Half the people you named was RnB. Blac rob and shyne were like C list artistsThis isn’t true at all
Carl Thomas, Faith, 112, Black Rob & Shyne kept it going till like 2000


Half the people you named was RnB. Blac rob and shyne were like C list artistsThis isn’t true at all
Carl Thomas, Faith, 112, Black Rob & Shyne kept it going till like 2000
Half the people you named was RnB. Blac rob and shyne were like C list artiststhey got surpassed by so many rappers in NYC after running the city
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Nah, they was lapped in nyc hip hop by the end of 98They got six years in post 97.
By 2003, everyone wanted to move south, numb their brains of 16 bar verses, and dance like hoes to attract hoes
Compare to whom tho, DMX? Jay Z? Ja?I mean…was nikkax shyt in heavy rotation or not?
to the bold, Pop Smoke had HEAVY 50 Cent influences in his music. A boogie does too to a lesser extent.It's way too easy to blame corporations for the change in NYC hip hop.
The hip hop audience needs to do better than point at white people and say they did it.
The music mattered.
On one level, for Puffy's contemporaries - they realized they needed to change their sound up to appeal to mainstream markets.
Hard Knock Life is a direct result of that "market" mentality.
That's not the label telling them to do anything, that's them trying to make money.
Hard Knock Life did so well, they followed up with another Broadway rip with "Anything".
Dip Set, Kanye, the Heatmakerz - all that "chipmunk" soul was about artists following trends, not corporations telling artists how to make music.
Early era Kanye was basically a return to form, but he thought of it as "Backpack Rap", even though the backpack was Louis Vuitton not Jansport.
On another level, rappers on the come up, and kids that don't realize they're gonna be rappers - their favorite music is whatever is on the radio. That's their basis of what is "good rap". They're not digging in the crates for Lord Finesse and Poor Righteous Teachers - they grew up on Ja Rule. They grew up on D4L. They grew up on Swag and Surf. And now they're making records.
Harlem's ASAP Rocky (name for Rakim) was talking about how he grew up on UGK.
Pop Smoke sounded the way he did, not because no one played him a Tribe Called Quest record in his formative years. It's not like he didn't hear 50 Cent coming up.
At a core level, not the corporate level, artists were making decisions on what they wanted to sound like.
And that all goes back to the Shiny Suit Era. (which was a reaction to G-Rap's commercial and artistic dominance)
to the bold, Pop Smoke had HEAVY 50 Cent influences in his music. A boogie does too to a lesser extent.
my bad old thread lol
old NYC sound is only repped by old dudes (Roc Marciano, them boys from Buffalo (Conway, Benny, Westside Gunn), with maybe the exception of Joey Badass and his crew.
That era is the reason why Swizz Beatz came along…
Sampling those records didn’t come cheap and everyone got tired of sampling only to be left with nothing(I.e Peter Gunz and Lord Tariq).
Looking back on it, Diddy was making happy music for the masses to take his attention off the fact that he caused two of our Hip Hop heroes to be slain. Very diabolical
Nah.
Puff's formula was in full effect while B.I.G. and Pac were still here. And way before they died. He was doing that sh*t in the early 90's when he was still up at Uptown/MCA. That sound was what got him the promotions he was getting to go from intern to head A&R in no time. He was the mastermind behind those later Heavy D, Jodeci, Super Cat, and early Mary classics. He just kept the sh*t going when he got his own label.