Cormega Giving Props To It Was Written

Figaro

Superstar
Joined
Nov 19, 2014
Messages
6,316
Reputation
2,176
Daps
25,372
Reppin
The 36 Chambers
Hated by who? bytchass journalist and hating ass backpackers.:hhh: Summer of 96 that shyt was getting bumped everywhere.

I wasn't old enough to remember them times vividly but media & journalist must've had serious power to convince some of the mass that this album wasn't great.

Glad it's getting the flowers it deserves, Illmatic might be the GOAT album but nearly every rapper from 96 on was stylistically influenced by IWW much more.
 

H.S.

All Star
Joined
May 1, 2012
Messages
4,213
Reputation
840
Daps
11,622
Dope post by Mega. Love the part about how a lot of guys patterned their projects after IWW. Even like a decade later Lupe used it as the template for his debut.

Overall I've grown to hate the discourse around both Illmatic and IWW. There's so much cool stuff to discuss thematically, lyrically, sonically, conceptually etc. But it always turns into the same tired underground vs mainstream debate. At their core both are STREET albums but people talk about them like different genres of music.
 
Last edited:

Piff Perkins

Veteran
Joined
May 29, 2012
Messages
51,585
Reputation
18,761
Daps
281,082
I just watched a little of a clip of Meth on the Math Hoffa podcast, talking about the mid 90s Def Jam era and how insane the success was in the building...kinda got me thinking about this thread again. Sony/Columbia is a big label but it wasn't rap royalty. How much of the struggles and narratives over mid-to-late-90s Nas are a direct result of him not being on Def Jam or even Bad Boy? Not being in that big club where the label is handing out more payola than anyone else, not pushing your records as effectively as it could be pushed, etc. Because you never hear the "real hip hop" dudes shytting on Vol 1 or other Jay records. You don't even hear the disdain for some of those Meth records. Sure as hell don't hear it about DMX.

IWW and LAD are basically the blueprint everyone ran with yet Nas is the guy who caught the hate. I def think Biggie would have faced sellout accusations if he had lived long enough for LAD to come out and get in rotation but instead Nas was the guy alone on the island getting sniped at.
 

BulletProof

Just a B@stard Living in a Suit
Joined
Dec 22, 2013
Messages
7,349
Reputation
970
Daps
12,277
Reppin
Neck ties and boxing gloves.
They will kill you and then name an airport or holiday after you...

All that early 50 Cent shyt? All that Ross shyt people like Elliot told you reminded them of "real rap"? All those "rap Drake" tracks that most people like, especially NWTS era where he straight up said he was studying Nas? The IWW influence can't be denied. Never seen a loud minority get treated like the gospel on anything else.

They killed Miles Davis when he went electric. They killed Bob Dylan when he went electric. And yet today today you're not gonna hear jazz critics still shytting on bytches Brew or On The Corner (outside of Stanley Crouch lol, who died pretty recently RIP). You're not gonna hear "real folk fans" shytting on Highway 61 Revisited lol. Virtually everyone recognizes all that shyt as classic and heavily influential now. You've got to move forward, sometimes you're gonna get it right sometimes you're gonna get it wrong...regardless you're gonna get killed for it. And then people catch up on later.

Well put.
 

FunkDoc1112

Heavily Armed
Joined
Sep 14, 2013
Messages
19,310
Reputation
5,753
Daps
100,653
Reppin
The 718
I just watched a little of a clip of Meth on the Math Hoffa podcast, talking about the mid 90s Def Jam era and how insane the success was in the building...kinda got me thinking about this thread again. Sony/Columbia is a big label but it wasn't rap royalty. How much of the struggles and narratives over mid-to-late-90s Nas are a direct result of him not being on Def Jam or even Bad Boy? Not being in that big club where the label is handing out more payola than anyone else, not pushing your records as effectively as it could be pushed, etc. Because you never hear the "real hip hop" dudes shytting on Vol 1 or other Jay records. You don't even hear the disdain for some of those Meth records. Sure as hell don't hear it about DMX.

IWW and LAD are basically the blueprint everyone ran with yet Nas is the guy who caught the hate. I def think Biggie would have faced sellout accusations if he had lived long enough for LAD to come out and get in rotation but instead Nas was the guy alone on the island getting sniped at.
I always say not much about the rap game would've changed if Biggie had lived (Tupac is the real wild card)...though Bad Boy probably would've pivoted to that Ruff Ryder sound instead of getting stale...either that or they'd cling to it until Biggie got fed up and signed to Roc-A-Fella or something lol
 
Joined
May 2, 2012
Messages
64,520
Reputation
27,611
Daps
383,356
Reppin
Ft. Stewart, Ga
I just watched a little of a clip of Meth on the Math Hoffa podcast, talking about the mid 90s Def Jam era and how insane the success was in the building...kinda got me thinking about this thread again. Sony/Columbia is a big label but it wasn't rap royalty. How much of the struggles and narratives over mid-to-late-90s Nas are a direct result of him not being on Def Jam or even Bad Boy? Not being in that big club where the label is handing out more payola than anyone else, not pushing your records as effectively as it could be pushed, etc. Because you never hear the "real hip hop" dudes shytting on Vol 1 or other Jay records. You don't even hear the disdain for some of those Meth records. Sure as hell don't hear it about DMX.

