How did African Americans become the "coolest" race in the world?

IllmaticDelta

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I agree : since the genres born in the Americas have roots in Africa and Europe, of course whatever native sound from eslewhere won't sound the same : not in Africa because you don't have the European influence as much, not in Europe because you don't have the African influence as much. The Americas (North and South) provided the "perfect" mix of both influences imo, which also explains why American (North and South) music is so big in Africa and Europe,

the afro european factor plays a part but...



but that seems to be less the case in Asia or in the Middle-East (expect for the big pop names and now HH). Makes sense, since American music is less influenced by Asian and ME music.

I have to disagree here because "black" music is popular all over East Asia:dwillhuh: The middle east is harder to tackle because of religious factors but "black" popular music has made it's mark in those regions too.
 

mbewane

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the afro european factor plays a part but...
I have to disagree here because "black" music is popular all over East Asia:dwillhuh: The middle east is harder to tackle because of religious factors but "black" popular music has made it's mark in those regions too.

TBH i've never been to East Asia, but I wasn't under the impression that genres like Jazz, Blues, House, Disco etc...were that big over there...I know HH is, as well as pop (also often dominated by Aframs) but those "other" genres didn't seem to me to be as big over there as they are in Europe and Africa...and yeah I was guessing other American Black genres (from the whole continent) such as zouk, reggae, merengue, calypso, all of that weren't that big over there

TBH I was under the impression that "only" HH was big EVERYWHERE, which in itself would be proof of how genius the genre is:obama:
 

IllmaticDelta

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TBH i've never been to East Asia, but I wasn't under the impression that genres like Jazz, Blues, House, Disco etc...were that big over there...I know HH is, as well as pop (also often dominated by Aframs) but those "other" genres didn't seem to me to be as big over there as they are in Europe and Africa...

If you listen to J and K-Pop you will hear almost every "black" genre from the West. Even black gospel is big over in those regions

.....Asians from Korea to Japan getting holy ghost:ohhh::lolbron:











aMQs9QT.jpg





How Black Gospel Music is Making an Impact Among the Least Reached of Japan

It has been over 15 years that Black Gospel music was introduced to Japan. At first it seemed, like most new things, that it would start with a big bang and then fizzle out. But not this time. God has been using this genre of music to share the story of Jesus and the hope that He offers to thousands of people in Japan for the past 15 years and it is growing more and more each year.

Young and old alike join these choirs each year looking for joy and find that Jesus is the source of true joy and true life.

Missionaries Ken and Bola Taylor have been the main developers of this movement and lead a ministry called Hallelujah Gospel Family that now has a network of about 60 choirs gathering each week through out Japan. They partner with churches and other missionaries who help provide expertise and outreach to the members of these choirs. Ray Sidney from Long Beach California, a well known black gospel singer and regular at the House of Blues Sunday Gospel Brunch has been a part of this movement for the past nine years and spends about four months each year in Japan sharing Jesus through Gospel workshops and concerts.

They have been using this tool as well in Long Beach to reach Japanese workers, families and students since 2006, and have seen many become Christians and return to join and connect with churches and one of the gospel choirs in Japan.

GraceConnect » The Japanese Cornerstone Gospel Choir In Concert May 10


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Japanese Embrace Black Gospel Music

TOKYO -- Historically, it's been difficult to share the gospel in Japan. Traditional Japanese faiths like Buddhism and Shintoism have many gods and people avoid religions that make specific claims like Christianity.

But now through a music workshop, Japanese non-believers are learning to sing to the one true God.


The movie "Sister Act" brought an interest in black gospel music to Japan. Now the music is being used as an effective evangelistic tool.

Eleven years ago, missionary Ken Taylor saw an opportunity to use the gospel music fad to teach the Japanese people about Jesus Christ. The former nightclub entertainer began holding black gospel workshops in community centers.

"It became a big hit. More people joined the workshops," Taylor said.

Taylor partnered with several Christian churches in order to get non-believers involved with gospel music.

"The end goal is we see lives transformed. Within the two-hour session, they're not just learning how to sing black gospel music, they're learning to pronounce properly like a little English class," he said.

"But more than that they're really experiencing church because there's fellowship, there's worship. There's the sharing of the Word," Taylor said.

Now, there are gospel choirs in 50 churches across Japan. They call themselves the Hallelujah Gospel Family.

Pastor Masahiro Okita is involved with the movement. Okita said it has broken barriers between Christians and non-Christians.

"It opened the church to the community. And it's a very unique ministry because the target of the outreach are the choir members themselves," Okita said.

And that outreach is making a difference. Choir members say the gospel workshops are making them better people. Some have even chosen to convert to Christianity.

Choir member Mayuko Shizuka used to practice Shintoism, but through gospel music has now found the Lord.

"I used to have low self-esteem. I studied philosophy and did my rituals at Shinto shrine but nothing worked. But within one year in the choir, I learned about Jesus when I studied the lyrics of the songs. So now I am a Christian. I am more patient with our children and I am more confidents about myself," Shizuka said.

