Identifying Black Caricatures - Brutes, c00ns, Toms, and Sapphires etc..

cole phelps

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lynching postcard for valentines day
racist-valentine-card-lynching.jpg
 

NoMoreWhiteWoman2020

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A standard day in class up here in graduate school
http://abagond.wordpress.com/2010/06/11/white-womens-tears/

white women’s tears
Fri 11 Jun 2010 by abagond

woman-crying-2.jpg
White women’s tears is one of the main ways White American women have of derailing any talk of racism, particularly their own racism. It is part of a more general pattern of white people making their feelings matter more than the truth – something you see too in the tone argument, for example.

White women’s tears can come about in different ways, but here is the classic scene:

  1. A white woman says something racist.
  2. A black woman points it out. (It could be any person of colour but it works best against black women for reasons given below.)
  3. The white woman says she is not racist and starts crying.
  4. For added effect the white woman can run out of the room.
  5. Other whites, particularly white men, come to the aid and comfort not of the wronged black woman but of the racist white woman!
  6. The black woman, the wronged party, is made to seem like the mean one in the eyes of whites.
  7. The white woman continues to believe she is not racist.
Tables turned! It works so well that it is hard not to see the tears as a cheap trick.

This is more than just a woman using tears to get her way. It is built on a set of White American ideas about race, listed here in no particular order:

  • It works best when these two stereotypes can be applied:
    • The Sapphire stereotype - black women as mean, angry and disagreeable
    • The Pure White Woman stereotype - white women as these special, delicate creatures who need to be protected at all costs. It is what drives the Missing White Woman Syndrome – and, in the old days, lynchings.
  • The r-word: to be called a “racist”, however gently and indirectly, is a terrible, upsetting thing for white people – far worse than, you know, being a racist.
  • White people and their feelings are the centre of the known universe.
  • Hearts of stone: meanwhile whites seem to have a very, very hard time putting themselves in the shoes of people of colour.
  • Moral blindness: white people think they are Basically Good, therefore if someone points out something bad about them it must be out of hatred.
  • White solidarity: whites are afraid to stand up against racism, particularly when they are with other whites. Also, they do not like it when you call other whites racists – they seem to take it personally for some reason.
All these things work together to help create the scene laid out above. It is why it works best for young, good-looking white women and why black women’s tears have nowhere the same effect in a white setting.

In my own experience White American women are by far the hardest to talk to about racism. Even if you get past all their defences and they believe what you are saying, they act like they are going to cry. So you either stop or you push on and are made to look mean and heartless.


White women, the delicate creatures that they are, attend a lynching in Indiana, 1930.
 

cole phelps

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A standard day in class up here in graduate school
http://abagond.wordpress.com/2010/06/11/white-womens-tears/

white women’s tears
Fri 11 Jun 2010 by abagond

woman-crying-2.jpg
White women’s tears is one of the main ways White American women have of derailing any talk of racism, particularly their own racism. It is part of a more general pattern of white people making their feelings matter more than the truth – something you see too in the tone argument, for example.

White women’s tears can come about in different ways, but here is the classic scene:

  1. A white woman says something racist.
  2. A black woman points it out. (It could be any person of colour but it works best against black women for reasons given below.)
  3. The white woman says she is not racist and starts crying.
  4. For added effect the white woman can run out of the room.
  5. Other whites, particularly white men, come to the aid and comfort not of the wronged black woman but of the racist white woman!
  6. The black woman, the wronged party, is made to seem like the mean one in the eyes of whites.
  7. The white woman continues to believe she is not racist.
Tables turned! It works so well that it is hard not to see the tears as a cheap trick.

This is more than just a woman using tears to get her way. It is built on a set of White American ideas about race, listed here in no particular order:

  • It works best when these two stereotypes can be applied:
    • The Sapphire stereotype - black women as mean, angry and disagreeable
    • The Pure White Woman stereotype - white women as these special, delicate creatures who need to be protected at all costs. It is what drives the Missing White Woman Syndrome – and, in the old days, lynchings.
  • The r-word: to be called a “racist”, however gently and indirectly, is a terrible, upsetting thing for white people – far worse than, you know, being a racist.
  • White people and their feelings are the centre of the known universe.
  • Hearts of stone: meanwhile whites seem to have a very, very hard time putting themselves in the shoes of people of colour.
  • Moral blindness: white people think they are Basically Good, therefore if someone points out something bad about them it must be out of hatred.
  • White solidarity: whites are afraid to stand up against racism, particularly when they are with other whites. Also, they do not like it when you call other whites racists – they seem to take it personally for some reason.
All these things work together to help create the scene laid out above. It is why it works best for young, good-looking white women and why black women’s tears have nowhere the same effect in a white setting.

In my own experience White American women are by far the hardest to talk to about racism. Even if you get past all their defences and they believe what you are saying, they act like they are going to cry. So you either stop or you push on and are made to look mean and heartless.


White women, the delicate creatures that they are, attend a lynching in Indiana, 1930.
A perfect example
 

keond

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told the story of a black maid, Aunt Delilah (played by Louise Beavers) who inherited a pancake recipe. This movie mammy gave the valuable recipe to Miss Bea, her boss. Miss Bea successfully marketed the recipe. She offered Aunt Delilah a twenty percent interest in the pancake company.

"You'll have your own car. Your own house," Miss Bea tells Aunt Delilah. Mammy is frightened. "My own house? You gonna send me away, Miss Bea? I can't live with you? Oh, Honey Chile, please don't send me away." Aunt Delilah, though she had lived her entire life in poverty, does not want her own house. "How I gonna take care of you and Miss Jessie (Miss Bea's daughter) if I ain't here... I'se your cook. And I want to stay your cook." Regarding the pancake recipe, Aunt Delilah said, "I gives it to you, Honey. I makes you a present of it"



:russ:


I saw this movie years ago and this is the part that always stuck with me. The cac stole her recipe, used her big Aunt Jemima looking face on the box, got rich off of it, and in her own noble white savior way she decided to give her some scraps (like 15 fukkin percent) and the blk maid was in tears because she couldnt live with the cac anymore. So the noble savage decided to keep her slave woman and she got old with her and died. Some Hollywood fukkery.
 

Micky Mikey

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You know what's crazy... Wenches and c00ns will blame rappers for this shyt when really it's been around for CENTURIES.

its not about blaming but about exposing those entities that uphold these caricatures and stereotypes. and unfortunately rap has played an integral part in perpetuating negative these caricature especially black brutes
 
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