IWW and LAD are basically the blueprint everyone ran with yet Nas is the guy who caught the hate. I def think Biggie would have faced sellout accusations if he had lived long enough for LAD to come out and get in rotation but instead Nas was the guy alone on the island getting sniped at.


Its a double edged sword because Nas was one of only 3-4 rap acts on Columbia so by his own admission they pretty much let him do what he wanted. Nas on Def Jam or Bad Boy and following their rules and regulations you might not get Nas Is Like, Made You Look, I Can, and Bridging The Gap as singles later on down the line. If nikkas had the gall to think that It Was Written was commercial, imagine Nas on Bad Boy in 97 dancing around in a shiny suit or on Def Jam rapping over Alexander O’Neal samples. He would’ve been KILLED.

Besides The Fugees, Nas was the most commercially successful artist on the label, and probably more so because the Fugees broke up after The Score and Lauryn went into exile after Miseducation whilst Nas kept going. Its probably for the best that Nas was able to do what he wanted on Columbia because Russell Simmons already let it be known that he thought Nas sounded too much like G.Rap and “G.Rap don’t sell no records” so if MC Serch would have fought and convinced Simmons to sign Nas then whose to say Illmatic even comes out as it did?

The big three (excluding Wu-Tang) of New York rap in the 90’s is unquestionably Nas, Big, and Jay. And I feel its no coincidence that each of them were able to flourish being under separate labels. Puff poured all of his energy into big. Lyor Cohen put his energy into Jay. And Tommy Mottola let Steve Stoute pour all of his energy into Nas. It HAD to happen the way it did for Nas to be THE Nas he is today.


In effect, It Was Written.
 

JustCKing

Superstar
Joined
Jun 17, 2012
Messages
25,200
Reputation
3,779
Daps
47,622
Reppin
NULL
I think people were put off by IWW because it was ahead of its time. Yeah, there was some backlash against the whole mafiosos style at the time. Even The Fugees were vocal against it, which is ironic considering Lauryn Hill appears on "If I Ruled The World". Nas put this whole different twist on mafiosos style because he added a consciousness to it by making songs like "I Gave You Power" and "If I Ruled The World", but keeping it street. Then there was the commercial flair of The Trackmasters, but balanced it with production from Havoc and Stretch. Trackmasters still had some hard tracks on there too.
 

Ethnic Vagina Finder

The Great Paper Chaser
Joined
May 4, 2012
Messages
54,297
Reputation
2,510
Daps
153,640
Reppin
North Jersey but I miss Cali :sadcam:
I think people were put off by IWW because it was ahead of its time. Yeah, there was some backlash against the whole mafiosos style at the time. Even The Fugees were vocal against it, which is ironic considering Lauryn Hill appears on "If I Ruled The World". Nas put this whole different twist on mafiosos style because he added a consciousness to it by making songs like "I Gave You Power" and "If I Ruled The World", but keeping it street. Then there was the commercial flair of The Trackmasters, but balanced it with production from Havoc and Stretch. Trackmasters still had some hard tracks on there too.

Nah.

When people heard he was doing a collab with Lauren Hill, everyone was hype.

The song was totally different than what people were expecting. And she didn’t even rap.


Overall the album was dope. If I ruled the world opened doors for Nas career so you can’t even knock it.
 

Piff Perkins

Veteran
Joined
May 29, 2012
Messages
51,585
Reputation
18,761
Daps
281,082
Jay hated on it too

:comeon:

And yet a year after IWW, Jay was saying Nas top 3 lmao. There's no way someone with Jay's writing/pop/etc sensibilities thought IWW was wack. I remember when him and Nas made up on that MTV special he said that "one hot album" line was just something he said because he knew it would be popular.
 

reserved_one

#Ambivertgang
Joined
Sep 15, 2013
Messages
12,985
Reputation
2,707
Daps
55,168
Reppin
So.ILL/Raider Nation
IWW is Nas’s true benchmark not Illmatic. Rapping wise, he went to another gear and in my opinion he’s never matched that level of rapping since. I missed it in real time because I was only 6 when it dropped but as i got older and started becoming more of a Nas fan, I checked it out and couldn’t understand why IWW got hated on so much. Even the so called filler cuts wasn’t terrible, it just paled into comparison to the Classic cuts on the album.

It seemed like the hip hop purists wanted another Illmatic and automatically rejected it because he was aiming for a larger audience and it definitely was the right decision.
 
Top