Drake & PartyNextDoor "$$$ 4 U" Out Feb 14th.

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200k would be nice.. 150 mid… 100 :laff: it’s over
Vultures 2 had better debut on Apple and had similar numbers on other services (mid) and it sold 107k

It's mostly Drake's back catalog being streamed right now, and thats because he has twice as many songs as any other artist so it doesn't really say much
 

2ATMsYouSteppinOrWhat

f*** apologies, i wanna see y’all geeked up
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re'up

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Honestly that Weeknd album is weird as fukk. Half of it feels like a never ending interlude that doesn't lead to any climax. Just a bunch of emotionless noise that feels like something you play while he changes costumes backstage before performing a hit. It's a 10-11 track album that got doubled for no logical reason. Couple standouts but he sounds done, creatively. That synth shyt has broken his brain, musically.

In terms of the Drake album...it's not good. Everyone agrees Gimme A Hug is a standout but that's about it. Similar to Weeknd, it's a lot of tracks that don't go anywhere. Both need better songwriters in the room. For someone who clearly loves r&b I'm amazed Drake doesn't get more serious about making these songs. He rarely has bridges and the beats lend themselves to the same melody/key over and over again. Take a page out of SZA's playbook: invite Babyface to the studio. Someone, anyone. And it's not even about "haha he doesn't write." I'm saying his approach is off and having singers/writers in the studio who aren't just Weekend (or Party) clones would help him a lot.

Still getting into that album, but this is where I probably end up too. I said something just like you described, the album/music keeps insisting on all this melodrama, that we don't really feel or experience as listeners. It's like a one man show in the artists head. I love a few tracks, but as an album it's too long, bloated, overreaches more often than not. it's ambituous, but feels vacant and disconnected. The sequencing/transitions are great, but the songs repeat themselves. Reminds me of For All The Dogs.

Two different artists who seem kind of maxed out creatively in different ways. Weeknd doesn't know what he wants to do. Drake just keeps doubling down. Take Me Back to LA is said to be 5 years old too.
 
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re'up

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I am out of my depth there, but the way I understood it, back in the 90's and 2000's Billboard was something like the NASDAQ, where you could launch an IPO and see what it does. Same with an album. It was neutral to an extent. They just reported what it did.

But streamers like Apple Music, Spotify, are in business with the labels. They make money together. They pay distribution, exclusives, licenesing, however that shyt works. It's no longer in anyones interests for albums to flop, so they come up with all these tiers and ways of saying whatever they want. Whatever suits their purpose. A lot of the records Kendrick broke were bullshyt too. Not that he didn't do numbers.

"87 weeks in a row from an artist under 45, in the third consecutive May since 2022"
 
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