Doobie Doo
Veteran
Meshell Ndegeocello
What did you think of Bruno that night at the Grammys?
What he’s doing is karaoke, basically. With “Finesse,” in particular, I think he was simply copying Bell Biv DeVoe. I think he was copying Babyface. And definitely there were some elements of Jimmy Jam & Terry Lewis back when they worked with Human League. I feel like there’s just all these threads running through there but not in a genuine way.
How fine is that balance between karaoke and artistic interpretation?
It’s really a matter of musicality and being able to manipulate the tropes in a way that makes it feel personal. It can’t just be a pastiche, where you’re copying or mimicking an old sound or just doing karaoke. There has to be a form of sincerity.
Meshell Ndegeocello Talks Revisiting R&B Gems for Covers Album & Why Bruno Mars Is 'Karaoke'
What did you think of Bruno that night at the Grammys?
What he’s doing is karaoke, basically. With “Finesse,” in particular, I think he was simply copying Bell Biv DeVoe. I think he was copying Babyface. And definitely there were some elements of Jimmy Jam & Terry Lewis back when they worked with Human League. I feel like there’s just all these threads running through there but not in a genuine way.
How fine is that balance between karaoke and artistic interpretation?
It’s really a matter of musicality and being able to manipulate the tropes in a way that makes it feel personal. It can’t just be a pastiche, where you’re copying or mimicking an old sound or just doing karaoke. There has to be a form of sincerity.
Meshell Ndegeocello Talks Revisiting R&B Gems for Covers Album & Why Bruno Mars Is 'Karaoke'