sakaguchi from 1979 to 1981. He was clearly the junior member of the team.

He was near the top, yet far from the top at the same time. The big three were Inoki, Fujinami and Sakaguchi, and he was behind legend Shozo Kobayashi as well, for the fifth spot. It was a line that looked like it wouldn’t get shorter for some time.

On the big Sumo Hall shows in 1980, for example, he & Sakaguchi retained their titles over Super Destroyer (Don Jardine) & Iron Sheik on April 3; On June 5, he and Kobayashi beat Hulk Hogan & Badnews Allan Coage; on June 17, he and Kengo Kimura beat Badnews & Bret Hart; on November 3 he went to a double count out with Paul Orndorff. In 1981, he still never got near a main event. On April 1, 1982, Choshu & Fujinami lost a tag match to the legendary Texas Outlaws team of dikk Murdoch & Dusty Rhodes, and Choshu went to Mexico.

While in Mexico, Choshu was a headliner, and traded the UWA heavyweight title in matches with Canek, winning and losing on major cards at El Toreo in Naucalpan on July 21 and September 26. The idea was that in Mexico, he had proven himself to be a superstar, but in Japan he was still mid-card. The storyline is that even though he had won the UWA title, considered one of the major world titles in the sport at a time when that meant a lot, he was not picked to be a Japanese representative in the tournament to crown the IWGP heavyweight champion, which at first was meant to be the greatest wrestlers from all over the world the way it was pushed. New Japan created a fictitious tournament starting in 1981, heating up in 1982, with all the top wrestlers from all over the world, where the regional winners would come to Japan in 1983 to determine the world’s best wrestler.

When Choshu wasn’t selected for the tournament, he turned on Fujinami in October. At the time, New Japan was huge on national television, often drawing better than a 20 rating.

Their first singles match for Fujinami’s WWF International title was a double count out on November 4. They wrestled regularly over the next year before sellout houses at the major arenas around the country. Most of the matches were double count outs or DQ’s, until Choshu beat Fujinami via count out and again via pin. Eventually Fujinami ended the feud winning back his title.

The Choshu turn was very noteworthy historically. Choshu was considered a heel for breaking with tradition. There had been Japanese heels before, but they were usually non-regulars like Masa Saito, Umanosuke Ueda or Matsuda, or at that time, the IWE heel group led by Rusher Kimura in New Japan which were guys who hated New Japan, blaming them for putting their company out of business.

On the flip side, the younger fans loved Choshu, for a variety of different reasons. Some saw him as rebellious against a culture that rewarded seniority and tradition and held back younger people with a different vision. Some loved him and his group, which included Saito, and eventually Animal Hamaguchi, Yoshiaki Yatsu, Killer Khan, Kuniaki Kobayashi and Isamu Teranishi, for working a faster and more exciting style with repeated big moves, really the forerunner to what would become the modern U.S. and even Japanese style. New Japan was so loaded with talent that it was hard to pinpoint any one thing for the success. That 82-83 period before the collapse was huge on television and bigger on house shows, with legitimate sellouts of 70 percent of the events. Inoki, Choshu, Fujinami and Satoru Sayama as Tiger Mask were the keys. Then Inoki had to take time off in 1983, and the sellouts kept coming. All of a sudden there was the realization that contrary to existing belief, the company didn’t collapse without Inoki.

This was the period where Fujinami vs. Choshu, battling over the WWF International heavyweight title, became one of the biggest feuds in Japanese history, with Choshu winning and losing the title. The success at the gate and of television ratings was such that even today, 36 years ago, the two played upon it to both team with each other or wrestle against each other on indies, making it among the most enduring rivalries in history. In the 90s, it was an easy program that, based on the legend of the original feud, could still headline the Tokyo Dome.

In late 1984, Choshu and his army left New Japan for All Japan. Giant Baba spent huge money to change the balance of power. Decades later Choshu joked that he left because Inoki told him to. All Japan had big years in 1985 and 1986 with Choshu’s rivalry with Genichiro Tenryu, and to a lesser extent Jumbo Tsuruta, as the focal point.

But many blamed this period for hurting the business. It was also a part of the change of Japanese culture. Unlike in the U.S., where people get a job and routinely switch jobs and companies throughout their life, the Japanese mentality was always company before individual. The idea is, after college, you join a company, devote your life to the company, and unless you screw up badly, you will always have a job and they will take care of you in later life. Americans were thought of differently. It was okay for Stan Hansen, or Bruiser Brody, or Abdullah the Butcher to switch sides because they were foreigners who were in it for the money. The idea that a number of Japanese stars, who were paid well and headliners, would switch sides for more money was thought of badly within the culture.

While business was good, even great, there was an erosion of mainstream interest and some blamed it on the jump of Choshu’s Army. More likely, it was just wrestling taking a lower place in culture, as Inoki was past 40 and while a legend, not seen as the same Inoki of old, and Baba moved himself to the midcard. As big as Fujinami, Tsuruta, Tenryu and Choshu were, they were not the mainstream stars Baba and Inoki were.

Choshu, the guy who deserted New Japan, eventually became the guy pretty much in charge as booker. His run was noteworthy with things like the creation of the G-1 tournament in 1991, and Choshu putting over Bam Bam Bigelow, Hashimoto and Chono, all in major upsets and booking Muto over Chono in the finals instead of the established stars. That first tournament kicked off The Three Musketeers and the sold out Dome era of the company.

Choshu would have to be considered in the second group behind Rikidozan, Inoki and Baba, as the top stars in Japanese history. That order is much harder, but Choshu, Tenryu, Tsuruta, Fujinami, Sayama, Atsushi Onita and Akira Maeda would probably be the next group, ahead of Mitsuharu Misawa, Kenta Kobashi, Chono, Hashimoto, Muto and the modern stars of Hiroshi Tanahashi and Kazuchika Okada.
 
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