"Black Americans culture literally corrupt any melanatd group that identifies with them." - Deluuxe

CASHAPP

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.....Asians from Korea to Japan getting corrupted:ohhh:

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How Black Gospel Music is Making an Impact Among the Least Reached of Japan



GraceConnect » The Japanese Cornerstone Gospel Choir In Concert May 10


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Japanese Embrace Black Gospel Music



Japanese Embrace Black Gospel Music - Christian World News - CBN News - Christian News 24-7 - CBN.com


:blessed::blessed::blessed::blessed:


Oh great the Japanese are embracing our music...lets appreciate them :krs: :blessed:























































:beli:
 

IllmaticDelta

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Oh great the Japanese are embracing our music...lets appreciate them :krs: :blessed:






















































:beli:


That post had nothing to do with from my end about embracing Japanese because they like Black Gospel, it was to show that people who embraced so-called "black culture" can be influenced towards the positive, the opposite of what that other poster was claiming.
 

IllmaticDelta

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.......I blame that negative and corrupting Afram influence for going to West Africa and helping to produce that awful but global music known as Afrobeat and probably the most iconic African musician, Fela Kuti:pachaha:






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5un5un

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I saw this thread and I wanted to respond because to me it is clear that AA culture is not the problem here. The biggest problem for melanated people of most cultures is simply that we have too many among us who are all too willing to take a pay-off, and do the bidding of others to destroy and damage their own people.

One of the biggest examples of this:

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Source:
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Here's some more who of these 'types' who helped to mash-up Jamaica:

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Source: Jamaica's Shower Posse: How The CIA Created "The Most Notorious Criminal Organization"



And some more who helped to devastate their own neighbourhoods in LA:


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Source: Insider Whistleblower Ted Gunderson, Former Chief of the Los Angeles FBI, Has Passed Away


Another obvious area that these on-the-payroll types have seriously damaged is music. For example, Jamaica has gone from commonly having music that could elevate the mind like this:


To the kind of nowadays garbage that has been churned out for the best part of two decades.:smh::palm:



Edited again to correct the first source. It stubbornly keeps on linking to somewhere called "kushyteprince" as opposed to "k u s h i t e p r i n c e" .
 
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Dzali OG

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lol I just allow you AAs, because you really believe that America was going to stay segregated if it wasn't for you. :mjlol:. Either way you haven't done shyt for me cause Im in Canada. You can twist words up any which way you feel. Black americans have ignorant culture and they are exporting it to other groups of people, period.

Are we exporting it, or are blacks in other areas emulating us because they also feel ostracized?

Yes, there are aa's who see they're not allowed at the table so decide to fukk the party up best they can. Other blacks are beginning to cease coining and join our rebellion.

I suppose you wish to continue buck dancing in hopes you'll be given a plate?
 

Dzali OG

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I wish you guys would worry about your own set of people, maybe then you would stop crying when other nationalities don't want to label themselves "black" and cower and wine about "white supremacy". They all see us the same way!! :mjcry: .

:ooh: Never thought I'd see a "black" person on this site go the not want to be black route!

So this Dr. Dre nikka wish he was white...
 

5un5un

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My apologies for the missing images in my post, but the problem has been rectified now.

:smile:

Here's Capleton showing the pretenders how it's done:

 

IllmaticDelta

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Black/South Asian Brits


The Amazing Lost Legacy of the British Black Panthers

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While, in the mid-1960s, the Black Panthers – the famous, American, shotgun-toting ones – were scaring the crap out of white America, the British Black Panthers (BBP) were educating their communities and fighting discrimination. Outrightly racist laws that threatened to repatriate entire swathes of the black population were being pushed into place, and sections of the white middle classes were resentful towards the black community. But the BBP – based in Brixton, south London – helped to change all that, educating British black people about their history and giving them a voice to speak out against prejudice.

