man, if there's anyone to blame it's birdman, the industry, and louisiana being a backwards ass state. 
BG looks like a junkie too and he went to jail trying to pedal drugs because rap money dried up. didn't birdman get half the hot boy members hooked on heroin so they were too busy getting high and don't realize if they got paid or not? birdman used them up for their talent and said they wouldn't become anything if it wasn't for cash money and wayne had to sue birdman to get back the money he was owed but that was for one album and not for his lifetime of work, while getting gaslit his whole life, so no wonder wayne has trust issues and acts like a diva as a defensive mechanism to protect himself.
this trend of calling out 'concerts held in new orleans that don't promote homegrown talent' started with hurricane chris calling out 50 cent for using up shreveport to get special tax cuts by schmoozing with local (republican) officials for g-unit films. and yeah, new orleans does get exploited for its tax loopholes and corporation benefits of extracting money from the city without any of the money or taxes funding up local schools and infrastructure.
the industry used up local talent and found new ways to stop paying them because of record labels restructuring deals with streaming, and these outrages are cries of desperation of people who haven't got paid in a long time and need that concert money. we used to root for juvenile every time he went solo just to realize the other labels don't know how to promote juve or is sandbagging his promo, so he had to go back to birdman every single time to make hits and get screwed on the backend when it comes to money.
birdman reignited his 'fake beef' with jay just to get out the crosshairs and make it seem like nobody is putting on new orleans rappers for them to get paid when birdman have been stealing from his artists for their whole career, just to buy luxurious mansions and then abandon them once he gets into tax trouble -- pay your god damn artists and stop making them into junkies just to waste money on drugs, as a crutch to make new songs, god dammit.
wayne has fukking new songs that's fire but he's always in his own delusional world of performing his old hits of a millie and 6 foot 7 foot as 'lyrical street singles, aka trying to rebuttal this southern new york inferiority complex' when they don't even sound good when done acoustically with a live band -- it just sounds like fukking noise like when nas used to perform 'nas the don'...move on to other hits that sound better when performed live...fukking dig into your southern roots and make good music from that HBCU marching band sound like 2 chainz and trick daddy instead of trying to relive that 2000s synthetic swizz beatz sampling pre-sets nonsense, or somehow randomly making your best songs jacking other people's beats for a mixtape and wayne barely gets any dividends for an unlicensed remix or everybody from the original song gets a cut of the revenue share just for wayne to perform his version...get mannie fresh back on production and remake new hits, remember those lyrics, and perform those because wayne being solo just means he earns more by licensing and getting his fans to stream those than the ones he did for YMCMB anyways....just mentally move on from that era instead of still trying to remind people of what happened in 2008 every single time as this self inflicted birdman stockholm syndrome
everybody else who's talking that noise on social media is entirely missing the point or just focused on the wrong public scrutiny outcry, with jay electronica trying to defend his farrakhan/jay savior and make it about the jews again...jay-z is a figurehead (like roger godell) who is moreless a hip hop consultant and gets all the flack, but he's basically shielding all the backlash directed at the tone deaf (racist) team owners who are really in charge of not kneeling and shyt...and the gamma conglomerate for UMG owns rolling stone, don't get it twisted with that stupid outrage article written to take the heat off drake...for those who care this much about kamala being jamaican, nicki minaj is a trinidadian cosplaying in blackface trying making a mockery of black culture in her hit singles this entire time, where's the outrage there? that whole YMCMB experiment was a minstrel show in the making with that 'trade v-cards with retards' line and waiting 3 years for miley cyrus to turn 18, courtjestering by saying what's taboo by saying what's really on their minds when everything else has been rapped about...the entertainment industry has a lot of cash cow pedophiles and enablers on staff, as if taking someone's youth and innocence is 'the secret to unlocking new creativity'...fukk off with that bullshyt, drake
you got this wayne, we got your back
would be nice if kenny gets wayne to come out as a special guest
BG looks like a junkie too and he went to jail trying to pedal drugs because rap money dried up. didn't birdman get half the hot boy members hooked on heroin so they were too busy getting high and don't realize if they got paid or not? birdman used them up for their talent and said they wouldn't become anything if it wasn't for cash money and wayne had to sue birdman to get back the money he was owed but that was for one album and not for his lifetime of work, while getting gaslit his whole life, so no wonder wayne has trust issues and acts like a diva as a defensive mechanism to protect himself.
this trend of calling out 'concerts held in new orleans that don't promote homegrown talent' started with hurricane chris calling out 50 cent for using up shreveport to get special tax cuts by schmoozing with local (republican) officials for g-unit films. and yeah, new orleans does get exploited for its tax loopholes and corporation benefits of extracting money from the city without any of the money or taxes funding up local schools and infrastructure.
the industry used up local talent and found new ways to stop paying them because of record labels restructuring deals with streaming, and these outrages are cries of desperation of people who haven't got paid in a long time and need that concert money. we used to root for juvenile every time he went solo just to realize the other labels don't know how to promote juve or is sandbagging his promo, so he had to go back to birdman every single time to make hits and get screwed on the backend when it comes to money.
birdman reignited his 'fake beef' with jay just to get out the crosshairs and make it seem like nobody is putting on new orleans rappers for them to get paid when birdman have been stealing from his artists for their whole career, just to buy luxurious mansions and then abandon them once he gets into tax trouble -- pay your god damn artists and stop making them into junkies just to waste money on drugs, as a crutch to make new songs, god dammit.
wayne has fukking new songs that's fire but he's always in his own delusional world of performing his old hits of a millie and 6 foot 7 foot as 'lyrical street singles, aka trying to rebuttal this southern new york inferiority complex' when they don't even sound good when done acoustically with a live band -- it just sounds like fukking noise like when nas used to perform 'nas the don'...move on to other hits that sound better when performed live...fukking dig into your southern roots and make good music from that HBCU marching band sound like 2 chainz and trick daddy instead of trying to relive that 2000s synthetic swizz beatz sampling pre-sets nonsense, or somehow randomly making your best songs jacking other people's beats for a mixtape and wayne barely gets any dividends for an unlicensed remix or everybody from the original song gets a cut of the revenue share just for wayne to perform his version...get mannie fresh back on production and remake new hits, remember those lyrics, and perform those because wayne being solo just means he earns more by licensing and getting his fans to stream those than the ones he did for YMCMB anyways....just mentally move on from that era instead of still trying to remind people of what happened in 2008 every single time as this self inflicted birdman stockholm syndrome
everybody else who's talking that noise on social media is entirely missing the point or just focused on the wrong public scrutiny outcry, with jay electronica trying to defend his farrakhan/jay savior and make it about the jews again...jay-z is a figurehead (like roger godell) who is moreless a hip hop consultant and gets all the flack, but he's basically shielding all the backlash directed at the tone deaf (racist) team owners who are really in charge of not kneeling and shyt...and the gamma conglomerate for UMG owns rolling stone, don't get it twisted with that stupid outrage article written to take the heat off drake...for those who care this much about kamala being jamaican, nicki minaj is a trinidadian cosplaying in blackface trying making a mockery of black culture in her hit singles this entire time, where's the outrage there? that whole YMCMB experiment was a minstrel show in the making with that 'trade v-cards with retards' line and waiting 3 years for miley cyrus to turn 18, courtjestering by saying what's taboo by saying what's really on their minds when everything else has been rapped about...the entertainment industry has a lot of cash cow pedophiles and enablers on staff, as if taking someone's youth and innocence is 'the secret to unlocking new creativity'...fukk off with that bullshyt, drake
you got this wayne, we got your back
would be nice if kenny gets wayne to come out as a special guest
