Neo. The Only. The One.
THE ONE
I accidentally click to the middle of the video and I see Mayer dancing like he supposed to be Justin Timberlake or somebody, shame on you for making me look at this foolery.
Thank God for mixtapes during that period.2000’s low key ass had to be subjected to cac rock songs, reggaeton, snap music, bunch of formulaic rap and R&B collabs, Spanish guitar beats and Indian sample beats
Knew that. Studied Factor Records back in the day. That whole post-punk/new wave era would have been nothing without the Jamaican influence and the appropriation of funk and disco.A Black man co-founded Factory Records too
Alan Erasmus: the Black co-founder of Factory Records (Joy Division/New Order, Durruti Column, and more post-punk bands)
We're everywhere :manny: :umad: https://www.treblezine.com/a-guide-to-factory-records-manchester-substance/ Factory Records was a very influential label from Manchester, if you're a fan of any 80's music, you've heard at least one band from that label Mr. Erasmus seems to be on some Al...www.thecoli.com
I wanna say Imagine Dragons but, I don’t think Rock fans consider that Rock tho.Is Rock music even a thing anymore? When was the last hit Rock song?
Jack white keeping it aliveIs Rock music even a thing anymore? When was the last hit Rock song?
Knew that. Studied Factor Records back in the day. That whole post-punk/new wave era would have been nothing without the Jamaican influence and the appropriation of funk and disco.
Singer from this group up here did some records with Doug Wimbush and Little Axe of Sugar Hill Records founded by Sylvia Robinson.
Gang of Four was clear:
'round the time was Adrian Sherwood and On-U Sound puttin' out the Singers & Players records:
Keith Levene played guitar on this album. Who dat?
That's about '79-'85 Brixton when the riots were happenin'. Take a look at that Scarman Report.
They just take it and remix it, repackage it and put they seal on it. Unknown Pleasures wouldn't sound like it does without dub reggae thanks to Factory Records' Martin Hannett. Factory Records was part of the postcolonial music shift of one of the premier western colonies during their heyday.
Britain built their rock and alternative scenes from the 20th century off ADOS/FBA and Jamaican music mainly. Then New Order was using electro and ADOS/FBA dance music for their sound:
80s was probably when black music became undeniable in the global music market. Wasn't as segregated like it was in the 70s.
Those were the days