However, despite their successes and influence on black communities in the UK, very little is known about the British Black Panthers. Knowledge of the group – which included figures such as Darcus Howe, Linton Kwesi Johnson and the late Olive Morris – and its aims and achievements isn't aided by the fact that they only officially existed from 1968 till 1972. Luckily, Neil Kenlock – one of the group's core members – took it upon himself to become their official in-house photographer, capturing images of their meetings, campaigns, marches and presence in local communities.

This month, a new exhibition put together by Organised Youth – a group of 13-25-year-olds who were inspired by the activism of the British Black Panthers – will profile Neil's work at a gallery in Brixton, alongside contemporary photos, interviews and a documentary film (click here for more information). I had a talk with Neil ahead of that about the Panthers and their legacy in Britain.

VICE: So, first off, how did you become involved in the the British Black Panther movement?


Neil Kenlock: Well, I encountered racism when I was quite young – maybe 16 or 17. I went to a club in Streatham, and when I arrived I was told it was full and that I should come back next week. Which I did, and I was then told they wouldn't let me in because they didn't want "my type" in there. I protested that I didn't see why I shouldn't be let in. There were, of course, no discrimination laws in those days, so there was no one to tell about this.

And you were never let in?

My friend and I pointed out that we were well dressed, weren't there to make trouble and just wanted to enjoy ourselves like other people, so what was the problem? We were told to go or the police would be called. We wouldn't go, so they called the police, who then told us that we weren't wanted in the club and that we should go home. I pointed out we weren't breaking any laws and the police told us they would arrest us if we didn't leave. I really didn't want my parents to have to come to Streatham police station and bail me out, so I left. But, on my way home, I decided that I was going to fight against unfairness and discrimination in this country.

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Neil Kenlock self-portrait. 1970.

How did you come across the Panthers, then?

Well, some weeks later, I saw a Panther in Brixton giving out leaflets about police brutality and discrimination. I joined them then.

Had you already been exposed to the American Black Panthers prior to that?

I'd seen them on TV and things, but I hadn't taken much notice. It might have flashed across my mind, but it wasn't really in my consciousness. It was all more to do with what had happened to me, personally, and that I felt it was wrong. I saw them giving out those leaflets and thought, 'This is what I want to be – I want to fight against discrimination and racism and all the bad things that happen to us.' So I joined.

When was that?

About 1968, just after I left school.

And at that time how well organised was the movement? Was it a unified group or more ad hoc?
It was fairly organised. They had a building they were working from in Shakespeare Road, Brixton and a house in north London. They were having meetings, talking about history and all the societal systems – capitalism, socialism and all that stuff. They were teaching us things we weren't taught at school. Back then, we weren't taught any black history – we knew we'd been slaves, but there was no information about the struggles we had faced to get our freedom. We were taught to be proud of our history and colour. Black people then weren't clear about themselves; they weren't strong, they were submissive. They believed in the establishment, society and the system.

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Was the link between the British Black Panthers and the Black Panthers an official one? Or was the name informally adopted? I know, for instance, that you guys didn't condone gun use at all.


It was just an adoption of the name. There was informal contact, but nothing on an official basis. They were a political, radical and revolutionary party. We were a movement – we were never interested in gaining seats in Parliament or behaving like a political party. We were a movement aiming to educate our communities and to fight injustice and discrimination. That was our mantra. America was just coming out of segregation then, while we never had it. So there was a huge difference between our problems and theirs.

What were the issues that the British Black Panthers were combating, specifically?

While we were another large black population, we had no segregation here. But it was difficult for us to get adjusted to this country, and there were cultural clashes for us, too. Our parents weren't given good jobs, only menial tasks, factory jobs – there were no real black professionals in Britian. The challenge here was to get a fair deal, to climb that ladder.

There was also a cultural issue, and if I was to blame anyone for that it would be the British middle class and the political class, because they didn't educate the working-class British about the history of black people. They weren't told that we were taken from Africa, that we were actually slaves for this country for over 300 years. And at the end of slavery, plantation owners were compensated, while we got nothing, not even an apology. So, in those days, we believed we had a right to be in this country – we had helped build this country and we deserved some benefits from that. We felt we had a right to share in the profits, while British people felt, 'Why are they here taking our jobs?'

