The axe murderer
For I am death and I ride on a pale horse
Superman grounded is one of the WOAT stories. I don't know wtf they were doing with that. Got shyt like
Superman grounded is one of the WOAT stories. I don't know wtf they were doing with that. Got shyt like
When he's talking to the woman about to commit suicideSuperman grounded is one of the WOAT stories. I don't know wtf they were doing with that. Got shyt like
Even the cop was likeWhen he's talking to the woman about to commit suicide
Dude told her to rest on the edge of the ledgeEven the cop was like
Stayed the whole day and night tooDude told her to rest on the edge of the ledge
After finding out who he is, this actually doesn't surprise me at all. I've been saying this about TDKR since it came out. It's propaganda. People ain't trying to hear it though.
In case you missed it, Bane used social justice rhetoric to create chaos in Gotham in order to overthrow the elite and distract the masses from his ultimate plot to destroy the city.
The final showdown in TDKR is between the police and Bane’s “thugs” and the prisoners he released. Of course Batman swoops down on the side of the police and all is set right in the world. TDKR was a thinly disguised critique of anything related to current social justice movements that seek to address equity and equality. And of course the ultimate vigilante, Batman, stands with the law against anyone who opposes them, even those who seek equity. Interestingly, while the film uses the character of Bane to critique and mock social justice rhetoric, this character has also been adopted as an icon among anti-government tea party supporters as a sort of comic book anti-hero. Bane represents the ‘clean the swamp’ mantra. Which is perhaps why Donald Trump sounded so much like him during his inauguration speech.
So yeah, I’m not surprised Chuck Dixon is an Alt-Right Nazi nutcase, what’s scary is how fast and how much support he got for this new Nazi comic book.
yeah. tell yourself these people only create content for DC Comics.
........You ever read or listen to some of the shyt Frank Miller says? He literally wrote a anti-Muslim version of Batman at one point that was so bad DC refused to publish it so he had to change it into a different character and release it through a different publisher.
"holy terror!" was originally a batman story
EDIT: I didn't even read the rest of the quote. @Mic-Nificent broke it down
it was originally "Holy Terror Batman!"
i didnt fukk with that shyt.
but damn!
buddy was tryna make that a Batman story????
Holy Terror is legit one of the worst stories i have ever read. Holy fukk. I knew Miller was starting to fall off, but that shyt was trash. I didn't even bother to read DK3 because of it.Yup I ain't read it either
ASB&R was trash outside of the artwork. That was legit the only saving grace.I need to buy them joints i used to read the paperback in highschool
i'm mad he ain't finish All-Star Batman & Robin tho
Holy Terror is legit one of the worst stories i have ever read. Holy fukk. I knew Miller was starting to fall off, but that shyt was trash. I didn't even bother to read DK3 because of it.
ASB&R was trash outside of the artwork. That was legit the only saving grace.
Holy Terror is legit one of the worst stories i have ever read. Holy fukk. I knew Miller was starting to fall off, but that shyt was trash. I didn't even bother to read DK3 because of it.
Dixon did a lot of work for Marvel, but he cut his teeth and became most well-known for his work at DC. :bpumad:
McDuffie was one of a very few black people working at Marvel at the time. When I shared a story that Dwayne told me about a Marvel editor who infamously kept a Sambo figurine on his desk, Wayne told me he’d heard the same thing from his late friend. It goes like this: Offended by the racist caricature curio, McDuffie, artist/Milestone co-founder Denys Cowan, and other freelancers who’d come through the offices would snatch the figure from the desk. “Yeah, they would steal it,” Wayne told me. “But [the editor] would always get another one.”
“Institutional racism at Marvel was something that got talked about,” Wayne remembered. “It was a small office. [Artist] Mark Bright would come in and suddenly we’d all be talking about how there are some artists at Marvel who didn’t want to be seen talking to two black people in the hall. People would go by and say, ‘Maybe they’re planning something.’ But that’s corporate culture in America probably to this day. Although I think it’s a lot less of the norm than it used to be.”
That's what I'm trying to figure out. He wasn't there long I'm guessing 1989 when he first started working thereGoodness gracious. What year was this? I bet I can guess the editor.