Others, like Sachico Ishihata haven't decided to follow Christ, but the gospel music they sing is still having an impact.

"I'm not a Christian but as I study the words in the songs, I'm finding new meaning in my life
," Ishihata said.

Twice a year the Hallelujah Gospel Family comes together for a concert to share the message of Christ with their families and friends through the music they sing.

Taylor says the movement is making a difference.

"A hundred percent of the people who step into these choirs are being touched by the spirit of God. God is working mightily in Japan," he said.

Japanese Embrace Black Gospel Music - Christian World News - CBN News - Christian News 24-7 - CBN.com






and yeah I was guessing other American Black genres (from the whole continent) such as zouk, reggae, merengue, calypso, all of that weren't that big over there

reggae, salsa and dancehall for sure have big a following also in those regions. I remember seeing clips of an Asian Dancehall contest:gladbron:

TBH I was under the impression that "only" HH was big EVERYWHERE, which in itself would be proof of how genius the genre is:obama:

Jazz was the first style of music to be big everywhere globally IMO. Jazz is probably hands down the only genre that made an imprint on most popular genres of music regardless of the location around the globe. This is in part because Jazz is over 100 years old.


HP: What drew you towards jazz?

CD: Jazz is a huge word, it should be spelt jjjaaaazzzzz! Seriously though, I think jazz is the most open, alive and evolving form of music that allows a musician to be him/herself. Most other forms of music demands a musician to follow trends and tradition or create stuff that's currently hip. Whereas a jazz musician goes about his business listening, assimilating and finally innovating with yet another genre of jazz! We now have dixiland-jazz, swing-jazz, bebop-jazz, funk-jazz, rock-jazz, pop-jazz, fusion-jazz, latin-jazz, indo-jazz, mando-jazz... to cut a long story short, there's a -jazz attached to every genre of music. And there will be a -jazz attached to every genre that comes along. I'm a musician who's atracted to anything that looks, feels, smells, tastes and even sounds like music, so naturally I choose jazz as I get to play it ALL.

HP: What sets apart jazz music from other genres?

CD: Jazz is the only form of music that embraces all other forms and it is no longer American music. Today jazz can safely be called world music.

Abstract Logix - Interview - Jazz from Goa, India
 

mbewane

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If you listen to J and K-Pop you will hear almost every "black" genre from the West. Even black gospel is big over in those regions

.....Asians from Korea to Japan getting holy ghost:ohhh::lolbron:











aMQs9QT.jpg





How Black Gospel Music is Making an Impact Among the Least Reached of Japan



GraceConnect » The Japanese Cornerstone Gospel Choir In Concert May 10


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Japanese Embrace Black Gospel Music



Japanese Embrace Black Gospel Music - Christian World News - CBN News - Christian News 24-7 - CBN.com








reggae, salsa and dancehall for sure have big a following also in those regions. I remember seeing clips of an Asian Dancehall contest:gladbron:



Jazz was the first style of music to be big everywhere globally IMO. Jazz is probably hands down the only genre that made an imprint on most popular genres of music regardless of the location around the globe. This is in part because Jazz is over 100 years old.




Abstract Logix - Interview - Jazz from Goa, India


Well damn :ohhh:
 

Poitier

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If you have ever watched Japanese or Korean cinema/animation then you've heard jazz, rap, house, blues prominently on many of the osts.
 

IllmaticDelta

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If you have ever watched Japanese or Korean cinema/animation then you've heard jazz, rap, house, blues prominently on many of the osts.


yup

Anime Jazz: A Japanese Genre that Really Swings

Japan has a knack for adapting foreign cultural genres. But once you get past the corny western-themed bars and pop boy bands, you’ll find that the country has taken once-respected American art forms such as jazz and animation and helped them regain their former glory. While some might argue that Japanese musicians can’t truly play jazz since they are so far removed from the African American community that developed the genre, they have—in similar fashion to Charlie Parker and Chick Corea—put their own spin on it through a Japanese lens. In the words of Miles Davis: “I don’t care if a dude is purple with green breath, as long as he can swing.”

Anime Jazz: A Japanese Genre that Really Swings : Japan Subculture Research Center

They even have a anime based in/around Jazz music:ohhh:

 

K.O.N.Y

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TBH i've never been to East Asia, but I wasn't under the impression that genres like Jazz, Blues, House, Disco etc...were that big over there...I know HH is, as well as pop (also often dominated by Aframs) but those "other" genres didn't seem to me to be as big over there as they are in Europe and Africa...and yeah I was guessing other American Black genres (from the whole continent) such as zouk, reggae, merengue, calypso, all of that weren't that big over there

TBH I was under the impression that "only" HH was big EVERYWHERE, which in itself would be proof of how genius the genre is:obama:
i dont see how you can say house though
House is to global music what soccer is to sports
 

WaveGang

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I don't see white women flying to America saying they wna get fukked by AAs

They be flying Jamaica doe

/FRED
 
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