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A protester is arrested by police.

So the Panthers were there to educate people about all that?

Yeah, the middle and political classes did nothing to explain the situation. That was what we were trying to get across – that we deserved to be here and we needed laws that reflected that. At the time, they were trying to repatriate us. It was outrageous – you can't take us from Africa, enslave us, and after we've built the country up after the war, tell us to go back. No. That's not on.

How much did you interact with other rights groups? Anti-fascists, for example? Or were you fairly insular at the time?


We had some links with the Socialist Workers and other left-wing groups, and there were many intellectuals who were funding the Panthers – as well as actors and actresses and the like. Left-leaning people were supporting us. We weren't "racist" as such, but we decided that all our members should be black because we were there to educate and advance black people. We felt we needed to be able to sit together and talk about our situation and our history, and to do so in confidence without interruption.

The British Black Panthers eventually dissolved into numerous other groups – what caused that? Was it planned?

The British Black Panthers, in my opinion, came into being as a result of the discrimination that many students from the Commonwealth faced. Back then, the best students from the Commonwealth were sent to Britain to be educated. Many of those who associated with the Panthers were those sorts of people; they had never encountered discrimination in their own countries, where they were the sons or daughters of the middle classes. So when they got here for university, they discovered this inequality and decided to fight against that, but they needed support in our communities, so they came to Brixton and met people like me who shared these challenges, and we worked together.

After we'd educated these students and our communities, lots of the students returned to their countries – in many cases to positions of leadership. We were left with lots of the things we'd been campaigning for actually being achieved. The repatriation bill was quashed, the idea of deportation was gone and the movement just dissolved – not in an organised way, but people just stopped coming around and stopped doing things.

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So the dissolving of the BBP was a reflection of its success, to an extent?


Yes. I think we helped to change the way we were perceived in this country. And many of those students who were set to return to the Commonwealth had good jobs waiting for them back home, in government, legal practice and so on – they no longer wanted to risk their future careers by being involved with us.

What do you think the core legacy of the Panthers in Britain was?

The Black Panther movement was a secretive movement, yet it had a great impact on discrimination in this country. The legacy is in all the proposed laws regarding deportation being quashed. We made sure the government were properly educating our children. Lots of black children back then were educated in subnormal schools – those things were quashed, too. There were a lot of successes, but they weren't really attributed to the Black Panthers, even though they were the work of the Panthers. It's a hidden story – that's why it's important that these photos exist. Without them, it would have been difficult to tell this story, especially to young people. The legacy of the photos themselves is important.

Were you aware when taking these photos that they would become an important document in Britain's social history?

It was very conscious. When I joined the Panthers, it was a reaction to how I was treated. I felt that this was what I could do for the Panthers. I could record their meetings, their marches, their efforts. Many of the photos were used in our meetings and so on. It was a conscious contribution to the movement.

The Amazing Lost Legacy of the British Black Panthers | VICE | United Kingdom



 
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Instead of blindly disagreeing how about dissecting his statement. I for one in my travels abroad and in observations of cultures in NYC have to agree with him. The bad elements of hip hop culture indeed stupifies local music and then spreads graffiti and "it's cool to be a thug" violent mentalities among disenfranchised underemployed youths all over the world. Reggeaton for example is the hyper-sexualization of reggae music fused with latin elements. Inspired by the low hanging fruit elements present in Hip Hop.

I don't want Spaniards blaming American Black culture (or the worst elements of it) for kids acting up over there because there are not employment opportunities for them. A lot of youths in Spain forming drug gangs and sets based off of Crip and Blood culture started in California. They are emulating the systems, mannerisms and thought processes. This is not the "Black America" we want portrayed abroad and promoted. But because we let the low level elements overcome us ourselves this is how we are portrayed ultimately to next generation youths that don't know any better. Chiraq is another culture that is being promoted worldwide. Not good but the CACs love it because we can continue to be used as scapegoats not only in the U.S. for crime but WORLDWIDE.
 
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