praise White Jesus! finally! i’m elated to see that marshall mathers is using affirmative action in the way it was intended: to give white men the voice they had long been denied in American History. it espouses a sense of ultimate relief that things are right with the world, flowers can bloom again, and hip-hop does make sense.
just when we thought slim shady might be one xanax binge away from ever creating another dope lyrical display, he proves everyone wrong with the song “Rap God.” we were beginning to seriously question whether or not drugs could enhance the creative faculties of certain artists, and then plotting to have those substances conveniently appear in the Mathers Manor medicine cabinet.
