I'm Sorry But Fat Joe is not a Culture Vulture, AT ALL!

IllmaticDelta

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When we were getting thrown out of discotheques for dress-codes, Puerto Ricans were getting thrown out right with us.

When we were bombing trains, subways, storefronts, etc., Puerto Ricans were there with us.

When we were break-dancing on street corners and boardwalks on cardboard boxes, Puerto Ricans were there.

Puerto Ricans been part of hip-hop culture since the beginning......




you're simplifying a more complex situation.....the 2 groups to a large degree lived in the same hood but weren't necessarily associates. The same generation of black and puerto ricans who ended up in disco and park jams together were actually rivals and used to war with one another




The Black Spades was teenagers who formed to fight back caucasian/puerto rican gangs and racist in the Bronx NY...The Original Black Spades even chased heroin dealers and addicts out the community...The Black Spades were the first to put on large outside jams in the parks and inside the N.Y.C.H.A "projects" ...The Spades had a subculture which became the foundation and start of Hip Hop Culture...Brooklyn and Queens had chapters and divisions of Black Spades ..There was chapters and divisions of Black Spades all around New York City and even few other states.
 

Pimp

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I ran into Terror Squad at Sues Rendezvous Cuban Link and the his crew gave dap or head nod to everyone they just some cool nikkaz.. All them nikkaz had they TS chains on none tucked .. Culture vultures ain't in hood spots..
 

IllmaticDelta

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I gotta keep it a buck: I don't let those jamaican ducktales fly, so I gotta correct those Latins in early hiphop myths too:usure:




make no mistake, there was an obvious divide and the early latins in hiphop make it clear, they were outsiders to hiphop (park jams, music, bboys etc...and not founders. Read below


6IrXm8F.jpg
 

Double Burger With Cheese

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Fat Joe is not a culture vulture at all. That’s ridiculous. However, he was way out of line with his comments and people got the right to be on his ass about it. So dude not a culture vulture, but that really ain’t the issue at hand. His actions the issue at hand. And it seem like NY dudes hold dude in high esteem cause they know his history more, but dude is the exact definition of an average emcee and unless you from NY or Puerto Rico, don’t nobody give a fukk about Fat Joe. Dude not a culture vulture at all, but he more tolerated than anything. But on the east coast his name hold more weight and he got more respect. But the fact you used to be writing graffiti on walls don’t give you a pass to get out of line like that. So people got the right to question his status in the culture.
 

IllmaticDelta

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Again, listen to the REAL og latin pioneers tell you the truth; not these late-comers like Fat Joe



read below

SIR NORIN RAD:"Willie Will (legendary Puerto Rican B-Boy from Rockwell Association) told me about how we was introduced to that original Black B-Boy Style of dancing which you referred to as The Go Off in 1976 by a B-Boy called Chopper that was down with the Zulu Nation. What was the relationship between TBB and the Zulu Nation? Was there any kind of contact at all?"

ABY:"Again, I was younger. I was too young to even understand the difference between Black and Puerto Rican. But to my brothers...to the older guys there was a barrier....there was a line between Blacks and Latinos. I mean look at the gangs back then...the Black Spades were all black and then you had the Ghetto Brothers which were all Latinos....so there was a division at first. I remember the Zulu Kings only from late 1976/77 that's when we really got involved. That's also when Batch had his meeting with the Zulu Nation..1977. TBB and members of the Zulu Nation they used to have rumbles.....they would fight against each other. Whatever jam they went to they would rumble. If there was a jam and TBB was chilling there and all of a sudden some one threw hands Batch would summon TBB Joe's division who was known as the warlord division meaning thay handled all the rumbles or one on one fight make sure no one jumped in !! . One of the first black DJs that I ever met was Lay Lay. He was from Fun PM City Crew and they was all black but they was kool cause they were from the block.We never had problems in 129 Mapes Pool. Lay Lay would get cutting and we would start dancing !! Back then we danced more with the girls than against each other .. But when we heard "It's Just Begun" or Babe Ruth "Mexican" or "Bongo Rock"... forget about it! Floor rockers hit the flooooorrrrrrr,!!! Cypher set and battles was for respect not money .. You had to be there to truly understand and smell the air and feel the excitement when the cat you was battling burned you the last time and you been practicing all week long for the moment you let it all out on the concrete ... Damn miss em days ."


DJ Lay Lay & The Fun City Crew rocking with The L-Brothers and The Mercedes Ladies in 1979


SIR NORIN RAD:"So you're saying there was a lot of tension between TBB and members the Zulu Nation?"

ABY:"There was! There was a lot of tension out there."

SIR NORIN RAD:"And all that beef was squashed at that meeting?"

ABY:"Batch had his meeting with Bam at the Webster projects on Zulu Nation turf in 1977. After that meeting they squashed it. I don't know how come Bam never spoke of this because it's such an important part of the history. It identifies with unity between Latinos and Blacks. So I don't know why he never acknowledged it."


Castles In The Sky


^^don't get it twisted: blacks and ricans were rivals during the early days of hiphop, they because cool(er) later


 

El_Mero_Mero

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I can't read all these posts. Some people here will not answer how they truly feel, but will instead answer what they feel will receive daps. "People lie all the time for daps, cheeks, and checks." (y'all can keep that one)

Ironically, if he were to put out any Hispanic music that's not Reggaeton, then you can say that he's a cultural vulture, because he'd be deviating from what is obviously his culture, which is Rap/Hip-Hop. I'm not saying that it happens to be every Puerto Rican's culture, but it is his.
 

Wear My Dawg's Hat

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When we were getting thrown out of discotheques for dress-codes, Puerto Ricans were getting thrown out right with us.

When we were bombing trains, subways, storefronts, etc., Puerto Ricans were there with us.

When we were break-dancing on street corners and boardwalks on cardboard boxes, Puerto Ricans were there.

Puerto Ricans been part of hip-hop culture since the beginning......



Nobody was checking birth certificates or passports in Bronx River, or at the Disco Fever and Stardust Ballroom back in the day.

These identity arguments are the domain of newcomers to what us natives experienced in person.
 

xoxodede

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"Culture vulture" is 21st Century feminine social media terminology.

Help me find any references to "culture vultures" in Black music prior to the 2010s.

Feminine or not. Does it matter?

With the MANY examples of non-AA and non-Black people partaking and exploiting Black American art forms I can't believe yall doing this. LOL.

Let me ask you this? Is Jlo "Black" to you? Is she allowed to say the N-word cause she was around Black people growing up? Is she apart of Black culture? or Hip-Hop?
 
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